SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Fraternity of the Antient and Honourable Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Fraternity of the Antient and Honourable Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 385 matches on Event Comments, 152 matches on Performance Title, 99 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: In spite of decrees concerning the transfer of a player from one house to another, Dogget entered into an agreement with Rich's Company. See Nicoll, Restoration Drama, pp. 338-39. Cibber, Apology, I, 229: And the late Reputation which Dogget had acquired from acting his Ben in Love for Love, made him a more declared Male-content on such Occasions; he over-valued Comedy for its being nearer to Nature than Tragedy, which is allow'd to say many fine things that Nature never spoke in the same Words; and supposing his Opinion were just, yet he should have consider'd that the Publick had a Taste as well as himself, which in Policy he ought to have complied with. Dogget, however, could not with Patience look upon the costly Trains and Plumes of Tragedy, in which knowing himself to be useless, he thought were all a vain Extravagance: And when he found his Singularity could no longer oppose that Expence, he so obstinately adhered to his own Opinion, that he left the Society of his old Friends, and came over to us at the Theatre-Royal: This happened in the Winter following the first Division of the (only) Company

Performances

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Cast
Role: Prologue Actor:
Role: Rinaldo Actor: Betterton
Role: Ubaldo Actor: Thurman
Role: Carlo Actor: Scudamore
Role: Armida Actor: Mrs Barry
Role: Urania Actor: Mrs Boman
Role: Phenissa Actor: Mrs Lee
Role: Epilogue Actor:
Role: Mr Dennis Actor: .
Event Comment: London Gazette, No 3444, 10-14 Nov. 1698: The Anniversary Feast of the Society of Gentlemen, Lovers of Musick, will be kept at Stationers-hall on St Cecilia's Day, being Tuesday the 22d Instant. According to a notice for a later concert (see 4 Jan. 1698@9) the music on this occasion was composed by Daniel Purcell

Performances

Mainpiece Title: Concert

Event Comment: Alice Baxter, September 1699: I believe shall be on Munday at a ball at St. James, where, as they tell me, ther is a famose new danser to apere, which is to charme us all, but not make amends for ye loss of Mrs Ibbings (Evans?) who danced at Lincolns Inn Field and is lately dead (Hatton Correspondence, Camden Society, XXIII [1878], 240)

Performances

Event Comment: Thomas Brown to George Moult, 12 Sept. 1699: But tho' Bartholomew-Fair is dead and buried for a twelvemonth, yet it is some consolation to us, that it revives in both the play-houses. Poetry is so little regarded there, and the audience is so taken up with show and sight, that an author will not much trouble himself about his thoughts and language, so he is but in fee with the dancing-masters, and has a few luscious songs to lard his dry composition. One would almost swear, that Smithfield had removed into Drury-lane and Lincolns-Inn-Fields, since they set so small a value on good sense, and so great a one on trifles that have no relation to the play. By the by, I am to tell you, that some of their late bills are so very monstrous, that neither we, nor our forefathers, ever knew anything like them: They are as long as the title-pages to some of Mr Prynn's works; nay, you may much sooner dispatch the Gazette, even when it is most crowded with advertisements. And as their bills are so prodigious, so are the entertainments they present us with: For, not to mention the Bohemian women, that first taught us how to dance and swim together; not the famous Mr Clinch of Barnet, with his kit and organ; nor the worthy gentlemen that condescended to dance a Cheshirerounds, at the instance of several persons of quality; nor t'other gentleman that sung like a turky-cock; nor, lastly, that prodigy of a man that mimick'd the harmony of the Essex lions; not to mention these and a hundred other notable curiosities, we have been so unmercifully over-run with an inundation of Monsieurs from Paris, that one would be almost tempted to wish that the war had still continued, if it were for no other reason but because it would have prevented the coming over of these light-heel'd gentlemen, who have been a greater plague to our theatres, than their privateers were to our merchantmen. Shortly, I suppose, we shall be entertain'd here with all sorts of sights and shows, as, jumping thro' a hoop; (for why should not that be as proper as Mr Sympson's vaulting upon the wooden-horses?) dancing upon the high ropes, leaping over eight men's heads, wrestling, boxing, cudgelling, fighting at back-sword, quarter-staff, bear-baiting, and all the other noble exercises that divert the good folk at Hockley; for when once such an infection as this has gain'd ground upon us, who can tell where it will stop? What a wretched pass is this wicked age come to, when Ben. Johnson and Shakespear won't relish without these bagatelles to recommend them, and nothing but farce and grimace will go down? For my part, I wonder they have not incorporated parson Burgess into their society; for after the auditors are stupify'd with a dull scene or so, he would make a shift to relieve them. In short, Mr Collier may save himself the trouble of writing against the theatre; for, if these lewd practices are not laid aside, and sense and wit don't come into play again, a man may easily foretell, without pretending to the gift of prophecy, that the stage will be shortliv'd, and the strong Kentish man will take possession of the two play-houses, as he has already done of that in Dorset-Garden (The Works of Thomas Brown, 4th ed. [London, 1715], I, 216-18)

