SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Esther Young"/1) | (@(roleclean,performerclean) "Esther Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3178 matches on Performance Comments, 750 matches on Author, 716 matches on Performance Title, 552 matches on Event Comments, and 19 matches on Roles/Actors.
Event Comment: Benefit Thomas Baston and Young. Tickets 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

Event Comment: By Command. The two young Princesses present

Performances

Mainpiece Title: Rinaldo

Event Comment: Benefit a Young Gentleman reduced to Prison by the Extravagancies of his Guardian. With Stage, Scenes, and Cloaths proper to the Play. At 5 p.m

Performances

Mainpiece Title: Cato

Afterpiece Title: The Stage Coach

Music: The best Masters

Dance: The best Masters

Event Comment: Benefit Ryan and Miss Younger

Performances

Mainpiece Title: Cato

Dance: As17150319

Event Comment: Benefit the Young Actors on Account of their Arrears. Receipts: money #15 4s. 6d. and tickets #79 7s

Performances

Mainpiece Title: The Busie Body

Song: As17160206

Dance: delaGarde, Moreau, Thurmond Jr, Mrs Bullock, Mrs Schoolding, Mrs Cross, Miss Smith; Swedish Dal Karle-delaGarde, Mrs Bullock; New Dance-Thurmond Jr, Miss Smith, his Scholar

Event Comment: Benefit Elizabeth Bewley, Mrs Aylett, and Young Gwin. Receipts: money #16 2s. 6d. and tickets #38 10s

Performances

Mainpiece Title: The Woman Captain

Dance: Thurmond Jr, Newhouse, Mrs Cross, Miss Smith

Event Comment: Benefit Dupre. By Command. For the Entertainment of the Young Princesses

Performances

Mainpiece Title: Love's Last Shift

Song: As17161004

Dance: As17161009

Event Comment: Benefit Miss Younger. By His Majesty's Command. Written by Sir George Etheridge

Performances

Mainpiece Title: She Wou'd If She Cou'd

Dance: As17161210; particularly a new Comic Dance-Shaw, Mrs Bicknell

Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora, King Of The Timbusians

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced, but possibly not acted

Event Comment: Benefit Miss Younger. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Dance:

Event Comment: Benefit Smith, Cook, Mrs Scot. [At this performance] a Gentleman sitting in a Side-Box pointed at a young Gentlewoman, which another Gentleman perceiving, and she being one of his Acquaintance, he went to him and challenged him: They made some passes at each other, which put the Play-House in an Uproar, but they were parted, and neither was killed.-Weekly Journal or Saturday's Post, 3 May

Performances

Mainpiece Title: The Fair Example

Dance: As17171022; Thurmond's new Comic Dance-Thurmond, Miss Smith

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

Event Comment: Weekly Journal or British Gazetteer, 4 Oct.: His Majesty, and their Highnesses the Young Princesses were at the Play...the House being very full

Performances

Mainpiece Title: Henry Viii

Event Comment: By Command. For the Entertainment of the Princesses. [The King, the Three Young Princesses, and a great Number of Nobility and Gentry also there.] Pit and Boxes 5s. Stage Boxes 7s. 6d. Gallery 2s

Performances

Mainpiece Title: Arlequin Esprit Follet

Afterpiece Title: Le Divorce

Entertainment: Dancing and Tumbling-; particularly Dancing-Mr Glover being the first Time of his Performance in publick since his return from the Court of Paris; Salle, Mlle Salle

Event Comment: For the Entertainment of The Princesses. [The Young Princesses present.

Performances

Mainpiece Title: Arlequin Laron, Grand Provost, Et Juge

Entertainment: Tumbling-; Leap over Man on large Coach Horse-; Italian Postures-

Event Comment: Weekly Journal or Saturday's Post, 8 Aug.: On Monday last the young Princesses were at the Consort of Musick at the Theatre at Richmond, where were present a large Number of Persons of Quality

Performances

Mainpiece Title: Concert

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Performances

Mainpiece Title: Harlequin A Sham Astrologer, A Parrot, A Child, A Statue, And A Chimney Sweeper

Dance: Danjeville

Event Comment: Original Weekly Journal, 9 April: His Majesty was present; as were also their Highnesses the young Princesses, all in Black Velvet

Performances

Mainpiece Title: Numitor

Event Comment: Benefit the young Actors

Performances

Mainpiece Title: The Royal Merchant

Dance: Topham Jr, Pelling, Newhouse, Miss Bullock, Miss Francis

Event Comment: Admission as 19 Nov. Prince, Princess, and the young Princesses present

Performances

Mainpiece Title: Astartus

Event Comment: Benefit of Three young Ladies, Authors of the Arlequin Directeur

Performances

Mainpiece Title: Arlequin Directeur

Dance:

Event Comment: Benefit the Young People. Receipts: money #4 11s.; tickets #101 4s

Performances

Mainpiece Title: The Royal Merchant

Dance: As17210221

Event Comment: London Journal, 23 Dec.: The ingenious Mr Weston of Greenwich, having lately erected a Theatre for the Use and Diversion of the young Gentlemen under his Tuition, the Play of Tamerlane was last Week performed there, with vast Applause. A new Prologue and Epilogue was pronounced upon the Occasion, written by an ingenious Hand

Performances

Event Comment: Not Acted these Ten Years. As it was alter'd from Beaumont and Fletcher, by C. Cibber. Daily Journal, 5 Jan.: Last Night the Rival Fools...was violently hiss'd, upon which Mr Cibber, in a very civil manner, address'd himself to the Audience, and told'em, 'That they did not offer that Play as one of their most polite Entertainments, that they had been reflected on by the Town for not pushing forward their young Actors; that this Play had been revived for no other Purpose, that it was impossible for the old ones to last forever, and therefore he beg'd the Audience to be silent, and give those who were desirous of it the liberty of hearing.' This Speech was interupted by a thundering Clap, and produced a good effect for an Act, and then the hissing began again, and grew so violent towards the latter end, that they were obliged to give the Play out two or three times, and much ado had the ingenious Mr Penkethman to be heard at last. (See also Weekly Journal or Saturday's Post, 6 Jan.

Performances

Mainpiece Title: The Rival Fools; Or, Wit At Several Weapons