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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch Characters"/1) | (@(roleclean,performerclean) "English French Dutch Characters")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6418 results for: Keyword - English, French, Dutch Characters
We found 3996 matches on Performance Comments, 1727 matches on Performance Title, 1431 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

226
24 February 1763 @ Covent Garden

Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17620414; Principal Characters-Beard, Tenducci, Mattocks, Peretti, Miss Poitier, Miss Brent.
Cast
Role: Principal Characters Actor: Beard, Tenducci, Mattocks, Peretti, Miss Poitier, Miss Brent.

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

227
22 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for Fox, Mrs Cross, Miss Simson. By Particular Desire. House charges #64 7s. [Profit to actors #1 2s. 6d. plus tickets. Received Mr Dickinson's deficiency #54 14s.] Rec'd of Clutterbuck #100. Paid French on account #40. Paid Florio for 7 nights in Cymon #7 7s.; Chorus singers #2 10s. 6d.; Rec'd repayment of Arne's note #50 and of Hopkins' note #28; Stopages #2 3s. (Treasurer's Book). Receipts: #65 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Cast
Role: Frenchman Actor: Baddeley

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson

228
21 December 1771 @ Drury Lane Theatre

Event Comment: For the Benefit of the British Lying In-Hospital for Married Women in Brownlow Street, Long Acre (Hopkins). Paid Salary list #501 13s. 6d.; Mrs Abington cloaths acct #2; Mrs S. French, 6 days #1 10s.; Mrs Weston 29 nights at 2s. 6d. per night #3 12s. 6d. Rec'd stopages #10 10s. (Treasurer's Book). Receipts: #180 10s. 6d. Charges #84. Profit to hospital #96 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Register Office

Performance Comment: As17711209, but to avoid confusion full cast listed: Irishman-Moody; LeBrush-Palmer; Gulwell-Packer; Harwood-J. Aickin; Williams-Ackman; Brilliant-Fawcett; Frankly-Davies; Frenchman-Baddeley; Scotsman-Love; Marjorie Moorpout-Mrs Love; New Character-Miss Pope.
Cast
Role: Frenchman Actor: Baddeley

229
01 June 1773 @ Drury Lane Theatre

Event Comment: Benefit for Bowers, Cridland, Piercy. Tickets delivered by Hodges will be taken. Paid Mr J. French on acct #5 5s. (Treasurer's Book). Receipts: #259 8s. 6d. Charges: #84. Profits to Bowers, Cridland, and Piercy: #175 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17720919

230
25 September 1773 @ Drury Lane Theatre

Event Comment: Receipts: #138 10s. 6d. Paid three days salary at #85 1s. 11d. per diem, #255 5s. 9d. [Paid the following items which occur regularly each Saturday pay day during the 37 weeks of the 1773-74 season: Lampmen #2 12s.; Billstickers #3 12s.; Handbills 8s.; Candlemen #3 18s.; Carpenter's Bills #8 14s. 6d.; Taylor's Bill #8 11s. 8d.; Mantua Maker's Bill #5 6s.; J. Stevens 18s; Mrs Abington's Cloaths #1; Mr Carver 11 days #11; Mr Royer 2 weeks #9; Mr J. French on act #8 8s.; Supernumeraries and Kettle Drummers #3 14s. (Treasurer's Book). N.B. This pay day was based on a three-day acting week. The average paid out for each of these items over the season, and the total for each computed on this average was as follows. [No further mention will be made of these items this season.] @ Average per week Total for season@Lampmen #3 2s. #113 14s.@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenter's #5 10s. #203 10s.@Taylor's #10 2s. #373 14s.@Mantua Maker's #2 10s. #92 10s.@J. Stevens 18s. #33 6s.@Mrs Abington Cloaths #1 12s. 4d. #60@Carver at 1 per diem #189@Royer #4 10s. #166 10s.@Sups and Kettle Drum at #3 10s. per diem #661@Candlemen #7 14s. #277 4s.

