SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G and W Nicol"/1) | (@(roleclean,performerclean) "G and W Nicol")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1459 matches on Performance Comments, 466 matches on Event Comments, 70 matches on Performance Title, 56 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Comus

Cast
Role: Bacchants Actor: Miss _Kirton, Miss Logan
Role: Bacchanals Actor:
Role: Lord Arthur D'Aimurle Actor: Lewis
Role: Dickins Actor: Quick
Role: Timolin Actor: Johnstone
Role: Sir Hans Burgess Actor: Munden
Role: George Burgess Actor: Fawcett
Role: Lord Torrendel Actor: Powel
Role: Robin Actor: Townsend
Role: Leillet Actor: Farley
Role: Coachman Actor: Thompson
Role: Thomas Actor: Rees
Role: Waiter Actor: Holland
Role: Tradesmen Actor: Davenport, Follett, Cross, Williamson
Role: Augusta Actor: Miss Wallis
Role: Fanny Dickins Actor: Miss Mansel
Role: Miss Clare Actor: Miss Logan
Role: Martha Actor: Mrs Platt
Role: Landlady Actor: Miss Leserve
Role: Fruit Woman Actor: Mrs Watts
Role: Lady Torrendel Actor: Mrs Pope.

Afterpiece Title: Artaxerxes

Cast
Role: Artaxerxes Actor: Mrs Clendining.
Role: Characters Actor: Quick, Munden, Middleton, Knight, Macready, Haymes, Rees, Miss Mansel, Mrs Mattocks
Role: Septimus Actor: Quick
Role: Sir Marmaduke Actor: Munden
Role: Captain Septimus Actor: Middleton
Role: Gyp Actor: Knight
Role: Flam Actor: Macready
Role: Captain Slash Actor: Haymes
Role: Looby Actor: Rees
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel
Role: Mrs Auburne Actor: Mrs Mattocks
Role: Petruchio Actor: Lewis
Role: Baptista Actor: Thompson
Role: Taylor Actor: Simmons
Role: Biondello Actor: Townsend
Role: Grumio Actor: Quick
Role: Catharine Actor: Mrs Mattocks.
Role: Cooper Actor: Blurton
Role: Gamblers Actor: Bowden, Townsend, Haimes, Richardson
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Harlequin Actor: Simpson
Role: Clown Actor: Follett
Role: Pantaloon Actor: Hawtin
Role: Fop's Servant Actor: Simmons
Role: Miser Actor: Powel
Role: Pantomimic Sailor Actor: Blurton
Role: Jew Actor: Crowe
Role: Quaker Actor: Davenport
Role: Punch Actor: Rayner
Role: Smuggler Actor: King
Role: Lemon Merchant Actor: Wilde
Role: Landlord Actor: Thompson
Role: Cook Actor: Rees
Role: Surveyor Actor: Claremont
Role: Servant Actor: Abbot
Role: Waiters Actor: Findlay, Lee
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Vocal Characters Farmer Actor: Bowden
Role: Vocal Sailor Actor: Haymes
Role: Gambler Actor: Townsend
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: A Garden Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Outside of Bagnio Actor:
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: with a Hornpipe in Fetters Actor: Byrn.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: Spofforth Actor: Haymes
Role: The Kitchen Scene Actor: by Messink.
Role: A Landscape Actor:
Role: Spofforth Actor: Bowden
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: A Dark Wood Actor:
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.
Role: 960315but Rule Brittania Actor: Bowden, Townsend

