18 March 1710

Event Information
Theatre: Queen's Theatre
Theatrical Season: 1709-1710
Volume: 2
Comments: Written by Beaumont and Fletcher

Performance List

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  • Original Data

    Source: London Stage Information Bank

    *pL?queen's The Scornful Lady. See 15 Feb. *mL?queen's ["Select Scenes of Musick" between the Acts by $Nicolini=, $Valentini=, and $Signora Margaretta= had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with $Swiney= and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]. *cL?queen's Written by $Beaumont= and $Fletcher=.
  • Cleaned Data

    *p1710 03 18 queen's The Scornful Lady. ^See17100215^.*m1710 03 18 queen's ["Select Scenes of Musick" between the Acts by $Nicolini=, $Valentini=, and $Signora Margaretta= had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with $Swiney= and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."].*c1710 03 18 queen's Written by $Beaumont= and $Fletcher=.
  • Parsed Data

    Event: 4469 | 17100318 | queen's | Written by $Beaumont= and $Fletcher=
    Performance: 6269 | 4469 | p | The Scornful Lady | See17100215.
    Performance: 6270 | 4469 | m | ["Select Scenes of Musick" between the Acts by $Nicolini=, $Valentini=, and $Signora Margaretta= had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with $Swiney= and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i | e., to sing during the winter only in "formal OPERAS."].

Mainpiece

Comments:
See17100215.
Cast:
None Listed

Music

Comment: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]