SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English Irish Scotch and Negroe Songs"/1) | (@(roleclean,performerclean) "English Irish Scotch and Negroe Songs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2638 matches on Performance Title, 2175 matches on Performance Comments, 1215 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MD 2, by Jeremiah Meyer and William Hayley, "from the German." Larpent MS 941; not published; synopsis of plot in Morning Herald, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations. The Music selected from Ditteus [i.e. Dittersdorf], Rauzzini and Salieri; the Overture and new Music by Reeve. Book of the Songs to be had at the Theatre. [Mme Carnevale had 1st appeared at king's in 1783.] Receipts: #252 3s. 6d. (242.19.6; 9.4.0)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Zelma; or, The Will o' th' Wisp

Performance Comment: [Principal Characters by Incledon, Munden, Hull, Davies, Thompson, Mrs Martyr, Miss Chapman, Mme Carnevale (1st appearance on the English stage i.e. in a speaking part]). The other Musical Characters-Miss Broadhurst, Miss Stuart, Mrs Watts, Mrs Arnold, Miss Francis, Miss Yeoens, Miss Barnett, Miss Leserve, Mrs Masters, Mrs Mountain; [Cast from Songs (T. Cadell, 1792): Hazem-Incledon; Darif-Munden; Nouri-Hull; Aleddin-Davies; Captain-Thompson; Barbara-Mrs Martyr; Nerimana-Miss Chapman; Zelma-Mme Carnevale; Virgins, Genii, and her Attendants-Miss Broadhurst, Miss Yeoens, Miss Barnett, Mrs Mountain.

Performances

Mainpiece Title: King Henry The Eighth

Dance: Scotch Dance-Mrs Bullock; Saraband-Mr Robinson's Daughter

Performances

Mainpiece Title: It Should Have Come Sooner

Afterpiece Title: The Strollers

Afterpiece Title: The Tricks of Harlequin

Afterpiece Title: Acis and Galatea

Song: A Dialogue between a Rake and a Country Maid-Miss Tenoe, Miss Lindar; A Satyr on All Trades-Harper, Mrs Willis

Dance: Scotch Dance-Mrs Willis; Passacaille-Mrs Brett

Event Comment: Benefit Cibber Jr and Mrs Campbell. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Man Of Mode

Music: Between the Acts: Select Pieces-

Dance: Scotch Dance-Mrs Bullock; Harlequin and Two Punches-Shaw, Thurmond, Boval; Saraband-Mrs Younger

Event Comment: Benefit Mrs Giffard. At the particular Desire of several Ladies of Quality. Afterpiece: A new Entertainment in Grotesque and Scotch Characters. With new Scenes, Machines, Flyings, and Sinkings, and other Decorations. Tickets for King Lear taken this Day

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Turn'd Dancing-Master; or, The Highlander Bit

Performance Comment: Colombine (a Scotch Woman)-Mrs Giffard; Highlander-Burny; Pierrot-Eaton; Harlequin-a Gentleman who never appeared on this Stage before.
Cast
Role: Highlander Actor: Burny

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Flora

Dance: Scotch Dance, as17330922 Two Pierrots by Poitier and Pelling. Tambourine by Miss Rogers

Performances

Mainpiece Title: The Author's Farce

Performance Comment: Cast not listed. And a new Prologue and Epilogue .

Afterpiece Title: The Intriguing Chambermaid

Dance: Scotch Danc e by Mr and Mrs Davenport

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Flora

Dance: Scotch Dance by Mrs Bullock. The Whim (new) by Miss Wherrit and Miss Sandham

Performance Comment: The Whim (new) by Miss Wherrit and Miss Sandham .

Performances

Afterpiece Title: The Nuptial Masque

Cast
Role: Britannia Actor: Mrs Sanderson

Dance: Scotch Dance, as17331004. Pigmalion, as17340114

Event Comment: Benefit Wetherilt and Bardin

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Lover's Opera

Dance: Scotch Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Mrs Vallois

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Toy Shop

Dance: Scot's Dance, as17350311 Shepherd and Shepherdess by Lally and Mlle Salle

Song: Scotch Ballad by Miss Hillyard

Event Comment: Boxes and Balconies on the Stage 4s. Boxes 3s. Pit 2s. Gallery 1s. 6 P.M

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Damon and Phillida

Dance: Scotch Dance by Mrs Bullock. Pierrots by Vallois and Delagarde

Performance Comment: Pierrots by Vallois and Delagarde .

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: What D'ye Call It

Dance: % Scotch Dance, as17411130; Le Matelot, as17411130; Comic Dance, as17411209

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Performance Comment: Hob-Laguerre; Sir Thomas-Hippisley; Friendly-Beard; Old Hob-Dunstall; Dick-Anderson; Flora-Mrs Vincent; Betty-Miss Hippisley; Hob's Mother-Mrs Martin.
Cast
Role: Dick Actor: Anderson

Dance: CComic Dance, as17450423 Scotch Dance, as17441012

Song: Scotch Ballad beginning And we are Gayly yet-Beard

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Hartford Bridge

Dance: Scotch Divertisement-Byrn, Holland, Mme Rossi; In afterpiece: The Lucky Escape, as17921116

Event Comment: Two days ago a Letter [price 1s.] came out to Miss Nossiter in which Mrs Cibber is abu'd & tother greatly extoll'd. The Author has also fell foul upon Mr Murphy author of Gray's Inn Journal. It is wrote by one Morgan an Irish Gent: High words has pass'd at ye Bedford Coff. H. between him and Murphy & 'tis thought a Duel will be ye Consequence (Cross). [See The Authorship of a Letter to Miss Nossiter, Shakespeare Quarterly, January 1952, p. 69.

