SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "General Patrick Gordon"/1) | (@(roleclean,performerclean) "General Patrick Gordon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 622 matches on Event Comments, 386 matches on Performance Comments, 99 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: For the entertainment of two young Africans. On Friday 10 February will be perform'd a New Oratorio, call'd Susanna, with a Concerto. Pit and boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day, at the Office in Covent Garden Theatre, at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries opened at half past four. Pit and Boxes at Five. To Begin at Half an Hour after Six. [This advertisement repeated in the General Advertiser daily to 10 Feb. 1749.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Event Comment: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118

Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: N.B. Being last time of performing the Mainpiece this season. Last time of performing the Afterpiece before the Benefits (General Advertiser). Receipts: #120 (Cross); #131 7s. (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Triumph of Peace

Event Comment: Letter to Mr W-d-d in the General Advertiser signed F. [Woodward and Foote]: Oh! ho! is it come?-What at your Irish tricks again?-No my Dear, they won't do; I am too well establish'd here; Do you think we have so soon forgot your H-n Puffs: you defeat me in Ireland! Very likely; as if we did not know you!-but what you (or the whole Town) could mean by propagating such a report, the Devil take me if I know; unless you have taken an antipathy to the Irish, and found out this method to damn their judgment at once. Which by the Bye, Hal, would be a little ungrateful, considering how you profited by their ignorance. But let what will be the motive, if it produces a piece of Dullness equal to your last, I shan't quarrel at the means, or be uneasy now than then, Yours F. (From my Auction Room). [See 18 March.

Performances

Mainpiece Title: None

Event Comment: Benefit for Delane. To Mr H-. Sir: A Number of your Friends have wished to see performed the Oratorio of Joshua, which, if you would direct to be performed this season, would be much gratified, and in particular, Your Humble Servant, A Virtuoso (General Advertiser)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: Comic Dancing-Master J. and Miss Granier

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

Event Comment: At the Desire of the Loyal Regiment of Hungarian Volunteers, For the Benefit of a Brother Volunteer, M'Kenna, and Daniel. A concert, etc. Prices: 3s., 2s., 1s. (General Advertiser, 25 March)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The King and Miller of Mansfield

Event Comment: Benefit for Cibber. Mainpiece. Reviv'd, not acted these 4 years [see 1 March 1746]. Afterpiece: Taken from the French of Dancourt, a Ballad Opera, performed by particular desire. Tomorrow, The Jubilee, for Benefit of Mrs Horton. [Baker, Biographia Dramatica, lists the afterpiece as written by James Wilder, taken from Dancourt. Cibber had announced (General Advertiser, 27 Feb.) for his benefit The Man of Mode, with Pasquin, with Alterations. In which would be performed The Rehearsal of a Comedy call'd The Election; or, Bribes on Both Sides, by the Author of Tom Jones.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Gentleman Gardiner

Dance: Mr J. Granier, J. Granier's sister

Event Comment: Benefit for Miss Falkner. We hear that the two young Africans will be at the Theatre Royal in Covent Garden this night, to see the Spanish Fryar, for the Benefit of Miss Falkner. [Page missing from the General Advertiser with the Bill this day.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Phoebe; or, The Beggar's Wedding

Song: Miss Falkner

Performances

Mainpiece Title: Merope

Performance Comment: Eumenes-Garrick; Poliphontes-Havard; Narbas-Berry; Euricles-Lee; Erox-Bridges; Priest-Winstone; Ismene-Mrs Green; Merope-Mrs Pritchard; From London edition of 1749 but listed in the order as given for the actors in General Advertiser. London edition gives Beard as a Priest, and Dublin edition of 1749 lists Priests-Winstone, Beard.
Event Comment: To be performed in the evening instead of at noon it being Thanksgiving Day (General Advertiser, news column). [See 3 April.