Performances

Event Comment: London Gazette, No. 3549, 13-16 Nov. 1699. The Anniversary of the Society of Gentlemen, Lovers of Musick, will be kept at Stationers-hall on Wednesday next the 22d Instant, being St. Cecilia's Day

Performances

Mainpiece Title: Concert

Event Comment: Alice Hatton, writing on (possibly) 20 Jan. 1699@1700: I was last night (with Lady Longuevil and Lady Arundel) at ye Princess's, and Lady Long: was so kind to offer to carry me to ye Oppera to day with her and Lady Portland; but I was so unfortunate as to be engaged to go to Lady Denbighs to see ye famous Mrs Binges dance, or else I should have bin glad to have waited on Lady Long: tho I had seen it before and think it very silly. Mr Abel is to have a fine musicke meeting to morrow, and ye tickets are guineas a piece, wch is a little to much for me to throw away; so I shall not be there, and I find so many yt can afford it better of my mind, yt I fancy, if he had lower rates, he would have got more (Hatton Correspondence, Camden Society, XXIII [1878], 245). It is difficult to assign a proper date to this letter. It is unlikely that it was written on Saturday 20 Jan., as Abell was not likely to offer a concert on Sunday at which admission would be charged. It is possible that the opera referred to is The Grove, which is known to have been performed on 19 Feb. 1700, but the fact that this opera was unsuccessful makes it unlikely that it had its premiere in mid-January and was played again in mid-February. Perhaps the letter should be dated mid-February

Performances

Event Comment: [See Minutes of the Society for Promoting Christian Knowledge in Secretan, p. 107: "1703. Dec. 16: Also that at the bottom of the said paper a query might be put, whether acting the 'Tempest' upon the next Wednesday after the late dreadful storm, at the new play-house in Little Lincoln's Inn Fields, was proper or reasonable." See also The Terrible Stormy Wind and Tempest (1705), p. 24.

Performances

Mainpiece Title: The Tempest

Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland
Event Comment: Minutes of the Society for Promoting Christian Knowledge, 7 Feb.: Mr Skeate reported that John Honeycott the master of the Charity School at Clerkenwell had yesterday with the Children of the School publickly acted the play called Timon of Athens, and by Tickets signed by himself invited Several people to it

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Members of the school.
Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland
Event Comment: DDaily Journal, 16 Dec.: The Musical Society of Gentlemen, who for some time have play'd at the Swan in Exchange Alley, are to perform next Wednesday in the Great Room in the Crown Tavern...that Room being judged the best in Town for Performances of that Kind

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performance Comment: A public music by the Monday Society, with singing-Strada, Celestina, Senesino, others.
Event Comment: At the Old House in Crane Court, Fleet Street

Performances

Mainpiece Title: The Fall Of Mortimer

Performance Comment: A Society of Gentlemen, for their Diversion.
Event Comment: By John Lockman. Set to Music by Mr Boyce. By the Apollo Society in the Devil Tavern, Temple Bar. [See Deutsch, Handel, p. 404.]

Performances

Mainpiece Title: David's Lamentation Over Saul And Jonathan

Performance Comment: Cast not listed, and edition of 1736 lists no performers .
Event Comment: t the Temple of Taste this evening the entertainment consisted of 1), an overture from Samson, 2), a Poetica address to the audience, 3), a concert on the harpsichord by a young Lady eight years old, 4), a Dissertation on Dress, 5), a Hautboy concerto, 6), an Essay toward a new-invented Astronomy, adapted to the Ladies, 7), a solo on the German Flute, and a general debate on the following propositions: Is Affectation more prevalent in Man than Woman?" 'Is not a good-natured illiterate man more beneficial to society than an illnatured philosopher" (General Advertiser).

