SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch Characters"/1) | (@(roleclean,performerclean) "English French Dutch Characters")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3996 matches on Performance Comments, 1727 matches on Performance Title, 1431 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Tutor

Event Comment: Benefit for Quilici. An Opera, by Metastasio, with Music by Jomelli. Books of this elegant poetical Composition, with an English translation, will be sold at the Performance

Performances

Mainpiece Title: Isola Disabitata; Or, The Deserted Island

Entertainment: S$Sg Cordoni, virtuoso on the violin, lately arrived from Italy, who never yet appeared in public, will direct the orchestra and perform a solo and Miss Frederick will play a Concerto on the harpsichord, the compsoition of Sg Paradies

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: As17600214 *uó?cg The English Sailors in America. As17600320.

Entertainment: E+Extravaganza. Between Play and Farce: Shuter will entertain the Audience (this night only) by A Day of Taste, as17600320

Event Comment: MMarybone Gardens are now opened, and will be continued every evening during the summer season: There will be a musical performance in the orchestra, and after that an English burletta called La Serva Padrona. The music composed by Pergolesi, wherein Sga Seratina, who is now pretty well recovered of her late illness, and who has met with such universal applause in these performances, will perform the principal part. The doors will be opened at Five, the Music begin at Six, and the Burletta at Eight o'clock. Admittance 1s. The Books of the Burletta to be had at the Bar of the Gardens. N.B. Mr Truster's daughter continues to make the rich seed and plumb cakes so much admired by the Nobility and Gentry, and will be sent to any part of the town at 2s. 6d. each. She likewise makes almond cheesecakes that excels anything of that kind and are hot at One o'clock, and are sold at 21s. per dozen. [This notice repeated in subsequent bills.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Register Office

Cast
Role: Frenchman Actor: Blakes
Event Comment: A new English Comic Burletta from the Italian. Music by John Adolf? Hasse. To begin at half after seven

Performances

Mainpiece Title: The Ridiculous Guardian

Dance: As17610716

Event Comment: A new English Comic Burletta from the Italian. Music by Galuppi

Performances

Mainpiece Title: The Coquette

Dance: As17610803

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performances

Mainpiece Title: Songs From Artaxerxes

Performance Comment: by permission of Dr Arne, The favorite songs-Sg Peretti (who performed the part of Artaxerxes at Covent Garden), Tenducci, others; comic songs in Italian-Leopoldo Micheli (who never appeared on the English stage before); A Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; (By Particular Desire) a new song by Dr Arne on the Taking of Martinico-Peretti.

Performances

Mainpiece Title: The Orators

Performance Comment: Mr Foote will begin a Course of Lectures on English Orators. See17620501.
Event Comment: MMr Foote's Oratorical Lectures will be continued in the New Theatre in the Haymarket this day, between Twelve and One noon. [In six parts]: 1. Oratory in general, 2. Its utility demonstrated from its universality, 3. Distinct species of oratory, 4. The present practice peculiar to the English, 5. Necessity of an Academy, 6. The propriety of appointing the author perpetual professor. The whole to be illustrated in apt instances by a set of pupils long trained to the art, one of which is amazing proof of the force of Genius when properly cultivated (Public Advertiser). [These lectures were given 36 times and referred thereafter this season as The Orators.

Performances

Mainpiece Title: The Orators

Event Comment: By Particular desire. [Isaac Reed saw this performance and noted that Miss Elliot played Polly (Isaac Reed, Diaries, ed. C. E. Jones (Univ. of California Publ. English, 1946), p. 14).

Performances

Mainpiece Title: The Orators

Afterpiece Title: Polly Honeycomb

Event Comment: Books of the Farce to be had at the Theatre. Mr Powell's first appearance in Jaffier. Got much applause (Hopkins). Mr Powell's first appearance in Jaffier--he performed the first part of it with feeling, but in the fourth act he was wild, and wanted power--But was much applauded (Hopkins Diary--MacMillan). Tomorrow, The Midsummer Night's Dream, Written by Shakespear; with Alterations; Interspersed with Airs, Compos'd by the most eminent English Masters. Receipts: #235 7s. (MacMillan)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Love at First Sight

Event Comment: An English Burletta [By Kane O'Hara] Never acted there. To Prevent mistakes, those Ladies who have taken places, are desired to send their Servants by 3 o'clock. Books of the Burletta to be sold at the Theatre, at 1s. 6d

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd, as17631222; II: The Calabrian Peasants, as17631222

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Event Comment: A Serious English Opera never performed before, by Mr Rolt. Music by Mr Michel Arne and Mr Battishall. Though it met with a favourable reception was preformed but six nights to thin audiences (Victor, History of the Theatres, III, 58)

Performances

Mainpiece Title: Almena

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Event Comment: The New English Opera oblig'd to be deferr'd till Friday on account of the Indisposition of Sga Cremonini. Tomorrow, by Particular Desire. Richard III, with a Pantomime (Not perform'd this season) call'd The Genii

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Polly Honeycombe

Dance: IV: New Tambourine, as17640929

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: Paid for licensing English Merchant #2 2s.; Paid Mr Florio 20 nights in Cymon, #21; and Mr Shaw for Ditto at half a Guinea, #10 10s.; Chorus singers 2 nights #5 1s. (Treasurer's Book). Receipts: #211 19s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022

Event Comment: Mainpiece: An English Opera composed and directed by Dr Arne. In this opera two new performers appeared,--Mr Rathom who played Artaxerxes, a bad figure, extreamly aukward, and much hissed--the other Mrs Forbes, who played Arbaces, a small figure a good voice, was well received, and went decently through the part (Hopkins Diary)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Old Maid

Dance: M Daguville, 1st appearance, Mrs King

Event Comment: The profits arising from the Entertainment will be applied to a Fund for opening an Academy the purpose of which will be the teaching of the English language Grammatically and the art of writing and speaking by rule. There have been Stoves kept constantly burning for days past, in order that the Theatre might be thoroughly warmed; Curtains also will be put up in the boxes. To begin at 7 p.m. Playhouse prices. By the Desire of many

Performances

Mainpiece Title: An Attic Evening's Entertainment

Event Comment: Benefit for Mr and Mrs Baddeley. Mainpiece: Played this night By Particular Desire. Tickets deliver'd for The English Merchant will be taken

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin's Invasion

Dance: I: The Wake, as17680929

Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Performances

Mainpiece Title: Amintas

Afterpiece Title: The Englishman in Paris

Dance: I: A New Pastoral Dance-Fishar, Sga Manesiere

Event Comment: A new Serenata, the Music by Dibdin. Admittance 2s. 6d. each person, coffee and tea included. The house will continue to be opened on Mondays, Wednesdays and Fridays until further notice. N.B. There will be an armed guard on horseback to patrol the roads. [The serenata was added to "the usual entertainment." Words by Bickerstaff, this was an Englished La Serva Padrona (Loewenberg, Annals of Opera, Vol. 1, Col. 175. Rev. Ed., 1955).

Performances

Mainpiece Title: The Maid The Mistress