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Performance Comment: Harlequin-Rooker; Colombine-Mrs Sutton; Other characters-Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffiths, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Platt, Mrs Millidge, Miss Collet, Miss Lings, Mrs S. Smith; The Dances-Daigville, Atkins, Giorgi, Sga Vidini.
Cast
Role: Other characters Actor: Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffiths, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Platt, Mrs Millidge, Miss Collet, Miss Lings, Mrs S. Smith

231
24 September 1774 @ Drury Lane Theatre

Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

232
25 March 1775 @ Drury Lane Theatre

Event Comment: Benefit Reddish. Mainpiece was originally written by Mr Jones, Author of the Earl of Essex, but not quite finish'd it is now altered by Dr Hiffernan--very bad (Hopkins Diary). Paid Salary List 4 days #378 10s. 8d.; J. French on Acct #5 5s. Receipts: #219, 4s. 6d. Charges: #70 11s. 6d. Profit to Reddish: #148 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Performance Comment: The Principal characters-Reddish, Cautherly, Palmer, Aickin, Brereton, Hurst, Packer, Davies, Fawcett, Wheeler, Griffiths, Keen, Everard, Jefferson, Miss Platt, Miss Younge; Prologue-Reddish; Epilogue-Miss Younge; In Act II, a Solemn Hymn-; Chorus-; [In Act V, an Olde and Grand Procession-; Music-Barthelemon. [See17740319.]See17740319.]
Cast
Role: The Principal characters Actor: Reddish, Cautherly, Palmer, Aickin, Brereton, Hurst, Packer, Davies, Fawcett, Wheeler, Griffiths, Keen, Everard, Jefferson, Miss Platt, Miss Younge

Afterpiece Title: The Guardian

Dance: The Grand Provencalle Dance, as17750202

233
22 April 1775 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

234
13 May 1784 @ King's Theatre

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

235
24 April 1787 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Performance Comment: [Principal Characters-Brown, Hull, Thompson, Darley, Miss Wilkinson, Mrs Martyr. Cast adjusted from score (Longmans and Broderip [1787]), and playbill of 28 Nov. 1793: Germueil-Brown; Count-Hull; Villager-Thompson; George-Darley; Eliza-Miss Wilkinson; Nina-Mrs Martyr.
Cast
Role: Principal Characters Actor: Brown, Hull, Thompson, Darley, Miss Wilkinson, Mrs Martyr. Cast adjusted from score

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

236
06 November 1790 @ Covent Garden

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Performance Comment: As17901104, but Principal Characters-_Cross, Evatt.
Cast
Role: Principal Characters Actor: _Cross, Evatt.

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]

237
25 April 1793 @ Covent Garden

Event Comment: Benefit for Johnstone. Afterpiece [1st time; MF 2. Larpent MS 980; not published]: By a Gentleman of the Bar [Horatio Edgar Robson]. The Story partly founded on the celebrated old Scotch Ballad of the Heir of Lynne. The Irish, Scotch, Italian and French Airs selected, and the new Music and Medley Overture composed by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #488 9s. 6d

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Money at a Pinch; or, The Irishman's Frolicks

Performance Comment: Principal Characters-Johnstone, Munden, Incledon, Macready, Powel, Linton, Mrs Martyr, Mrs Powell, Mrs Clendining. [Cast from Larpent MS: Captain O'Regan-Johnstone; Alpine-Munden; Don Florio-Incledon; Henriquez-Macready; Basilio-Powel; Ricardo-Linton; Honoria-Mrs Martyr; Francisca-Mrs Powell [in MS: Mrs Webb]; Rosolea-Mrs Clendining.
Cast
Role: Principal Characters Actor: Johnstone, Munden, Incledon, Macready, Powel, Linton, Mrs Martyr, Mrs Powell, Mrs Clendining.

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

238
06 November 1793 @ Covent Garden

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Performance Comment: As17931104, but Principal Characters-_Cross, Evatt.
Cast
Role: Principal Characters Actor: _Cross, Evatt.
Role: Principal Pantomimic Characters Actor: Hawtin in place of _Simpson, Ledger of Hawtin
Role: Vocal Characters Actor: Miss +Kirton, in place of Mrs _Masters.

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]

239
11 February 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Performance Comment: By J. B.? Quinault and John Baptist Lully. By French performers.

240
03 January 1718 @ Lincoln's Inn Fields

Event Comment: Benefit J. and Ch. Rich. Mainpiece: Written by Shakespear. Afterpiece: A New Dramatick Entertainment of Vocal and Instrumental Musick after the Italian Manner, in Grotesque Characters. At the Desire of several Ladies of Quality. Receipts: #56 7s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The School of Folly

Performance Comment: Professor-Gautier , the first time of his appearing upon the English Stage.

Dance: Dances for the afterpiece composed by DuPre-DuPre, Boval, Cook, Pelling, Cook Jr, Newhouse, Mlle Gautier, Mrs Schoolding, Mlle Corail, Miss Schoolding Jr

241
22 March 1755 @ Covent Garden

Event Comment: Benefit for Sparks. Afterpiece: A farce never perform'd before. [Possibly Thomas Sheridan's The Brave Irishman, but see Ten English Farces, Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 221 ff.] Last time of the company's performing till the holidays

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Irishman in London

Song: Lowe

Dance: As17541203

242
25 April 1780 @ Covent Garden

Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Wilson, Edwin, Whitfield, Egan, Mrs Wilson, Mrs White, Mrs Morton. Cast from text (G. Kearsly, 1780) and London Chronicle, 3 May 1780: Beauclerc-Mattocks; Major Bromfield-Reinhold; Ben Hassan-Quick; Serjeant Trumbull-Wilson; Woolwich-Edwin; Muley-Whitfield; Serjeant O'Bradley-Egan; Lieutenant-Wordsworth; Officers-Booth, Fearon, Robson; Sailor-W. Bates; Soldiers-L'Estrange, Thompson, Wewitzer; Mob-Jones, Ledger, Brunsdon, Bates, Stevens; Jenny-Mrs Wilson; Moll Trumpet-Mrs White; Zayde-Mrs Morton.

243
16 June 1791 @ Pantheon, Oxford Street

Event Comment: Benefit for Morelli. A new Comic Opera [1st time; COM 2, by Giovanni Bertati, adapted by Girolamo Tonioli]; the music composed on purpose for this Theatre by Paisiello. With new Scenes and Decorations painted by Moench; the dresses invented and executed by Lupino [from playbill of 28 June]. Under the direction of Mazzinghi. Tickets to be had of Morelli, No. 12, Poland-street. Morelli is happy in having succeeded to bring forward on his Benefit Night (though at a considerable expense) such an excellent new Opera for the entertainment of those who shall honor him with their presence; soliciting the kind patronage of the Nobility, Gentry and Public accordingly on the occasion. Morning Post, 4 June: The Subscribers and the Public are respectfully informed that the new Comic Opera of La Locanda, written expressly for this Theatre, and the only Opera ever composed by this great Master for an English audience, is some time since arrived, and will be brought out shortly

Performances

Mainpiece Title: La Locanda

Performance Comment: Principal Characters by Lazzarini, Cipriani, Morelli, Sga Calvesi, Sga Schinotti, Sga Casentini. [Cast from libretto (H. Reynell, 1792): Riccardo-Lazzarini; Valerio-Cipriani; Arsenio-Morelli [in libretto: Lipparini Sen.]; Marinetta-Sga Calvesi; Rosaura-Sga Schinotti; Guerina-Sga Casentini.

Dance: End I: Divertisement, as17910217; End Opera: Le Siege de Cythere- [see17910517]

244
07 February 1795 @ King's Theatre

Event Comment: A Serious Opera, the music by Bianchi, under whose direction this Opera is now revived, and the Chorusses under Dr Arnold. ["A little miscreant Italian cabal, who have endeavoured to derange the performances at this Theatre, attempted to hiss Kelly, who had generously come from Drury Lane Theatre that the serious Opera might not be interrupted. The liberal feelings of the English subscribers overpowered the noise, and Kelly received the applause which his spirit deserved" (Morning Chronicle, 9 Feb.).