Performances

Mainpiece Title: Jeptha

Performance Comment: Jeptha-Beard tenor; Storage-Signora Galli Mezzosoprano; Iphis-Signora Frasi soprano; Hamor-Brent alto; Zebul-Wass bass; Angel-the Boy (Deutsch, Handel, p. 719); Chorus of Israelites- (Larpent MS).
Cast
Role: Jeptha Actor: Beard tenor
Role: Storage Actor: Signora Galli Mezzosoprano
Role: Iphis Actor: Signora Frasi soprano
Role: Hamor Actor: Brent alto
Role: Zebul Actor: Wass bass
Role: Angel Actor: the Boy
Role: Chorus of Israelites Actor:
Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Lady Townly Actor: Miss Macklinher 1st appearance in Comedy
Role: Sir Francis Actor: Macklin
Role: Townly Actor: Barry.
Role: Manly Actor: Sparks
Role: Lady Grace Actor: Mrs Elmy
Role: Basset Actor: Dyer
Role: Squire Richard Actor: Collins
Role: Moody Actor: Dunstall
Role: Miss Jenny Actor: Mrs Vincent
Role: Myrtilla Actor: Mrs Dunstall
Role: Trusty Actor: Miss Haughton

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: For a Public Benefaction. [Perhaps for the Society for the Propagation of the Gospel in Foreign parts, to which Young gave #1,000 on 14 March, according to the Public Advertiser.] Tickets for the Benefaction to be had of Mr Dodsley, in Pall Mall; Mr Miller in the Strand and at the Stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Brothers

Cast
Role: Parts Actor: Garrick, Mossop, Berry, Winstone, Burton, Blakes, Mozeen, Simson, Miss Hippisley, Miss Bellamy.
Role: Demetrius Actor: Garrick
Role: Perseus Actor: Mossop
Role: Philip Actor: Berry
Role: Antigonus Actor: Burton
Role: Dymas Actor: Simson
Role: Posthumius Actor: Winstone
Role: Curtius Actor: Mozeen
Role: Erixine Actor: Miss Bellamy
Role: Pericles Actor: Blakes
Role: Attendant Actor: Miss Hippisley
Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis
Event Comment: For the Benefit and Increase of a Fund established for the support of Decayed Musicians, or their Families. Boxes and Pit put together at Half a Guinea. Gallery 5s. To begin at 6:30 p.m. Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House. Subscribers tickets may be had of Richard Dawson, near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them and receive Subscriptions. Tickets for the Performance are delivered by Mr Rash at the Prince of Orange Coffee-House, in the Haymarket. The tickets delivered for the 17th will be taken. (General Advertiser, 28 April, advance notice)

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: Overture by Chabran-; Sei si trove in Lacci stretto (Teradellas)-Sga Galli; Return O God of Hosts (Handel)-Guadagno; Concerto on violincello-Pasqualino; Sherno delli astri egioco (Conforti)-Frasi; Beneath that Shade (Dr Green)-Wass; Part II: Concerto on violin-Chabran; Sol ti chiedo O spero amato (Galluppi)-Frasi; O Lovely Fair and Faithful Youth (Dr Green)-Beard; Concerto on bassoon-Miller; No non sai (Pergolesi)-Galli; Il Pasto (Ciampi)-Guadagnio; Part III: Concerto on oboe-Vincent; Resarrena (Gluck)-Galli; Quella fiamma (Handel)-Frasi; Song-Guadagnio; Trio The Flocks shall leave the Mountains (Handel)-Frasi, Beard, Wass; Grand Concerto-Handel.
Event Comment: Continued (by adjourment). Veniam quocumque vocaris, a properer motto for the Inquisitor than that he has chosen, being in English nothing more than, coming Sir. After the Inquiry the following questions will be debated: Whether these Argumentative Societies are useful of pernicious to the public, and if the former, Whether the superintendance of them should be given to the Inquisitor, Dr R-, or Tiddy Doll, being three gentlemen who have eloquently distinguished themselves from the Tub, Chaise, and Barrow. [Macklin was advertising at his Great Room Tit for Tat, with a trial of Sam. Smatter for a dramatic cheat and imposter.

