SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "G A Steevens"/1) | (@(roleclean,performerclean) "G A Steevens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 225 matches on Event Comments, 199 matches on Performance Comments, 56 matches on Author, 37 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmaskd

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Performances

Mainpiece Title: Alexanders Feast 0 The Messiah Grand Selection 0

Afterpiece Title: Alexanders Feast 3

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: Solimano

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

Performances

Mainpiece Title: Love The Leveller Or The Pretty Purchase

Performances

Mainpiece Title: Clotilda

Performances

Mainpiece Title: Julius Caesar With The Deaths Of Brutus And Cassius

Performance Comment: Antony-Barry; Brutus-Sparks; Cassius-Ryan; Caesar-Bridgwater; Trebonius-Anderson; Metellus-Steevens; Decius Brutus-White; Cinna-Redman; Lepidus-Bencraft; Soothsayer-Marten; Ligarius-Holtom; Pindarus-R. Smith; Antony's servant-Cushing; LUcius-Miss Mullart; Caska-Ridout; Octavius-Usher; Plebians-Arthur, Collins, Barrington, Dunstall, Stoppelaer; Calphurnia-Mrs Vincent; Portia-Mrs Bland.
Cast
Role: Metellus Actor: Steevens

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Performance Comment: As17620921, but Melissa-Mrs Steevens, 1st appearance this stage; Sharp-Yates.
Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Performances

Mainpiece Title: The Supplement

Performance Comment: An entire new lecture upon Heads, portraits and whole lengths by George Alexander Steevens.
Event Comment: Benefit for Steevens. Othello Advertis'd. Deferr'd. Mr Barry Ill (Cross Diary)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17681210

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Il Cid

Dance: End of Opera: A Grand Serious Ballet, with a Pas de deux, and a+Grand Chaconne-Mlle Heinel, Fierville, etc

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Performances

Mainpiece Title: Artaserse

Dance: End I: new Ballet, Les Oiseleurs-Sg Zuchelli, Sga Zuchelli, Mlle Vidini, LeDet; End II: Les Moissonneurs, as17781229; End: Les Nymphes de Diane, as17781124

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

Performances

Mainpiece Title: Artaserse

Dance: As17850329hroughout

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft or Both Sides of the Water

Afterpiece Title: Lovers Quarrels

Song: In III 1st piece: a song-Incledon