Afterpiece Title: The Doldrum

Cast
Role: Characters Actor: Quick, Munden, Middleton, Knight, Macready, Haymes, Rees, Miss Mansel, Mrs Mattocks
Role: Septimus Actor: Quick
Role: Sir Marmaduke Actor: Munden
Role: Captain Septimus Actor: Middleton
Role: Gyp Actor: Knight
Role: Flam Actor: Macready
Role: Captain Slash Actor: Haymes
Role: Looby Actor: Rees
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel
Role: Mrs Auburne Actor: Mrs Mattocks
Role: Petruchio Actor: Lewis
Role: Baptista Actor: Thompson
Role: Taylor Actor: Simmons
Role: Biondello Actor: Townsend
Role: Grumio Actor: Quick
Role: Catharine Actor: Mrs Mattocks.
Role: Cooper Actor: Blurton
Role: Gamblers Actor: Bowden, Townsend, Haimes, Richardson
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Harlequin Actor: Simpson
Role: Clown Actor: Follett
Role: Pantaloon Actor: Hawtin
Role: Fop's Servant Actor: Simmons
Role: Miser Actor: Powel
Role: Pantomimic Sailor Actor: Blurton
Role: Jew Actor: Crowe
Role: Quaker Actor: Davenport
Role: Punch Actor: Rayner
Role: Smuggler Actor: King
Role: Lemon Merchant Actor: Wilde
Role: Landlord Actor: Thompson
Role: Cook Actor: Rees
Role: Surveyor Actor: Claremont
Role: Servant Actor: Abbot
Role: Waiters Actor: Findlay, Lee
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Vocal Characters Farmer Actor: Bowden
Role: Vocal Sailor Actor: Haymes
Role: Gambler Actor: Townsend
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: A Garden Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Outside of Bagnio Actor:
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: with a Hornpipe in Fetters Actor: Byrn.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: Spofforth Actor: Haymes
Role: The Kitchen Scene Actor: by Messink.
Role: A Landscape Actor:
Role: Spofforth Actor: Bowden
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: A Dark Wood Actor:
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.
Role: 960315but Rule Brittania Actor: Bowden, Townsend

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

Performance Comment: Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself.written for the Occasion, and set to music by Herself.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Cast
Role: Overture Actor:
Role: The Dettingen Te Deum Actor:
Role: with Holy Holy Lord Actor: .

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Overture (Berenice)-; What Passion cannot Music raise?-Miss Poole; From Harmony-Chorus [Dryden's Ode]; Return O God of Hosts-Sga Galli [Samson]; What's sweeter than-[Joseph]; Pour forth no more-Bartleman; No more to Ammon's God-Chorus [Jephtha]; Every day will I give thanks-Braham [Chandos Anthems]; Lord remember David-Mme Mara [Sosarme]; From the censer-Chorus [Solomon].Solomon].

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Overture (Samson)-; Agitata-Mme Mara; Total eclipse-Braham; O first created beam-Chorus [Samson]; He was eyes unto the blind-Miss Poole [Siroe]; But bright Cecilia-; and The Dead shall live-Chorus [Dryden's Ode].Dryden's Ode].
Cast
Role: Overture Actor:
Role: Agitata Actor: Mme Mara
Role: Total eclipse Actor: Braham
Role: O first created beam Actor: Chorus
Role: He was eyes unto the blind Actor: Miss Poole
Role: But bright Cecilia Actor:
Role: and The Dead shall live Actor: Chorus

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Event Comment: Afterpiece [1st time; MD 2, by Prince Hoare, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres]: The Musick entirely new by Dussek [and Kelly]. With new Scenery [by Marinari (Monthly Mirror, Nov. 1798, p. 309)], Dresses, and Decorations. Books of the Songs to be had at the Theatre. Morning Chronicle, 7 May 1799: On May 9 will be published The Captive of Spilburg (1s. 6d.). Receipts: #209 6s. 6d. (108.10.6; 99.19.6; 0.16.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Stockbrokers Actor: _Hollingsworth, Sparks.
Role: Feignwell Actor: Bannister Jun.
Role: Freeman Actor: Caulfield
Role: Sir Philip Modelove Actor: Wewitzer
Role: Obadiah Prim Actor: Aickin
Role: Tradelove Actor: Wathen
Role: Perriwinkle Actor: Suett
Role: Sackbut Actor: R. Palmer
Role: Simon Pure Actor: Russell
Role: Aminadab Actor: Grimaldi
Role: Gentlemen Actor: Trueman, Wentworth
Role: Mrs Prim Actor: Miss Pope
Role: called Anne Lovely] Actor: Miss Mellon
Role: Betty Actor: Miss Tidswell
Role: Lady Actor: Mrs Roffey.

