SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch and Italian Manner"/1) | (@(roleclean,performerclean) "English French Dutch and Italian Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1969 matches on Performance Title, 1168 matches on Event Comments, 768 matches on Performance Comments, 7 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Country Lass-Miss Valois; What's That To You? a Scots song,-Lauder; Oration-Miss Midnight; The Taylors-Master Settree, Miss Twist; Comic Lectures-Mr Cibber; Kitty or the Female Phaeton-Miss Gaudry; Cuckow Overture-; A new Scots Dance,with the Scots Measure,-Froment, Mme Dulisse; Singing-Sadler; Auction-Cibber; Italian Air-Signora Mimicotti; Dutch Peasant-Miss Valois; Marine Boys Marching to Portsmouth-; Hornpipe-Morris, Miss Durham; Comic Epilogueriding on an Ass-Miss Midnight; Voluntary on Cymbalo-Noel; Handel's Water Musick-; with Preamble on Kettle Drums-Woodbridge; Louvre, Minuet-Froment, Mme Dulisse.

Afterpiece Title: Harlequin's Frolic

Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Event Comment: See 22 May 1677. John Verney to Edmund Verney, 31 May 1677: On Wednesday his Majesty's birth night was some gallantry at Whitehall, where was acted a French opera, but most pitifully done, so ill that the King was aweary on't, and some say it was not well contrived to entertain the English gentry, who came that night in honour to their King, with a lamentable ill-acted French play, when our English actors so much surpass; however, the dances and voices were pretty well performed (HMC, 7th Report, Appendix, Part I, 1879, p. 468)

Performances

Mainpiece Title: Rare En Tout

Performances

Mainpiece Title: Ways And Means

Performance Comment: As17931008, but Scruple-Caulfield; omitted: French Waiter, English Waiter, Passengers . omitted: French Waiter, English Waiter, Passengers .
Cast
Role: Canteen Actor: Bland
Role: Betsey Blossom Actor: Mrs Bland.

Afterpiece Title: THE PRIZE

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland.
Event Comment: Mainpiece [1st time; HIST. D 5, by George Watson. Prologue and Address by the author (European Magazine, Apr. 1795, pp. 267, 268)]: With new Dresses and Decorations. Morning Chronicle, 11 May 1795: This Day is published England Preserved (2s.). Receipts: #209 0s. 6d. (199.13.0; 9.7.6)

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Davies, Macready, Hull, Haymes, Richardson, Powel, Claremont, Thompson, Williamson, Miss Wallis. [Cast from text (T. N. Longman, 1795), and European Magazine, Mar. 1795, p. 197: Earl of Surrey-Holman; Earl of Pembroke-Pope; Earl of Chester-Farren; French Prince-Harley; Earl William Mareschal-Middleton; Earl of Lincoln-Davies; English Knight-Macready; Bishop of Winchester-Hull; Comte de Nevers-Haymes; Lord Robert Fitzwalter-Richardson; French Guard-Powel; Viscomte de Beaumont-Claremont; Heralds-Thompson, Williamson; John Plantaganet-Miss Standen; Lady Surrey-Miss Wallis; Prologue-Middleton; Address (instead of Epilogue)-Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: French Prince Actor: Harley
Role: English Knight Actor: Macready
Role: French Guard Actor: Powel
Role: John Plantaganet Actor: Miss Standen

Afterpiece Title: Crotchet Lodge

Cast
Role: Landlady Actor: Mrs Henley

Ballet: Dermot and Kathlane. As17950219

Cast
Role: Patrick Actor: Holland
Role: Norah Actor: Mlle St.Amand
Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Earl of Surry-Holman; Earl of Pembroke-Pope; Earl William-Betterton; Robert Fitzwalter-Whitfield; Bishop of Winchester-Hull; Earl of Chester-Davenport; English Squire-Clarke; Earl of Lincoln-Waddy; French Prince-Toms; Viscount de Beaumont-Claremont; French Guard-Powel; Count de Nevers-Thompson; Herald-Farley; John de Warrenne-Miss Standen; Lady Surry-Miss Betterton.
Cast
Role: English Squire Actor: Clarke
Role: French Prince Actor: Toms
Role: French Guard Actor: Powel
Role: John de Warrenne Actor: Miss Standen

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Performance Comment: Lieutenant Battledor (the Poor Sailor)-Incledon; Compass-Davenport; Bumbo-Farley; O'Daub-Waddy; Freakish-Townsend; Lieutenant-Gray; Capt. Battledor-Munden; Little Bob-Young Standen; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Wheatley; Eliza (alias Little Ben)-Mrs Martyr.
Cast
Role: Little Bob Actor: Young Standen

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Performance Comment: Amand.

