SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Wilkie"/1) | (@(roleclean,performerclean) "G Wilkie")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 225 matches on Event Comments, 200 matches on Performance Comments, 56 matches on Author, 37 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmask'd

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Performances

Mainpiece Title: Alexander's Feast 0; The Messiah; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: The Author

Ballet: I: The Drunken Peasant. Drunken Peasant-Atkins; Clown-Wright

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: A Trip to Scotland

Entertainment: End II: (By Particular Desire, and for the last time this season) Imitations-Bannister

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Mainpiece: By Particular Desire. New Scene in Knights; or, Foote's Fresh Tea, published at 6d. Printed for J. Wilkie behind the Chapter House in St Paul's Churchyard. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Male Coquette

Dance: IV: The Italian Peasants, as17571004

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Performance Comment: Principal Characters by Vernon, Bannister, Dodd, Miss Jarratt, Mrs Scott, Miss Collett, Mrs Baddeley. Cast from Songs (J. Wilkie, 1776): Azor-Vernon; Scander-Bannister; Ali-Dodd; Fairy-Miss Jarratt; Lesbia-Mrs Scott; Fatima-Miss Collett; Selima-Mrs Baddeley.
Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Milesian

Performance Comment: Principal Characters by Vernon, Dodd, Bannister, Aickin, Burton, R. Palmer, Everard, Moody, Miss Collett, Mrs Davies, Mrs Booth, Mrs Baddeley. [Cast from text (J. Wilkie, 1777), and London Chronicle, 21 Mar.: Belfield-Vernon; Charles Marlove-Dodd [in text: Lamash (see17770403)]; George Belfield-Bannister; Mr Belfield-Aickin; La Flure-Burton; Richard-R. Palmer; Waiter-Everard; Capt. Cornelius O'Gollagher-Moody; Melinda-Miss Collett; Patty-Mrs Davies [in text: Miss Platt (see17770403)]; Mrs Belfield-Mrs Booth; Caroline O'Gollagher-Mrs Baddeley.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: All the World's a Stage

Performance Comment: Principal Characters by Palmer, Parsons, Farren, Lamash, Burton, Griffiths, Carpenter, Baddeley, Miss P. Hopkins, Mrs Hopkins. Cast from text (J. Wilkie, 1777): Harry Stukely-Palmer; Diggery-Parsons; Charles Stanley-Farren; Waiter-Lamash; Cymon-Burton; Wat-Griffiths; Hostler-Carpenter; Sir Gilbert Pumpkin-Baddeley; William-Everard; Miss Kitty Sprightly-Miss P. Hopkins; Miss Bridget Pumpkin-Mrs Hopkins; New Prologue-King.

Dance: End V: The Triumph of Love, as17761107

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Mattocks; Isaac-Quick; Jerome-Wilson; Lopez-Wewitzer; Father Paul-Booth; Carlos-Brett; Antonio-Reinhold; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister. [Songs (J. Wilkie and T. Evans, 1783) adds: Lay-Brother-Besford.] hathi. hathi.

Afterpiece Title: The Rival Knights

Afterpiece Title: Tristram Shandy

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performances

Mainpiece Title: 1 Henry Iv

Afterpiece Title: 1 The Debauchees

Song: 1 Brett

Dance: 1 As17451028

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Dance: 1 As17461027

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Anatomist