Afterpiece Title: The Captive of Spilburg

Performance Comment: Characters by Barrymore, Kelly, Suett, Bannister Jun., Miss Benson, Caulfield, Maddocks, Hollingsworth, Wentworth, Mrs Crouch, Mrs Bland. [Cast from text (Machell Stace, 1799): Korowitz-Barrymore; Cansemar-Kelly; Mousic@Mirhoff-Suett; Kourakin-Bannister Jun.; Iwan-Miss Benson; Liebstoff-Caulfield; Officers of the Emperor's Guards-Maddocks, Trueman; Tackstein-Hollingsworth; Kargad-Wentworth [these last two unassigned in text]; Eugenia-Mrs Crouch; Moola-Mrs Bland; Chorus of Soldiers-Danby, Wentworth, Brown, Tett, Denman, Atkins, Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun.; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates.

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Performances

Mainpiece Title: A Word For Nature

Performance Comment: Characters-Aickin, Suett, Barrymore, Bannister Jun., R. Palmer, Dowton, Hollingsworth, Evans, Webb, Fisher, Ryder, Miss Pope, Mis Biggs, Mrs Walcot. Cast from Morning Visitor, Dec. 1798, p. 392: Lord Glenandry-Aickin; Sir Toby Truckle-Suett; Clifton-Barrymore; Leonard-Bannister Jun.; Starling-R. Palmer; Runic-Dowton; Patrick Malooney-Hollingsworth; Lady Truckle-Miss Pope; Matilda-Miss Biggs; Mrs Lofty-Mrs Walcot; unassigned-Evans, Webb, Fisher, Ryder; Prologue-Barrymore; Epilogue-Bannister Jun.
Related Works
Related Work: A Word for Nature Author(s): Richard Cumberland

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Performers-Leete, Page, Friend, Walker, Sale, Master Elliot, Miss Leak, Miss Poole; Conductor-Dr Arnold; Leader of the Band-Barthelemon; Organ-Jacob.

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Cast
Role: Dr Arnold Actor:
Role: Concerto on the violin Actor: Barthelemon.
Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: This New Comedy was written by Mr Waldron and receiv'd with Some Applause (Hopkins Diary). Benefit for Waldron. Receipts: #99 3s. 6d. Charges: #64 4s. Profits to Waldron: #34 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Performance Comment: Parts by Vernon, Parsons, Palmer, Moody, Packer, Davies, Baddeley, Waldron, Mrs Bradshaw, Miss Pope, Miss Younge. Prologue-King; Epilogue-Miss Younge; Sir ThomasRichacre-Parsons; George-Palmer; Dr Goodman-Packer; Metre-Waldron; William-Vernon; Lord Sealand-Davies; O'Connor-Moody; La Poudre-Baddeley; Emily, the Maid of Kent-Miss Younge; Patty-Miss Pope; Dame Quickset-Mrs Bradshaw; Robert-Griffith (Genest, V, 357; MacMillan). MacMillan).
Cast
Role: Prologue Actor: King
Role: Epilogue Actor: Miss Younge
Role: Sir ThomasRichacre Actor: Parsons
Role: George Actor: Palmer
Role: Dr Goodman Actor: Packer
Role: Metre Actor: Waldron
Role: William Actor: Vernon
Role: Lord Sealand Actor: Davies
Role: O'Connor Actor: Moody
Role: La Poudre Actor: Baddeley
Role: the Maid of Kent Actor: Miss Younge
Role: Patty Actor: Miss Pope
Role: Dame Quickset Actor: Mrs Bradshaw
Role: Robert Actor: Griffith

Afterpiece Title: The Author

Cast
Role: Young Cape Actor: J. Aickin.
Role: Vamp Actor: Moody
Role: Cadwallader Actor: King
Role: Governor Actor: Bransby
Role: Sprightly Actor: Packer
Role: Poet Actor: Waldron
Role: Robin Actor: Keen
Role: Printer's Devil Actor: Burton
Role: Mrs Cadwallader Actor: Mrs Egerton
Role: Arabella Actor: Miss Ambrose.

Ballet: I: The Drunken Peasant. Drunken Peasant-Atkins; Clown-Wright

Cast
Role: Drunken Peasant Actor: Atkins
Role: Clown Actor: Wright.
Event Comment: Benefit for J. Bannister and Griffiths. Paid subscription to St Martin's Charity School 1 year, #2 2s.; Rec'd of Mr Heath 1 yrs rent to Xmas last #10 (Treasurer's Book). Tickets deliver'd for The Double Gallant and by Mr Harwood will be taken. Receipts: #112 5s. 6d. Charges: #64 11s. Profits to J. Bannister & Griffith: #47 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Cast
Role: Wm Strongbow Actor: Vernon
Role: George Actor: Dimond
Role: Sealand Actor: J. Bannister
Role: Sir Thomas Actor: Parsons
Role: Brian Actor: Moody
Role: Dr Goodman Actor: Packer
Role: La Poudre Actor: Baddeley
Role: Metre Actor: Waldron
Role: Robert Actor: Griffith
Role: Patty Actor: Miss Pope
Role: Dame Quickset Actor: Mrs Bradshaw
Role: Emily Actor: Miss Younge.

Afterpiece Title: A Trip to Scotland

Entertainment: End II: (By Particular Desire, and for the last time this season) Imitations-Bannister

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.
Cast
Role: : Saint Valori Actor: Smith
Role: Montgomeri Actor: Kemble
Role: Lord De Courci Actor: Aickin
Role: Gyfford Actor: Packer
Role: Raymond Actor: Fawcett
Role: Fitz Actor: Allan-Phillimore
Role: Allan Actor: Phillimore
Role: Lord Hildebrand Actor: Palmer
Role: Matilda Actor: Mrs Siddons.
Related Works
Related Work: The Carmelite Author(s): Richard Cumberland

Afterpiece Title: The Spanish Rivals

Cast
Role: : Don Narcisso de Medicis Actor: Parsons
Role: Don Gomez Actor: Baddeley
Role: Don Fernandez Actor: Barrymore
Role: Basto Actor: R. Palmer
Role: Peter Actor: Dodd
Role: Lucett Actor: Mrs Wrighten
Role: Roxella Actor: Miss Phillips.
Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: THE SIEGE OF MEAUX

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Macready, Claremont, Thompson//Miss Morris, Mrs Pope. [Cast from text (G. Nicol, 1794), and Larpent MS 1024: Earl of Douglas-Holman; Baron St. Pol-Pope; Duke of Orleans-Farren; Dubois-Harley; Captal de Buche-Middleton; Clermont-Macready [in text: Claremont (see17940522)]; Laroche-Claremont [in text: Campbell (see17940522)]//Duchess of Orleans-Miss Morris; Matilda-Mrs Pope. Thompson is unassigned.] Prologue spoken by Middleton. Epilogue spoken by Mrs Pope . Prologue spoken by Middleton. Epilogue spoken by Mrs Pope .
Cast
Role: : Earl of Douglas Actor: Holman
Role: Pol Actor: Pope
Role: Duke of Orleans Actor: Farren
Role: Dubois Actor: Harley
Role: Captal de Buche Actor: Middleton
Role: Clermont Actor: Macready
Role: Laroche Actor: Claremont
Role: Duchess of Orleans Actor: Miss Morris
Role: Matilda Actor: Mrs Pope. Thompson is unassigned.

Afterpiece Title: NETLEY ABBEY

Cast
Role: . Oakland Actor: Inclcdon
Role: Oakland Actor: Munden
Role: Jeffery Actor: Blanchard
Role: Gunnel Actor: Fawcett
Role: Rapine Actor: Cubitt
Role: Mr Sterling Actor: Powel
Role: Charles Actor: Claremont
Role: McScrape Actor: JohnstoneEllen Woodbine-Mrs Mountain
Role: JohnstoneEllen Woodbine Actor: Mrs Mountain
Role: Lucy Oakland Actor: Miss Hopkins
Role: Catherine Actor: Mrs Martyr.
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Cast
Role: Overture Actor:
Role: The Dettingen Te Deum Actor:
Role: Holy Holy Lord Actor: Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Select Parts of the Funeral Anthem-; Lord what is man?-Miss Capper (Semele); Tears such as tender-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); What though I trace-Mrs Atkins (Solomon); Angels ever bright and fair-Mme Mara (Theodora); March, The trumpet's loud clangour-Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Farewell you limpid springs-; Deeper and deeper still-; Waft her angels-Mme Mara (Jephtha); From harmony-Chorus (Dryden's Ode); Softly sweet in Lydian measure-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He layeth-Bartleman [Ezio]; O God who in-Chorus [Joseph]; O magnify the Lord-Mrs Atkins (Chandos Anthems); The Horse and his rider-Chorus (Israel in Egypt).