Performances

Mainpiece Title: The Knights

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: Capt Dubutin-Coustos [Custo, General Advertiser]; Delateur-Fern; Mannon Delateur-Miss Davis; Tourneclef-Smith; Laronneau-Morgan; Comedien-Johnson; Gueux-Fern; Mme Delateur-Mrs Knight; Lucie-Mrs Cushing; Matthieu de la Prison-Daniel; Jaques-Craven; Henry de Chemin-Johnson; Mme Cajoleuse-Mrs Jackson; Dorothee Cour de Nuit-Mrs Anderson; Madam Grandant-Mrs Butler; Bebeau Catin-Miss Stevens; Janneton du Plongeon-Mrs Knight; Mme Sans@Corps-Mrs Williams; Manon L'Effrontee-Mrs Adams; Diane-Mrs Jackson; Susanne Pimpante-Mrs Daniel.
Event Comment: Benefit for Simpson, Raftor, Usher. Tickets and places of Hobson at the stage door. Receipts: #180 (Cross); charges, #63 (Powel). [This month, the Gentleman's Magazine Register of Books listed as published Remarks on Three Plays of B. Johnson, viz: The Fox, Silent Woman, and Alchymist, by James Upton.] This week will be published The Hen Peck'd Captain,...as it was intended to be acted...on Saturday last. Taken from The Campaigners; or, the pleasant Adventures at Brussels with a Preface by R. Cross, prompter (General Advertiser)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Miss in Her Teens

Dance: SSavoyards, as17480920

Event Comment: [Note by Croza says in view of the actions against him he was not the "Undertaker of the Operas" but came under Articles with an English Gentleman, who employed Mr V-i as Director and Mr C-d as Treasurer, that V-i received 3 per cent of the gross every night (General Advertiser). The persons referred to are Vaneschi and Crawford.

Performances

Mainpiece Title: Don Calascione

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: We hear that Mrs Cibber is so extremely ill at the Bath, that her life is despaired of (General Advertiser). Receipts: #107 4s. 6d

Performances

Mainpiece Title: Othello, The Moor Of Venice

Afterpiece Title: Damon and Phillida

Event Comment: Mainpiece: By Particular Desire. [Lee had returned to Covent Garden. See Winston MS 7.] Notwithstanding the reports of Mrs Cibber's Indisposition, we hear that she is not ill at Bath. We hear that the Comic part of the Little French Lawyer is alter'd from Beaumont and Fletcher, and will be acted very soon at Drury Lane, the part of the little French Lawyer will be perform'd by Woodward (General Advertiser). [See 7 Oct.] Receipts: #170

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Event Comment: Afterpiece: A Farce of one Act, never performed before (General Advertiser). Taken from Beaumont and Fletcher. Well receiv'd till ye last Scene, then hiss'd greatly (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Little French Lawyer

Event Comment: On Saturday last the Farce of The Little French Lawyer from Beaumont and Fletcher, was acted at Drury Lane to a crowded House; every scene except the last, was receiv'd with Universal Applause; but that meeting with Disapprobation, it is now alter'd, and will be perform'd again tomorrow night (General Advertiser)

Performances

Mainpiece Title: None

Event Comment: The Play of Hamlet is oblig'd to be deferr'd. [An extra notice appeared in the General Advertiser: This evening the Play of the Provok'd Wife will be perform'd at Drury Lane, the parts of Sir John and Lady Brute to be performed by Garrick and Mrs Pritchard."] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Intriguing Chambermaid

Dance: Master Mattocks

Dance: CComic Dance-Matthews, M'Neil, Mrs Addison

Event Comment: Mainpiece: By particular desire. [Afterpiece call'd Merlin in the Treasurer's Account Book, but listed as Royal Chace; or, Harlequin Skeleton in the General Advertiser.] Receipts: #58 10s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Merlin

Event Comment: This is to acquaint the Publick that the Famous Turk Carata, who has already had the honour to entertain the town with his surprising Exercises on the SLACK ROPE, is arrived with a numerous company of Turks, Men and Women, and that he is to perform Tuesday the 31st Instant, at the New Theatre in the Haymarket. There will be dancing and music after the Turkish manner (General Advertiser). [His charges were: Box, 5s.; Pit, 3s.; Gallery, 2s. See notes for 29 Sept., and 23 Dec.] Receipts: #90 8s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hob

Event Comment: We hear there are Orders given to the City Officers, not to permit (on any Account) the Play Bills for the French Company to be fixed up in their Liberties (General Advertiser)

Performances