SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Lady Chaworth"/1) | (@(roleclean,performerclean) "G Lady Chaworth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5048 matches on Performance Comments, 2666 matches on Event Comments, 535 matches on Performance Title, 56 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: Sir W. Pen...did carry me to a play and pay for me at the King's house, which is The Rivall Ladys, a very innocent and most pretty witty play. I was much pleased with it, and it being given me, I look upon it as no breach to my oathe

Performances

Mainpiece Title: The Rival Ladies

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, to see a new play, acted but yesterday, a translation out of French by Dryden [see 14 Sept. 1668], called The Ladys a la Mode; so mean a thing as, when they come to say it would be acted again to-morrow, both he that said it, Beeson [Beeston], and the pit fell a-laughing, there being this day not a quarter of the pit full

Performances

Mainpiece Title: The Ladies A La Mode

Performances

Mainpiece Title: The Romantic Lady

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: The Banditti; Or, A Ladies Distress

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: Sir Anthony Love; Or, The Rambling Lady

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Song: Whimsical Song-Pack

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Song: A new song-Mrs Campion; Dialogue between two Beaus and two Coquet Ladies-

Dance: A new dance-Mrs Campion, Laferry; An Entry-Mrs Campion; the Dance- originally performed in The World in the Moon

Music: An Entertainment of New Instrumental Musick-Mr Bannister

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: Entertainments

Dance: That Variety of Rope/danceing and Tumbling-; as far exceeds all that has ever yet been publickly seen; where the Lady Mary, who has given such great Satisfaction to the highest Nobility of the Kingdom, will outdo whatever she has perform'd before

Performances

Mainpiece Title: The Scornful Lady

Dance: As17040205

Song: Cook, Davis

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: The Scornful Lady

Song: The dialogue, Thus at Height of Love We Live, set by Henry Purcell-

Performances

Mainpiece Title: The Platonick Lady

Performances

Mainpiece Title: The Platonick Lady

Performances

Mainpiece Title: The Platonick Lady

Performances

Mainpiece Title: The Platonick Lady

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Afterpiece Title: A Visiting Scene of 4 Aldermen's Ladies

Song: The Mad Dialogue, other songs-Leveridge, Mrs Lindsey

Dance: duRuel, Cherrier, duBargues, Miss Santlow; particularly the Union Dance, as twas perform'd before Her Majesty at St. James's-Mrs Santlow, duBargues

Performances

Mainpiece Title: The Reform'd Wife; Or, The Sickly Lady

Dance: A Mimick Entertainment in Imitation of Mademoiselle and her Dancing Dogs, viz. Miss, Serviteur, Beau, Peasant, Scaramouch, Harlequin.-Masters

Performances

Mainpiece Title: The Tempest

Entertainment: A surprizing Entertainment after the Turkish Manner, as it was perform'd in the Seraglio at Constantinople by the Kister Aga and a great number of his Eunuchs at the Command of the Grand Signior, for the Diversion of his Ladies at the last Bairam Feast-

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]