SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English and Spanish Fleets"/1) | (@(roleclean,performerclean) "English and Spanish Fleets")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1112 matches on Performance Title, 518 matches on Event Comments, 335 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Principal Characters-Egerton, Meredith, Morton, Master Sincock, Holmes, Evans, Brent, Wilkinson, Mrs Sincock, Mrs Sidney; [Partial cast adjusted from Morning Herald, 30 Mar. 1796: Alfred-Egerton; Ceoluph-Wilkinson; Elsitha-Mrs Sidney. Text (Emsley [et al], 1796) lists other parts: Mervin (Alfred's dependent, Prince of South Wales), Ethelred (General of the English), Danish Captain of Auxiliaries, Ceoluph's vassal, Edmund (Son and Heir of Alfred, then very young), Editha (An Old Woman inhabiting the Cottage).] Prologue-Wilkinson.

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Baker; Young Random-Egerton; Scruple-Holmes; Old Random-Brent; Carney-Wilson; Paul Peery-Jones; Tiptoe-Meredith; Lady Dunder-Mrs Sincock; Harriet-Mrs Brent; Kitty-A Young Lady [unidentified].unidentified].
Cast
Role: Young Random Actor: Egerton
Role: Old Random Actor: Brent

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

Event Comment: Benefit for Lewis. 1st piece: By Permission of the Author and positively for that Night only [see 27 Apr.]. 2nd piece [1st time; M. INT 1, by John Cartwright Cross]: The Music composed by Reeve. The Scenery and Machinery by Phillips, Lupino, &c. Books of the Songs to be had at the Theatre, & of Mr Barker, Vinegar-Yard. Morning Herald, 3 May 1798: This day is published The Raft (1s.). Times, 22 Mar.: Tickets to be had of Lewis, No. 6, Bow-street. Receipts: #412 6s. 6d. (273.16.0; 2.17.0; tickets: 135.13.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Munden; Sir Oliver Surface-Murray; Sir Benjamin Backbite-Knight; Joseph Surface-Pope; Charles Surface-Lewis; Crabtree-Quick; Careless-Clarke; Rowley-Davenport; Moses-Fawcett; Trip-Farley; Snake-Powel; Mrs Candour-Mrs Mattocks; Lady Sneerwell-Miss Chapman; Maria-Miss Mansel; Lady Teazle-Mrs Abington.
Cast
Role: Mrs Candour Actor: Mrs Mattocks

Afterpiece Title: The Raft; or, Both Sides of the Water

Performance Comment: Principal Characters by Johnstone, Townsend, Waddy, Farley, Simmons, Wilde, Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Martyr. Cast from text (J. Barker, 1798): O'Bowling-Johnstone; Rivers-Townsend; Chip-Waddy; Drunken French Gaoler-Farley; Busy-Simmons; Monsieur Machine-Wilde; Countrymen, French and English Soldiers, Sailors-Abbot, Rees, Linton, Gray, Street, Dyke, Smith, Hawtin, Curties, Coombs, Noble; Countrywomen-Mrs Gilbert, Mrs Henley, Mrs Castelle, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Lloyd, Miss G. Walcup, Miss Burnett, Mrs Iliff; Fanny-Mrs Martyr.

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Event Comment: "Lover's Vows continues to exercise a resistless controul over the feelings of the audience. The fifth act is, without exception, worked up with more art and nature, and is more impressive in its termination, than any denouement which the English Stage has hitherto furnished" (Times, 13 Oct.). Receipts: #272 9s. 6d. (263.5.0; 9.4.6)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Spoil'd Child

Event Comment: Lover's Vows. In Consequence of the Approbation which the above Play has received from the Town, various Translations, or pretended Translations of the work from which it was taken, have been offered for publication to some eminent Booksellers, who honourably declining such purchase, have given Information to the Manager of the attempted Imposition. The Public are therefore respectfully acquainted that the Play, as now performing at this Theatre, was rewritten from a literal Translation, sold to the Proprietor by an Agent of the German Author, and has been adapted to the English Stage by considerable Alterations in Plot & Incidents. The Piece will not be published till the 20th Night of its representation, when it will be submitted to the Reader, with the Name of Mrs Inchbald prefixed to the Publication. Receipts: #432 18s. 6d. (426.4.6; 6.14.0)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Spoil'd Child

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Related Works
Related Work: The Count of Burgundy Author(s): Alexander PopeAugust Friedrich Ferdinand von Kotzebue

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17981105, but Lady Racket (1st and only Time [of appearing] this Season)-Mrs Abington (who has kindly favored Pope with her Performance).