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Benedick Actor: Henderson
Role: Leonato Actor: Hull
Role: Don Pedro Actor: Peile
Role: Claudio Actor: Whitfield
Role: Balthazar Actor: Mattocks
Role: Don John Actor: Booth
Role: Antonio Actor: Thompson
Role: Borachio Actor: L'Estrange
Role: Conrade Actor: Robson
Role: Friar Actor: Fearon
Role: Verges Actor: Cushing
Role: Dogberry Actor: Quick
Role: Town Clerk Actor: Edwin
Role: Hero Actor: Mrs Lessingham
Role: Margaret Actor: Mrs Whitfield
Role: Ursula Actor: Mrs Poussin
Role: Beatrice Actor: Miss Younge.

Afterpiece Title: The Humours of an Election

Performance Comment: Principal Characters by Wilson, Edwin, Whitfield, L'Estrange, Egan, Booth, Robson, Thompson, Fearon, Baker, Bates, Webb, Stevens, W. Bates, Jones, Quick, Mrs Morton, Mrs Webb. [Cast from text (G. Kearsly, 1780) and London Chronicle, 20 Oct.: Parmazan-Wilson; Goose-Edwin; Belfield-Whitfield; Electors-L'Estrange, Thompson, Baker, J. Wilson; O'Shannon-Egan; Canvass-Booth; Ballad@singer-Robson; MacRhetorick-Fearon; Marrowbone-Bates; Shrimp-Webb; Bristle-Stevens; Proteus-W. Bates; Cryer-Jones; Jail@bird-Cushing; George-Quick; Letitia-Mrs Morton; Mrs Highflight-Mrs Webb; Prologue-Wilson. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Parmazan Actor: Wilson
Role: Goose Actor: Edwin
Role: Belfield Actor: Whitfield
Role: Electors Actor: L'Estrange, Thompson, Baker, J. Wilson
Role: O'Shannon Actor: Egan
Role: Canvass Actor: Booth
Role: Ballad@singer Actor: Robson
Role: MacRhetorick Actor: Fearon
Role: Marrowbone Actor: Bates
Role: Shrimp Actor: Webb
Role: Bristle Actor: Stevens
Role: Proteus Actor: W. Bates
Role: Cryer Actor: Jones
Role: Jail@bird Actor: Cushing
Role: George Actor: Quick
Role: Letitia Actor: Mrs Morton
Role: Mrs Highflight Actor: Mrs Webb
Role: Prologue Actor: Wilson.

Dance: II: Masquerade Dance-; End: The Humours of Leixlip, as17801018

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Touchstone

Performance Comment: Principal Characters by W. Bates, Wilson, Jones, Booth, Newton, L'Estrange, Baker, Robson, Egan, Doyle, J. Wilson, Stevens, Ledger, Davies; Miss Morris (1st time), Miss Langrish, Mrs Kennedy. [Partial cast from Songs (G. Kearsly, 1779) and playbill of 11 May 1782: Harlequin-W. Bates; Keel-Wilson; Feridon-Mrs Kennedy.] hathi. hathi.
Cast
Role: : Harlequin Actor: W. Bates
Role: Keel Actor: Wilson
Role: Feridon Actor: Mrs Kennedy.
Event Comment: Benefit for Wright and Butler. Morning Chronicle, 17 Apr.: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Afterpiece: With Alterations and Additions. Not acted these 4 years. To conclude with a Grand Sea-Fightv, Dance, etc. [These were included in both subsequent performances.] The Scenery designed by DeLoutherbourg, and executed under his direction. Receipts: #276 14s. 6d. (52.9.0; 12.5.6; 0.4.0; tickets: 211.16.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Lord Ogleby Actor: King
Role: Sterling Actor: Parsons
Role: Sir John Melvil Actor: Bensley
Role: Lovewell Actor: Brereton
Role: Serjeant Flower Actor: Wrighten
Role: Traverse Actor: Philimore
Role: Trueman Actor: Norris
Role: Canton Actor: Baddeley
Role: Bursh Actor: Palmer
Role: Miss Sterling Actor: Miss Pope
Role: Fanny Actor: Mrs Brereton
Role: Chambermaid Actor: Mrs Davies
Role: Betty Actor: Mrs Love
Role: Mrs Heidelberg Actor: Mrs Hopkins.