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Wou'dbe-Sparks; Elder Wou'dbe-Ryan; Trueman-Anderson; Richmore-Ridout; Balderdash-Wignel; Subtleman-White; Fairbanks-Redman; Constable-Dunstall; Mrs Clearaccount-Mrs Dunstall; Midnight-Mrs Bambridge; Teague (with Song in Character)-Barrington; Alderman-Arthur; Clearaccount-Collins; Aurelia-Mrs Dyer; Constant-Mrs Vincent.
Cast
Role: Trueman Actor: Anderson

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Performance Comment: The Characters by: Clinch, Lee Lewes, Quick, Dunstall, Fearon, Fox, Thompson, Cushing, Bates, Chaplin, Hollingsworth, Wewitzer; Mrs Pitt and Miss Brown, in whose character will be introduced a Song; With a Prologue-; Lieut. O'Connor-Clinch; Dr Rosey-Quick; Justice Credulous-Lee Lewes; Serjant Trounce-Dunstall; Bridget-Mrs Pitt; Lauretta-Miss Brown (Genest, V, 467).

Dance: End: The Vintage Festival, as17741007

Event Comment: [2nd piece in place of The Orphan; 3rd piece of Blunders at Brighton [i.e. The Irish Mimic], both advertised on playbill of 9 Oct.] "Where [Lewis] absolutely exceeded all expectation, even from spirits like his own, was in the first scene of the fifth act, where he meets with Cacafogo, who has been Cozened, too, and by a woman also (indeed the same woman); the convulsive joy of his laugh, frequently renewed, and invariably compelling the whole audience to a really painful sympathy, was one of the most brilliant exploits of the comedian...[Lewis] had one peculiarity, which was the richest in effect that could be imagined, and was always an addition to the character springing from himself. It might be called an attempt to take advantage of the lingering sparks of gallantry in the aunt, or the mother of sixty, or the ancient maiden whom he had to win, to carry the purposes of those for whom he was interested. He seemed to throw the lady by degrees off her guard, until at length his whole artillery of assault was applied to storm the struggling resistance; and the Mattockses and the Davenports of his attentions sometimes complained of the perpetual motion of his chair, which compelled them to a ludicrous retreat, and kept the spectator in a roar of laughter. In short, whether sitting or standing, he was never for a moment at rest--his figure continued to exhibit a series of undulating lines, which indicated a self-complacency that never tired, and the sparkling humour of his countenance was a signal hung out for enjoyment" (Boaden, Siddons, II, 364-66). Receipts: #365 4s. 6d. (357.6.6; 7.18.0)

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Three Weeks after Marriage

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: See also Luttrell, A Brief Relation, I, 362. The cost of the Pageants was #175; the total cost of the Lord Mayor's Show came to #473 4d. See Robert Withington, English Pageantry (Cambridge, Mass., 1920), II, 62

Performances

Mainpiece Title: London's Annual Triumph Performed On Thursday, Octob

Performance Comment: 29. 1685. For the Entertainment of the Right Honourable Sir Robert Jeffreys, Kt Lord Mayor of the City of London. With a Description of the several Pageants, Speeches, and Songs made proper for the Occasion. All set forth at the proper Costs and Charges of the Worshipful Company of Iron@Mongers. Composed by Matt. Taubman.
Event Comment: Benefit Mrs Roland and Mrs Vincent. Mainpiece: Written by Sir John Vanbrugh. Afterpiece: A New Farce, interspersed With Songs. [Author not known. Apparently not published.] Receipts: money #28 10s.; seals #85 5s. (Account Book); #120 Rylands MS.: The Whim Damn'd

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Bridgwater; Constant-Hale; Heartfree-Ryan; Lady Fanciful-Mrs Bellamy; Lady Brute-Mrs Horton; Belinda-Mrs Vincent; Mademoiselle-Mlle Roland, the first time of her speaking on the English stage.

Afterpiece Title: The Whim; or, The Merry Cheat

Song: Leveridge, Salway

Dance: Glover, Mlle Roland, Mechel

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: Benefit for Sparks. Afterpiece: A farce never perform'd before. [Possibly Thomas Sheridan's The Brave Irishman, but see Ten English Farces, Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 221 ff.] Last time of the company's performing till the holidays

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Murphy first time; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Tom (with a song in character)-Dyer; Phillis-Mrs Woffington; Cimberton-Arthur; Mrs Sealand-Mrs Griffiths; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Indiana-Mrs Bellamy.
Cast
Role: Sealand Actor: Sparks
Role: Mrs Sealand Actor: Mrs Griffiths
Role: Humphrey Actor: Anderson

Afterpiece Title: The Irishman in London

Song: Lowe

Dance: As17541203

Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Bransby; Wolsey-Havard; Buckingham-Austin; Norfolk-Palmer; Surrey-Davies; Lord Chamberlain-Kennedy; Suffolk-Blakes; Cranmer-Burton; Bp. Gardiner-Clough; Anna Bullen-Mrs Bennet; Patience (with a proper song)-Miss Young; Queen Katharine-Mrs Pritchard. With the Coronation, and the Ceremony of the Champion in Westminster Hallv.

Afterpiece Title: The Register Office

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performance Comment: As17611214, but the Songs of the Paganinis will be all new.