Afterpiece Title: Netley Abbey

Performance Comment: Captain Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Abbot; M'Scrape-Johnstone; Ellen Woodbine-Miss Walcup; Lucy Oakland-Mrs Follett; Catherine-Mrs Martyr.
Cast
Role: Captain Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Mrs Follett

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see and J. Swords">George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]
Cast
Role: Susan Actor:

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Performance Comment: Characters by Powell, Kemble, C. Kemble, Barrymore, Caulfield, Wentworth, Trueman, Surmont, R. Palmer, Aickin, Suett, Dowton, Cory, Holland, Russell, Wathen, Maddocks, Sparks, Ryder, Master Chatterley, Webb, Fisher, Evans, Mrs Jordan, Mrs Siddons. [Cast from text (James Ridgway, 1799), and Genest, VII, 420: Ataliba-Powell; Rolla-Kemble; Alonzo-C. Kemble; Pizarro-Barrymore; Almagro-Caulfield; Gonzalo-Wentworth; Davilla-Trueman; Gomez-Surmont; Valverde-R. Palmer; Las Casas-Aickin; Diego-Suett; Orozembo-Dowton; Old Blind Man-Cory; Centinel-Holland; Peruvian Officer-Archer [see17990525]; Attendant-Maddocks; Boy-Master Chatterley; Soldiers-Webb, Fisher, Evans, Chippendale; Cora-Mrs Jordan; Elvira-Mrs Siddons; unassigned-Russell, Wathen, Sparks, Ryder; Prologue-King; Epilogue-Mrs Jordan.
Cast
Role: Centinel Actor: Holland
Related Works
Related Work: Pizarro Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Don Pedro-Holland; Leonato-Aickin; Don John-Caulfield; Claudio-Barrymore; Benedick-Kemble; Balthazar-Dignum; Antonio-Packer; Borachio-Trueman; Conrade-Surmont; Dogberry-Suett; Verges-Dowton; Friar-Maddocks; Sexton-Hollingsworth; Hero-Miss Mellon; Beatrice-Miss Biggs (1st appearance in that character); Margaret-Miss Tidswell; Ursula-Miss Wentworth.
Cast
Role: Don Pedro Actor: Holland

Afterpiece Title: No Song No Supper

Performance Comment: Crop-Dignum; Frederick-Trueman; Endless-Suett; Robin-Bannister Jun.; William-Caulfield; Servant-Webb; Dorothy-Mrs Bland; Louisa-Miss Wentworth; Margaretta-Miss Stephens (1st appearance in that character).
Cast
Role: Dorothy Actor: Mrs Bland

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17991021, but in Natives; Islanders-_Dyke, Lewiss; omitted from +English: Lieutenant of Marines-_.
Cast
Role: Islanders Actor: _Dyke, Lewiss

Afterpiece Title: The Naval Pillar

Dance: In 3rd piece: As17991007

Song: In 3rd piece: As17991011

Event Comment: "The bombardment of the fortv, at the conclusion of the Opera, went off better than on the preceding night. Of course, the thunder of guns and mortars, with the suffocating smoke, stench and vapour which pervaded every part of the house rouzed the audience from a state of lethargy and torpor...and the curtain dropped with less opposition and reprobation than on the preceding night" (Dramatic Censor, I, 350). Receipts: #342 11s. (267.17.6; 74.4.6; 0.9.0)

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: As18000311but in English: Boomly-Trueman in place of Kelly; Chorusses-_Bardoleau, _Willoughby, _Elliot, _Aylmer, _Clarke, _Mead, _Dibble, _Gallot, _Caulfield Jun., _Tett, _Sawyer, Ms _Jacobs, Ms _Benson, Ms _Butler, Ms _Chippendale, Ms _Coates, Ms _Gawdry.
Related Works
Related Work: The Egyptian Festival Author(s): Andrew Franklin

Afterpiece Title: The Wedding Day

Performance Comment: Lord Rakeland-DeCamp; Sir Adam Contest-King; Mr Contest-Trueman; Mr Milden-Maddocks; Lady Contest-Mrs Jordan; Lady Autumn-Miss Tidswell; Mrs Hamford-Mrs Walcot.
Cast
Role: Lord Rakeland Actor: DeCamp

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: As18000324but from English: Sparks_; unassigned-_Ryder.
Related Works
Related Work: The Egyptian Festival Author(s): Andrew Franklin

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Hollingsworth; Don Ferdinand-Clarke; Don Carlos-Surmont; Don Pedro-Caulfield; Octavio-Trueman; Lazarillo-Palmer; Muskato-Bannister Jun.; Marcella-Miss Mellon; Aurora-Miss Heard; Beatrice-Mrs Jordan.
Cast
Role: Don Ferdinand Actor: Clarke

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: As18000313but from Egyptians: Surmont_; unassigned-_Roffey, _Ryder; from English: Sparks_; Slaves-_.
Related Works
Related Work: The Egyptian Festival Author(s): Andrew Franklin

Afterpiece Title: The Prize

Event Comment: A Comic Opera; the Music by Paisiello. The Dialogue, for the first time in this Country, will be delivered without the Music of the Recitative. "Nina [Bolla] performed for her benefit in a novel and singular manner, the dialogue being spoken in prose without recitative, which had not a bad effect; but this way of acting it was deemed an infringement of the rights of the English theatres, and after a few nights it was stopped by authority, as unlawful at the Opera" (Mount-Edgcumbe, 111-12). Tickets to be had of Mme Bolla, No. 6, Haymarket

Performances

Mainpiece Title: Nina

Dance: As18000322

Event Comment: Benefit for Mme Banti. A New Serious Opera [1st time; SER 2]. The Poetry by Metastasio, and the Music entirely new, composed by an English Gentleman [Richard Edgcumbe, Earl of Mount-Edgcumbe], who has obligingly lent Mme Banti the Score, and kindly consented to its being represented upon that occasion. Tickets to be had of Mme Banti, No. 24, St. Alban's-street. "Having granted the use of this opera to Banti only, I withdrew it immediately, and would not permit it to be again represented for the manager, who requested to have it. After this, Roselli sung no more, nor had we ever another soprano [i.e. castrato] at the opera [until 1825]" (Mount-Edgcumbe, 88)

Performances

Mainpiece Title: Zenobia Of Armenia

Dance: As18000513

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: As18000331but from Egyptians: Caulfield_; Cory_; from English: Webb_; unassigned-_Grimaldi; Chorusses-_.
Related Works
Related Work: The Egyptian Festival Author(s): Andrew Franklin

Afterpiece Title: The Strangers at Home

Performance Comment: Aldobrand-Suett; Regnalto-Caulfield; Octavio-Dignum; Montano-Trueman; Fabio-Chippendale; Firelock (with a new Song composed by Florion [recte Florio], and O Bring me Wine, composed by Shield)-Sedgwick; Lawrence-Bannister Jun.; Viola-Miss B. Menage; Laura-Miss Leak; Alice-Miss DeCamp; Rosa (with When First I began, Sir, to Ogle the Ladies)-Mrs Jordan.
Cast
Role: Aldobrand Actor: Suett

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Lilla-Mme Bolla (First Comick Singer from the Opera House, by permission of the Proprietors; 1st and only appearance on the English [speaking] stage); Ghita (1st time)-Miss Clara Dixon (of the Opera House); Katharine-Mrs Crouch; Page-A Young Lady (1st appearance on any stage [in a speaking part: Miss Jacobs]).in a speaking part: Miss Jacobs]).

Afterpiece Title: Of Age To-morrow

Song: III: a new song (composed by Kelly)-Mme Bolla