Afterpiece Title: The Genii

Dance: End I: Hornpipe-Master Butler (scholar of Miller); In afterpiece: Henry

Song: End II: Tally ho!, as17800411

Cast
Role: i> Actor: Mrs Wrighten.
Event Comment: A new Serious Opera [1st time; by Lorenzo DaPonte]; the music entirely new, composed here by Bianchi. With Chorusses and new Scenery, Decorations and Dresses

Performances

Mainpiece Title: Antigona

Cast
Role: Emone Actor: A. Roselli
Role: Creonte Actor: G. Viganoni
Role: Adrasto Actor: P. Braghetti
Role: Nearco Actor: P. DeGiovanni
Role: Antigona Actor: Mme Brigida Banti
Role: Ismene Actor: Sga Bigi.

Dance: As17960423

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Ford Actor: Furnival
Role: Page Actor: Wignell
Role: Shallow Actor: Dove
Role: Slender Actor: Cushing
Role: Falstaff Actor: Paget
Role: Host Actor: W. Hallam
Role: Fenton Actor: Lee
Role: Evans Actor: L. Hallam
Role: Pistol Actor: Brett
Role: Robin Actor: Master Morgan
Role: Simple Actor: Miles
Role: Rugby Actor: Baker
Role: Ann Page Actor: Mrs Moreau
Role: Mrs Quickly Actor: Mrs Bambridge
Role: Dr Caius Actor: Shuter
Role: Mrs Page Actor: Mrs Hallam
Role: Bardolph Actor: Hallam Sen
Role: Mrs Ford Actor: Mrs Cushing.

Afterpiece Title: The Lying Valet

Cast
Role: Sharp Actor: Cushing.
Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffic-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Mrs Bulkley.
Cast
Role: Marplot Actor: Lewis
Role: Sir George Airy Actor: Wroughton
Role: Charles Actor: Whitfield
Role: Sir Jealous Traffic Actor: Thompson
Role: Sir Francis Gripe Actor: Quick
Role: Whisper Actor: Cushing
Role: Scentwell Actor: Mrs Poussin
Role: Isabinda Actor: Mrs Lessingham
Role: Patch Actor: Mrs Pitt
Role: Miranda Actor: Mrs Bulkley.

Afterpiece Title: The Mirror; or, Harlequin Every-where

Cast
Role: Jupiter Actor: Robson
Role: Pluto Actor: Baker
Role: Minos Actor: L'Estrange
Role: Belphegor Actor: Reinhold
Role: Astorath Actor: Doyle
Role: Cryer of Minos' Court Actor: Thompson
Role: Poor Spirit Actor: Brundson
Role: 3 Antipodeans Actor:
Role: Mercury Actor: J. Wilson
Role: Harlequin Actor: W. Bates
Role: Punch Actor: Edwin
Role: Lieutenant Actor: Booth
Role: Sailor Actor: Fearon
Role: Ceres Actor: Mrs Kennedy
Role: Little Girl Actor: Miss Morris
Role: Prude Actor: Mrs Poussin
Role: Sicilians Actor: Mrs Willems, Miss Green
Role: Colombine Actor: Miss Brown
Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Cast
Role: King Actor: Fearon
Role: Marcellus Actor: W. Bates
Role: Hamlet Actor: Henderson
Role: Ghost Actor: Aickin
Role: Horatio Actor: Hull
Role: Laertes Actor: Whitfield
Role: Ostrick Actor: Lee Lewes
Role: Polonius Actor: Wilson
Role: Player King Actor: L'Estrange
Role: Bernardo Actor: Booth
Role: Francisco Actor: Smith
Role: Rosencraus Actor: Robson
Role: Guildenstern Actor: Thompson
Role: Grave Diggers Actor: Quick, Jones
Role: Queen Actor: Mrs Jackson
Role: Player Queen Actor: Mrs Poussin
Role: Ophelia Actor: Mrs Mattocks.

