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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "G G J and J Robinson"/1) | (@(roleclean,performerclean) "G G J and J Robinson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4078 results for: Keyword - G. G. J. and J. Robinson
We found 1255 matches on Performance Comments, 752 matches on Event Comments, 585 matches on Performance Title, 73 matches on Author, and 0 matches on Roles/Actors.

2426
15 March 1709 @ Queen's Theatre

Performances

Mainpiece Title: Clotilda

2427
19 March 1709 @ Queen's Theatre

Performances

Mainpiece Title: Clotilda

2428
24 March 1709 @ Queen's Theatre

Performances

Mainpiece Title: Clotilda

2429
26 March 1709 @ Queen's Theatre

Performances

Mainpiece Title: Clotilda

2430
16 May 1711 @ Queen's Theatre

Event Comment: At the Desire of several Ladies of Quality. Admission as 11 April. And by reason of the Hot Weather, the Waterfall will play the best part of the Opera

Performances

Mainpiece Title: Clotilda

2431
19 May 1711 @ Queen's Theatre

Performances

Mainpiece Title: Clotilda

2432
23 May 1711 @ Queen's Theatre

Performances

Mainpiece Title: Clotilda

2433
02 November 1742 @ King's Theatre

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

2434
06 November 1742 @ King's Theatre

Performances

Mainpiece Title: Gianguir

2435
09 November 1742 @ King's Theatre

Performances

Mainpiece Title: Gianguir

2436
07 February 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

2437
14 February 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

2438
21 February 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

2439
04 March 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

2440
18 April 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

Song: With a new Song-Potenza , compos'd by Hasse; a new duet-Sga Mattei, Potenza compos'd by Perez

2441
25 April 1758 @ King's Theatre

Event Comment: With the New Song and Duet. To begin at half an hour after Six precisely

Performances

Mainpiece Title: Solimano

2442
04 May 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

Song: Songs As17580418

2443
20 May 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

2444
03 June 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

2445
28 April 1761 @ King's Theatre

Event Comment: First performance in England. A new comic Opera. Music-Bertoni, author of the favourite song Ah se un Cuor Barbaro, in Demetrio. [Libretto by Goldoni (Loewenberg, Annals of Opera, p. 110.)

Performances

Mainpiece Title: La Pescatrici

2446
05 May 1761 @ King's Theatre

Performances

Mainpiece Title: La Pescatrici

2447
12 May 1761 @ King's Theatre

Performances

Mainpiece Title: La Pescatrici

2448
19 May 1761 @ King's Theatre

Performances

Mainpiece Title: La Pescatrici

2449
28 May 1761 @ King's Theatre

Performances

Mainpiece Title: La Pescatrici

2450
01 June 1761 @ King's Theatre

Performances

Mainpiece Title: La Pescatrici