18 February 1749

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1748-1749
Volume: 4
Comments: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

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  • Original Data

    Source: London Stage Information Bank

    *p?2dl Mahomet and Irene. As 7 Feb. *a?2dl The Lying Valet. As 22 Dec. 1748. *d?2dl <i>SScotch Dance</i>, as 18 Jan. *c?2dl Afterpiece: By Desire. [A full column, front-page letter to the Author of the <i>General Advertiser</i> from one purporting to live many miles from <i>London</i>, but whose curiosity about the New Tragedy <i>Irene</i> brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing <i>Irene</i> as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of <i>Great Britain</i> for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 ($Cross=); #101 ($Powel=).
  • Cleaned Data

    *p1749 02 18 dl Mahomet and Irene. ^As17490207^.*a1749 02 18 dl The Lying Valet. ^As17481222^.*d1749 02 18 dl <i>SScotch Dance</i>, ^as17490118^.*c1749 02 18 dl Afterpiece: By Desire. [A full column, front-page letter to the Author of the <i>General Advertiser</i> from one purporting to live many miles from <i>London</i>, but whose curiosity about the New Tragedy <i>Irene</i> brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing <i>Irene</i> as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of <i>Great Britain</i> for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 ($Cross=); #101 ($Powel=).
  • Parsed Data

    Event: 24614 | 17490218 | dl | Afterpiece: By Desire. [A full column, front-page letter to the Author of the <i>General Advertiser</i> from one purporting to live many miles from <i>London</i>, but whose curiosity about the New Tragedy <i>Irene</i> brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing <i>Irene</i> as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of <i>Great Britain</i> for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 ($Cross=); #101 ($Powel=)
    Performance: 49078 | 24614 | p | Mahomet And Irene | As17490207.
    AsSeeDate: 49078 | dl | p | As | 17490207
    Performance: 49079 | 24614 | a | The Lying Valet | As17481222.
    AsSeeDate: 49079 | dl | a | As | 17481222
    Cast:
    359291 | 49079 | add Gayless | Blakes
    359292 | 49079 | Melissa | Mrs Bennet
    359293 | 49079 | Kitty Pry | Mrs Green.
    359294 | 49079 | Sharp | Yates.
    Performance: 49080 | 24614 | d | <i>SScotch Dance</i>, as17490118
    AsSeeDate: 49080 | dl | d | As | 17490118

Mainpiece

Comments:
As17490207.
Cast:
None Listed

Afterpiece

Comments:
As17481222.
Cast:

Dance

Comment: SScotch Dance, as17490118

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