SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch Characters"/1) | (@(roleclean,performerclean) "English French Dutch Characters")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3996 matches on Performance Comments, 1727 matches on Performance Title, 1431 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cato

Afterpiece Title: High Life Below Stairs

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: Sg Maranesi, Mlle Capdeville

Event Comment: Comedy Never Acted before. All the Characters New Dress'd. No money return'd after the Curtain is up. [By Macklin. Not printed. Plot account in Kirkman, Life of Macklin. It persisted for nine nights against continual opposition (Genest, IV, 625).] Boxes #95 17s. Macklin's fifth above house charges: #31 15s. 9d. (Account Book). [See note, 2 Feb.] Receipts: #221 19s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: Poitier Jr, Mlle Capdeville

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Thomasand Sally

Performance Comment: As17601128, but full cast: Sailor-Beard;in which by Desire, Heart of Oak-Beard; Squire-Mattocks (being the first time of their appearing in tnese characters); Dorcas-Mrs Vernon; Sally-Miss Brent.

Dance: Last New Comic Dance-Maranesi, Mlle Capdeville

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: Love a-la-Mode

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: A Duke and no Duke

Ballet: Grand Comic Ballet, call'd The Hungarian Gambols; or a Provincial Rendezvous. Crosaques-Sodi, Mlle Capdeville; Croats-Maranesi, Desse, Leoni; Hussars-Leppie, Granier, Gosley, Dumai, Mrs Granier, Mlle Marianne; Mrs Leppie, Mrs Jansolin; Pandours-Rochford, Dufour, Miles, Hussey, Mrs Viviez, Miss Twist, Miss Welsch, Miss Daw. With Proper Habits and Decorations

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fair

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Old Maid

Dance: By Particular Desire aHornpipe-Miss Dawson, others

Event Comment: Mainpiece: Never acted. Comedy [by Foote] in 3 acts. Characters new Dress'd

Performances

Mainpiece Title: The Lyar

Afterpiece Title: Thomasand Sally

Dance: TThe Taylors, as17620107

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Genii

Song: HHearts of Oak, as17620115

Performances

Mainpiece Title: Florizel And Perdita; Or, The Winter's Tale

Afterpiece Title: Catharine and Petruchio

Song: HHearts of Oak, as17620115

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Dragon of Wantly

Dance: New Comic Dance,%Les Sabotiers-Sodi, Sga Mansiere, Maranesi, Mlle Capdeville

Performances

Mainpiece Title: Comus

Afterpiece Title: Marplot in Lisbon

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Polly Honeycombe (With Alterations)

Ballet: II: A New Comic Dance, call'd The May Day Frolic. Country Girl-Miss Dawson; Chimney Sweeper-Mr Baltazar

Dance: End: New Hornpipe-Miss Dawson

Song: IV: Miss Young

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Sorcerer

Event Comment: Tomorrow (acted but once these 5 years) King Henry IV, Part II. New Dress'd in the characters of the times, to which be added, not acted this season, The Genii

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Duke and no Duke

Dance: I: Hearts of Oak, as17620925; III: The Bavarian Shoemakers, as17621009

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone-Garrick; Frenchman-King; Old Man-Blakes; Drunken Man-Yates; Fine Lady-Mrs Clive; Mercury-Vernon (with songs in character).
Cast
Role: Frenchman Actor: King
Event Comment: Mainpiece: Not acted in 20 years. Characters New Dress'd. Afterpiece never perform'd there before

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Old Maid

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Rape of Proserpine

Event Comment: The Characters New Dressed. Play never acted before. [See Three Original Letters to a Friend in the Country on the Cause and Manner of the late Riot at the Theatre Royal in Drury Lane. See also two letters in The Theatrical Review; or, Annals of the Drama, 1 March 1763. This number includes (pp. 117-25) a critique on the Discovery. Critic found it a piece of much merit particularly in the perusal," but on stage frequently tedious and heavy owing to a scarcity of incident and an uncommon lengthening of the acts."

Performances

Mainpiece Title: The Discovery

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Miss in Her Teens

Dance: TThe Jealous Woodcutter, as17621023

Entertainment: New Comic Lectural Exhibition in his Old Taste-Shuter