Performances

Mainpiece Title: Semiramide; Or, La Vendetta Di Nino

Performance Comment: Principal Characters by Kelly, Rovedino, Mme Banti. Cast adjusted from libretto (C. Clarke, 1794): Arsace-Kelly; Seleuco-C. Rovedino; Mitrane-Cipriani?; Oroe-Braghetti; Ombra di Nino-Torregiani; Semiramide-Mme Brig. Banti; Azema-Sga Colombati.

Dance: As17950124

245
12 October 1799 @ Drury Lane Theatre

Event Comment: An accurate Edition of the [mainpiece] to be had in the Theatre. "The Prince, we observed, wore the regimentals of an English officer, and the star of a knight of the Bath or Garter. We know not well how this can be thought the costume of either Messina or Arragon" (Monthly Mirror, Oct. 1799, p. 237). Receipts: #252 16s. (151.11; 100.11; 0.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

246
22 May 1800 @ King's Theatre

Event Comment: Benefit for Mme Banti. A New Serious Opera [1st time; SER 2]. The Poetry by Metastasio, and the Music entirely new, composed by an English Gentleman [Richard Edgcumbe, Earl of Mount-Edgcumbe], who has obligingly lent Mme Banti the Score, and kindly consented to its being represented upon that occasion. Tickets to be had of Mme Banti, No. 24, St. Alban's-street. "Having granted the use of this opera to Banti only, I withdrew it immediately, and would not permit it to be again represented for the manager, who requested to have it. After this, Roselli sung no more, nor had we ever another soprano [i.e. castrato] at the opera [until 1825]" (Mount-Edgcumbe, 88)

Performances

Mainpiece Title: Zenobia Of Armenia

Performance Comment: Principal Characters by Rovedino, Viganoni, Mme Banti. Cast from Larpent MS 1294: Mitrane-Rovedino; Tiridate-Viganoni; Radamisto-Benelli; Zopiro-Braghetti; Zenobia-Mme Banti; Egle-Sga Rovedino.

Dance: As18000513

247
14 March 1795 @ Drury Lane Theatre

Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-Bland; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Fauconbridge-Palmer; R. Faulconbridge-Waldron; English Herald-Trueman; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins.
Cast
Role: English Herald Actor: Trueman

Afterpiece Title: Alexander the Great

248
12 November 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]
Cast
Role: English Prisoners Actor: Claremont, Wilde, Gray

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

249
15 October 1771 @ Drury Lane Theatre

Event Comment: Paid Miss Younge, for men's cloaths #15 15s., Mrs Mott for women's Cloaths #10 10s.; Mr French on Acct #25; Mr King, Glassman #8 13s.; Half a year's poor's rate for St Martin's to Midqummer last #25 5s.; Mas. Brown 4 nights (10th inst. incl.) #1 10s.; Mrs Slaughter's bill, #1 (Treasurer's Book). Receipts: #147 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Le Brush-Palmer; Gulwell-Packer; Scotchman-Love; Frenchman-Baddeley; Margery Moorput-Mrs Love; New Character [Mrs Doggerel]-Miss Pope; Frankly-Davies; Harwood-J. Aickin; Williams-Ackman; Lord Brilliant-Fawcett.
Cast
Role: Frenchman Actor: Baddeley

Dance: V: The Sailors Revels, as17711008

250
13 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Performance Comment: Principal Characters by Parsons, Wilson, Bannister Jun., Blissett, Egan, Edwin; Miss Morris, Mrs Webb. [Cast from text (J. Stockdale, 1783): General Heartfree-Parsons; Sir Harry Henpeckt-Wilson; Colonel Foible-Bannister Jun.; Doctor Puzzle-Blissett; Frill-Egan; Mr Cook-Edwin; Clump-Gaudrey; Mr Jacobs-Barrett; Farmer Flame-Painter; Postillion-Miss Painter; Maria Goodall-Miss Morris; Lady Henpeckt-Mrs Webb; Trippit-Mrs Love.] New Prologue spoken by Wilson . New Prologue spoken by Wilson .

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

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