SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Englishmen"/1) | (@(roleclean,performerclean) "Englishmen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 282 matches on Performance Title, 152 matches on Roles/Actors, 63 matches on Performance Comments, 26 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Comus

Dance: End IV: a New Dance, as17871026

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Richard Coeur de Lion

Dance: As17871102

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: Entertainments

Event Comment: Post Man, 5-8 Sept. 1696: At Mr Barns's Booth in Southwark Fair, near St Georges Church, will be seen the only English, Dutch, Spanish, High German and Indian Companies of Rope-Dancers, who are all five joined together, and will perform such variety of Dancing, Walking, Vaulting and Tumbling; the like was never seen in England before. 1st, You will see the famous Indian Woman and her Company. 2. You will see the High German Company. 3. You will see the Spanish Company dance excellently well on the Low Rope. 4. You will see the two famous Dutch Children, who are the wonder and admiration of all the Rope Dancers in the World of their Sex and Age. 5. You will see the two famous Englishmen, Mr Edward Barns of Rederiff, and Mr Appleby, who are the only two Master Ropedancers and Tumblers in the old world; also you may see Mr Edward Barnes dance with a Child standing on his shoulders, and with 2 children at his Feet, in Jack-boots and Spurs, and cuts Capers a yard and a half high, and dances a Jig on the Rope with that variety of steps, that few, or no Dancing Masters can do the like on the ground: He likewise walks on a slack Rope no bigger than a penny Cord, and swings himself 6 or 7 yards distance. Afterwards you will see the famous Indian Woman Vault the High Rope with great dexterity. Likewise you will see the famous Mr Appleby, who is the only Tumbler in all Europe, fling himself over 16 mens heads, through 12 Hoops, over 14 Halbards, over a Man on Horseback, and a Boy standing upright on his Shoulders. You will likewise the entertained with good Musick. The merry Conceits of Harlequin and his Son Punch. You will see the English and Dutch Flag on the top of the Booth. Vivat Rex. We shall play in this place 12 days

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Performances

Mainpiece Title: Eliza

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The School Boy

Dance: As17551114; Fingalian-Miss Hilliard

Performances

Mainpiece Title: La Serva Padrona

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Contrivances

Dance: As17581016

Performances

Mainpiece Title: Le Speranze Della Terra

Performance Comment: The Music performed not only by the Opera singers and the usual orchestra, but also by a very considerable number of vocal and instrumental performers (all Englishmen) who will be divided into two bands: one in the usual place, and the other in the upper gallery. The Dances, Scenes, Illuminations, Dresses and other Decorations (the whole new) will be made to correspond as much as possible, with the solemnity of the drama.

Afterpiece Title: Le Promesse del Ciels

Performances

Mainpiece Title: Trakebarne Grand Mogol

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Upholsterer

Dance: End Opera: The Merry Sailors, as17741026

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: A New Comic Dance call'dThe Country Macaroni Assembly-Daguville, Daguville's Scholar; in which (by Desire) Minuet-Helme, Sga Vidini; End Opera: A New Dance call'd The British Bacchanalian , or The Hop-Pickers, an Interlude of Singing and Dancing,-Helme, Sga Vidini; in which The Wooden Shoe Dance- introduced by Daguville

Ballet: II: A New Grand Historical Dance of Warriors, call'd Boadicea Queen of Britain. Queen-Mrs Daguville; her Two Daughters-Miss Ross, Miss Armstrong (Scholars to Daguville); Helme, Daguville

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: Le Retour des Matelotes, as17760319 II: La Fete du Village, as17760224

Ballet: End Opera: Astolphe. As17760312

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Afterpiece Title: Mother Shipton

Ballet: End: The Sailors' Revels at Portsmouth. As17780511

Song: As17780511

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Robinson Crusoe

Dance: As17820921

Song: In Act III of mainpiece song by Williames. [This was sung, as here assigned, at all subsequent performances, except on 10 Dec]