Afterpiece Title: The Siege Of Gibraltar

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Wilson, Edwin, Whitfield, Egan, Mrs Wilson, Mrs White, Mrs Morton. Cast from text (G. Kearsly, 1780) and London Chronicle, 3 May 1780: Beauclerc-Mattocks; Major Bromfield-Reinhold; Ben Hassan-Quick; Serjeant Trumbull-Wilson; Woolwich-Edwin; Muley-Whitfield; Serjeant O'Bradley-Egan; Lieutenant-Wordsworth; Officers-Booth, Fearon, Robson; Sailor-W. Bates; Soldiers-L'Estrange, Thompson, Wewitzer; Mob-Jones, Ledger, Brunsdon, Bates, Stevens; Jenny-Mrs Wilson; Moll Trumpet-Mrs White; Zayde-Mrs Morton.
Cast
Role: Beauclerc Actor: Mattocks
Role: Major Bromfield Actor: Reinhold
Role: Ben Hassan Actor: Quick
Role: Serjeant Trumbull Actor: Wilson
Role: Woolwich Actor: Edwin
Role: Muley Actor: Whitfield
Role: Serjeant O'Bradley Actor: Egan
Role: Lieutenant Actor: Wordsworth
Role: Officers Actor: Booth, Fearon, Robson
Role: Sailor Actor: W. Bates
Role: Soldiers Actor: L'Estrange, Thompson, Wewitzer
Role: Mob Actor: Jones, Ledger, Brunsdon, Bates, Stevens
Role: Jenny Actor: Mrs Wilson
Role: Moll Trumpet Actor: Mrs White
Role: Zayde Actor: Mrs Morton.
Event Comment: Mainpiece: With new Scenery and Dresses. Afterpiece: Tom Thumb [announced on playbill of 7 Nov.] is obliged to be deferred on account of the Illness of a principal Performer. Receipts: #209 1s. 6d. (205.15.6; 3.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Cast
Role: Doricourt Actor: Lewis
Role: Touchwood Actor: Wroughton
Role: Flutter Actor: Lee Lewes
Role: Saville Actor: Aickin
Role: Villers Actor: Whitfield
Role: Courtall Actor: Robson
Role: Silver Tongue Actor: W. Bates
Role: Hardy Actor: Quick
Role: Lady Touchwood Actor: Mrs Inchbald
Role: Mrs Racket Actor: Mrs Mattocks
Role: Miss Ogle Actor: Mrs Morton
Role: Letitia Actor: Miss Younge.

Afterpiece Title: The Humours of an Election

Cast
Role: Parmazan Actor: Wilson
Role: Goose Actor: Edwin
Role: Belfield Actor: Whitfield
Role: Electors Actor: L'Estrange, Thompson, Baker, J. Wilson
Role: O'Shannon Actor: Egan
Role: Canvass Actor: Booth
Role: Ballad@singer Actor: Robson
Role: MacRhetorick Actor: Fearon
Role: Marrowbone Actor: Bates
Role: Shrimp Actor: Webb
Role: Bristle Actor: Stevens
Role: Proteus Actor: W. Bates
Role: Cryer Actor: Jones
Role: Jail@bird Actor: Cushing
Role: George Actor: Quick
Role: Letitia Actor: Mrs Morton
Role: Mrs Highflight Actor: Mrs Webb

Dance: As17801107

Performances

Mainpiece Title: The Belle's Stratagem

Cast
Role: Doricourt Actor: Lewis
Role: Touchwood Actor: Wroughton
Role: Flutter Actor: Lee Lewes
Role: Saville Actor: Aickin
Role: Villers Actor: Whitfield
Role: Courtall Actor: Robson
Role: Silver Tongue Actor: W. Bates
Role: Mountebank Actor: Booth
Role: French Servant Actor: Wewitzer
Role: Porter Actor: Fearon
Role: Hardy Actor: Quick
Role: Lady Touchwood Actor: Mrs Inchbald
Role: Mrs Racket Actor: Mrs Mattocks
Role: Miss Ogle Actor: Mrs Morton
Role: Letitia Actor: Miss Younge

Afterpiece Title: The Marriage Act

Cast
Role: : Garcia Actor: Mattocks
Role: Dr Fabio Actor: Wilson
Role: Gil Perez Actor: Edwin
Role: Secretary Actor: J. Wilson
Role: Islanders Actor: Fearon, Robson, Booth
Role: Domingo Actor: Quick
Role: Dorothea Actor: Mrs Webb
Role: Camilla Actor: Mrs Martyr
Role: Orra Actor: Mrs Kennedy.

Performances

Mainpiece Title: The Belle's Stratagem

Cast
Role: Doricourt Actor: Lewis
Role: Touchwood Actor: Wroughton
Role: Flutter Actor: Lee Lewes
Role: Saville Actor: Aickin
Role: Villers Actor: Whitfield
Role: Courtall Actor: Danes
Role: Silver Tongue Actor: W. Bates
Role: French Servant Actor: Wewitzer
Role: Hardy Actor: Quick
Role: Lady Touchwood Actor: A Young Lady
Role: Mrs Racket Actor: Mrs Mattocks
Role: Miss Ogle Actor: Mrs Morton
Role: Kitty Willis Actor: Miss Stuart
Role: Letitia Actor: Miss Younge

Afterpiece Title: Barnaby Brittle

Cast
Role: Barnaby Brittle Actor: Quick
Role: Lovemore Actor: Whitfield
Role: Jeremy Actor: Edwin
Role: Clodpole Actor: Fearon
Role: Sir Peter Pride Actor: Booth
Role: Jeffery Actor: Stevens
Role: Damaris Actor: Mrs Wilson
Role: Lady Pride Actor: Mrs Pitt
Role: Mrs Brittle Actor: Mrs Mattocks
Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Performance Comment: Principal Vocal Performers-Master Elliot, Braham, Sale, Bartleman, Mme Mara, Miss Poole, Sga Galli (Who is in her Seventy-Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741).

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: By Command of Their Majesties. Paid Mr Nicols for Rope line #5 17s; Printer's Bill #8 19s. (Treasurer#s Book). Receipts: #233 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Lord Ogleby Actor: King
Role: Sir John Melville Actor: Aickin
Role: Sterling Actor: Love
Role: Lovewell Actor: Cautherly
Role: Sergeant Flower Actor: Bransby
Role: Canton Actor: Baddeley
Role: Brush Actor: Palmer
Role: Traverse Actor: Hurst
Role: Trueman Actor: Fawcett
Role: Miss Sterling Actor: Miss Pope
Role: Betty Actor: Mrs Love
Role: Chambermaid Actor: Mrs Davies
Role: Mrs Haidelberg Actor: Mrs Hopkins
Role: Fanny Actor: Mrs Morland, 1st time.

Afterpiece Title: The Deuce Is in Him

Cast
Role: Tamper Actor: Palmer
Role: Prattle Actor: King
Role: Mlle Florival Actor: Miss Rogers, 1st time
Role: Major Belford Actor: Packer
Role: Bell Actor: Mrs Reddish
Role: Emily Actor: Miss Pope.

Dance: I: The Sailors Revels, as17711008; V: Comic Dance, as17711021

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also W. J. Lawrence, Times Literary Supplement, 24 Oct. 1929, p. 846; and J. G. McManaway, "Philip Massinger and the Restoration Drama," ELH: A Journal of English Literary History, 1 (1934), 287-88. The manuscript is in Bod. Rawlinson poet. 20

Performances

Mainpiece Title: The Renegado