Performances

Mainpiece Title: Writ Of Inquiry

Event Comment: The Shakespeare Society will meet this day at Tomkyn's, in the Piazza, Covent Garden. Dinner to be on the table at Three. None to be admitted without tickets

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Event Comment: Notice is hereby Given that the Annual Feast of the Shakespeare Society will be held on Wednesday the 10th of March next, at the Shakespeare's Head Tavern, Covent Garden, and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscrib'd for tickets for the last Feast, and who are to call for them on or before the 7th of February. Such Tickets as are not call'd for by that day will be delivered to the Steward to be otherwise disposed of; The person's name to whom a ticket is deliver'd, will be indorsed thereon, and no other person admitted thereby. E.B. Secreatary (Public Advertiser). Receitps: #170 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Cast
Role: Leontes Actor: Garrick
Role: Polixenes Actor: Havard
Role: Camillo Actor: Davies
Role: Shepherd Actor: Berry
Role: Clown Actor: Woodward
Role: Autolycus Actor: Yates
Role: Cleomenes Actor: Jefferson
Role: Florizel Actor: Holland
Role: Gentleman Actor: Blakes
Role: Servant Actor: Beard
Role: Rogero Actor: Walker
Role: Perdita Actor: Mrs Cibber
Role: Paulina Actor: Mrs Bennet
Role: Dorcas Actor: Miss Minors
Role: Mopsa Actor: Mrs Bradshaw
Role: Hermione Actor: Mrs Pritchard

Afterpiece Title: Catherine and Petruchio

Cast
Role: Petruchio Actor: Woodward
Role: Baptista Actor: Burton
Role: Hortensio Actor: Mozeen
Role: Grumio Actor: Yates
Role: Music Master Actor: Jefferson
Role: Biondello Actor: Blakes
Role: Pedro Actor: Clough
Role: Tailor Actor: Vaughan
Role: Nathaniel Actor: W. Vaughan
Role: Peter Actor: Ackman
Role: Nicholas Actor: Atkins
Role: Philip Actor: Marr
Role: Joseph Actor: Lewis
Role: Catherine Actor: Mrs Clive
Role: Bianca Actor: Mrs Bennet
Role: Curtis Actor: Mrs Bradshaw.
Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Young Clincher Actor: Collins.
Role: Sir Harry Wildair Actor: Mrs Woffington
Role: Standard Actor: Sparks
Role: Vizard Actor: Ridout
Role: Smuggler Actor: Arthur
Role: Beau Clincher Actor: Shuter
Role: Dicky Actor: Costollo
Role: Constable Actor: Martin
Role: Tom Errand Actor: Bennet
Role: Angelica Actor: Mrs Dyer
Role: Lady Darling Actor: Mrs Copin
Role: Parley Actor: Mrs Pitt
Role: Lady Lurewell Actor: Mrs Hamilton.

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Jefferson and Champnes. Mainpiece: By Desire. Tickets delivered for Love Makes a Man will be taken. Yesterday Five Guineas were paid into the Hands of Justice Fielding by Miss Macklin, for the use of the Marine Society, towards clothing men and boys for the sea, to go on board His Majesty's ships (Public Advertiser). Receipts: #130 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Feignwell Actor: Woodward
Role: Obediah Prim Actor: Taswell
Role: Freeman Actor: Palmer
Role: Anne Lovely Actor: Miss Macklin, 1st time
Role: Mrs Prim Actor: Mrs Macklin
Role: Periwinkle Actor: Philips
Role: Sackbut Actor: Bransby
Role: Aminadab Actor: Master Simson
Role: Betty Actor: Miss Minors
Role: Modelove Actor: Blakes
Role: Tradelove Actor: Burton
Role: Simon Pure Actor: Vaughan.

Afterpiece Title: The Lying Valet

Cast
Role: Melissa Actor: Mrs Jefferson
Role: Gayless Actor: Jefferson
Role: Sharp Actor: Yates
Role: Kitty Pry Actor: Miss Minors
Role: , Actor: Yates.

Song: I: Sing all ye Muses, compos'd by the late Mr H. Purcel,-Beard, Champnes

Cast
Role: , Actor: Beard, Champnes.

Dance: II: A Hornpipe-Walker; IV: The last new Comic Dances-

Event Comment: Benefit for the Marine Society, for cloathing Men and Boys to go to Sea. Tickets 5s. at the Door. To begin at 7 p.m. Tea, Coffee are included. At Ranelagh House

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti