SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "G Garrick"/1) | (@(roleclean,performerclean) "G Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2908 matches on Author, 911 matches on Performance Comments, 789 matches on Event Comments, 50 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Cast
Role: Don Alonzo Actor: Garrick

Afterpiece Title: Polly Honeycomb

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Ranger Actor: Garrick

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

Event Comment: By Command of their Majesties. K. & Q. Richard-Mr Garrick (Cross Diary). Neville MS Diary: Garrick played Richard III. In attempting to get into the Pit was forced into the 2 shilling gallery Passage & after being squeezed abominably for an hour got into the street. Should not have received much pleasure if I had got in, as that calf headed son of a whore, George etc. was there

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richard Actor: Garrick

Afterpiece Title: The Padlock

Event Comment: Bills were put up for a Word to the Wise. As soon as the Curtain was drawn up a great hissing Mr Garrick went on the Stage Several Plays were propos'd to be done but Mr Kelly's Party would have none but a Word to the Wise & the other Party would not Consent, Mr Garrick offer'd to play himself but that would not satisfy them. at Length the House was dismiss'd about Nine O'Clock (Hopkins Diary). A Word to the Wise, Damn'd (Cross Diary). We stayed from 6 to past 10 in which time Garrick came out 6 or 7 times and talked to the audience, tho' often 5 or 6 minutes before he could be heard. Once he said the author was willing to withdraw his play, but then the party for Kelly [opposed by the Wilkesites] said he had no right to do so: they insisted on the play, the other that it should not be, etc.; the same about what play to be given out, one party calling for the new play and the other against it. When King came on, being called to speak the prologue, the hubbub forced him back, and one or two oranges struck him. The people came away in great numbers after ten and we amongst the rest, and had our money returned. Parson Horne [Horne Tooke] there but did not interfere, tho'at the bottom of it (John Baker, Diary, p. 189)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: tis Well Its No Worse

Performance Comment: Parts-King, Reddish, Parsons, Brereton, Baddeley, Davies, J. Aickin, W. Palmer, Wrighten, Keen, Castle, Booth, J. Burton, Mrs Baddeley, Mrs Jeffries, Mrs Love, Mrs Dorman, Mrs Abington. Muskato-King; Don Carlos-Reddish; Don Guzman-Parsons; Don Ferdinand-Brereton; Lazarillo-Baddeley; Don Pedro-Davies; Officers, Lawyers, Servants-J. Aickin, W. Palmer, Wrighten, Keen, Castle, Booth, J. Burton; Aurora-Mrs Baddeley; Marcella-Mrs Jeffries; Leonarda-Mrs Love; Old Nun-Mrs Dorman; Beatrice-Mrs Abington; Prologue written by Garrick spoken-Moody; Epilogue by Garrick spoken-King (Edition of 1770).

Afterpiece Title: The Miller of Mansfield

Event Comment: Command. Mrs Barry being Ill Mrs Abington play'd Violante (very bad) & disconcerted Mr Garrick very much (Hopkins Diary). K & Q. Felix-Mr Garrick (+Cross Diary)

Performances

Mainpiece Title: The Wonder

Cast
Role: Don Felix Actor: Garrick

Afterpiece Title: Daphne and Amintor

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Event Comment: Being the last time of Garrick's appearing in character of Sir John Brute . When the Song Encor'd Mr Garrick said Come Col. give us that Song again for two very good Reasons, the first because your friends desire it-and Secondly because I believe I shall never be in such good company again. House Mr and Mrs Davies (Sold) (Hopkins Diary). Paid Mr Davies in lieu of Bt #60. Rec'd of Mr Davis on acct #30. Receipts: #281 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Sir John Brute Actor: Garrick

Afterpiece Title: The Padlock

Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Cast
Role: Hamlet Actor: Garrick.
Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: The Deuce Is in Him

Dance: End: The Grand Garland Dance, as17760410

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: Comus

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: Henry The Fourthe Part I

Performances

Mainpiece Title: The Merry Devil Of Edmunton

Performances

Mainpiece Title: The Renegado

Performances

Mainpiece Title: The Rival Ladies

Performances

Mainpiece Title: The Alchymist

Performances

Mainpiece Title: The Court Secret

Performances

Mainpiece Title: Psyche Or Loves Mistress

Performances

Mainpiece Title: The Forcd Marriage Or The Jealous Bridegroom

Performances

Mainpiece Title: The Conquest Of Granada Part I

Performances

Mainpiece Title: The Conquest Of Granada Part Ii