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Edition of 1690: Prologue [Sent to the Author By an Unknown Hand-Mrs Mountfort [Dressed like an Officer; Prologue-a Woman; Don Sebastian-Williams; Muley Moluch-Kynaston; Dorax-Betterton; Benducar-Sandford; Mufti-Underhill; Muley Zeydan-Powell Jr; Don Antonio-Betterton [an error; corrected in 1692 edition to Mountfort]; Don Alvarez-Bowman; Mustapha-Leigh; Almeyda-Mrs Barry; Morayma-Mrs Montfort; Johayma-Mrs Leigh; Epilogue-Antonio, Morayma.
Event Comment: This year was published A Collection of the Dresses of Different Nations, Antient and Modern, Particularly Old English Dresses after the Designs of Holbein, VanDyke, Hollar and others, with an account of the Authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the Habits of the Principal characters on the English Stage. Two vols. with French Text [Recueil des Habiliments...] facing English text. Coptume plates included. Vol II for the English. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.
Cast
Role: French Officer Actor: Wilde
Event Comment: Flying Post, 21-23 Feb. 1699: The famous Italian, Seignor Fideli, is to Sing next Tuesday at the Theatre Royal in Drury-Lane; both in Italian and English; which he never yet performed

Performances

Mainpiece Title: Play Not Known

Performances

Mainpiece Title: Concert

Music: The Vocal part-Mrs Arne; late Miss Cecilia Young. With select Songs and Pieces of Musick; compos'd by Mr Arne, particularly, a New Ov e rture-; a new Concerto for Hautboys-; the March in Zara-; with a Comic Medley Overture-; two new Songs in English-; (by particular Desire) a Ballad Air call'd, Come and Listen to my Ditty-Mr Arne on the Violin, with many Variations; Also variety of Pieces by other Authors-; particularly the first and eighth Concertosof Corelli-; two Italian Songs-

Performance Comment: With select Songs and Pieces of Musick; compos'd by Mr Arne, particularly, a New Ov e rture-; a new Concerto for Hautboys-; the March in Zara-; with a Comic Medley Overture-; two new Songs in English-; (by particular Desire) a Ballad Air call'd, Come and Listen to my Ditty-Mr Arne on the Violin, with many Variations; Also variety of Pieces by other Authors-; particularly the first and eighth Concertosof Corelli-; two Italian Songs-.

Performances

Mainpiece Title: Songs From Artaxerxes

Performance Comment: by permission of Dr Arne, The favorite songs-Sg Peretti (who performed the part of Artaxerxes at Covent Garden), Tenducci, others; comic songs in Italian-Leopoldo Micheli (who never appeared on the English stage before); A Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; (By Particular Desire) a new song by Dr Arne on the Taking of Martinico-Peretti.
Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Performance Comment: Ciprandi; Savoi.

Dance: Adriani, Sga Fabris Monari

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Performance Comment: End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun.
Event Comment: London Gazette, No. 3378, 24-28 March 1698: Next Monday, being the 28th Instant, will be performed in York Buildings, a new Consort of Musick by the chiefest Masters in England, where Signior Rampany, an Italian Musician belonging to the prince of Vaudemont, at the Request of several Persons of Quality, will for once sing in the same in Italian and French. Half a Guinea Entrance

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: Act III, 1. An Italian Song-Sg Bombazino; 2. A New Dissertation-Mrs Midnight; 3. A French Horn Concerto-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Maccabeus with the Side Drum-; Epilogue-Master Hallet.
Event Comment: The doors will open at Five, and the curtain will rise at a quarter after Six

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: See17570928, but to begin with Grand Overture with French Horns-; Kitty-Miss Gaudry; Oratory-Miss Midnight; Scots Songs-Lauder; New Comic Lectures-Cibber; Les Tailleurs a new pantomime dance-Master Settree, Miss Twist; Scots Dance-Froment, Mme Dulisse; Italian Air-La Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado (as17570902); Acrobatics-Maddox; The Drunken Peasant, Irish Landlord and Landlady-Jolly, Settree, Mme Dulisse; Brown Beer of England-Lauder; Hornpipe-Morris.

Afterpiece Title: Harlequin's Frolic

Event Comment: The Burletta a New Musical entertainment composed by Hook. Tickets 3s. 6d. [The performance occurs between a concert and fireworks. The whole entitled Mr Hook's Annual Festival. The news commentary in the Public Advertiser notes the performance seems adapted to all Tastes on account of the great Variety it affords, the Ode being rather serious, and the Burletta is wrote on a Subject of Ridicule."

Performances

Mainpiece Title: Il Dilettante

Performance Comment: Parts by Reinhold, Bannister, Mrs Thompson. In which will introduce the German, French, Italian style of singing-Bannister; Crotchet-Reinhold; Col. Cockade-Bannister; Widow Wishful-Mrs Thompson (Edition of 1772).

Music: Between the Acts: Concerto on Piano Forte-Hook (by Particular Desire); The Ode-Hook for the opening of the New Exhibition Room of the Royal Incorporated Artists of Great Britain. Chorusses will be supported by a number of Capital singers and young gentlemen of St Paul's Choir; The principal vocal parts-Reinhold, Bannister, Mrs Cartwright, Mrs Thompson

Performance Comment: Chorusses will be supported by a number of Capital singers and young gentlemen of St Paul's Choir; The principal vocal parts-Reinhold, Bannister, Mrs Cartwright, Mrs Thompson.

Performances

Mainpiece Title: Il Dilletante

Performance Comment: Parts-Reinhold, DuBellamy, Miss Wewitzer; with Imitations of the German, French, and Italian style of singing-Reinhold.

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17901106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Performances

Mainpiece Title: The German Hotel

Related Works
Related Work: The German Hotel Author(s): Johann Christian Brandes

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17931106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Performances

Mainpiece Title: Barbarossa

Cast
Role: Achmet Actor: Holland

Afterpiece Title: The Magician of the Mountain

Performance Comment: A New Pantomimic Entertainment of Italian Grotesque Characters. Magician-Settree; Pantaloon-Grimaldi; Pierrot-Guerini, his first appearance on the English Stage; Harlequin-Lochery; Colombine-Miss Baker; Mathews, Mortimer, West, Walker, Watkins, Leppie; The Dances-Del'Agata, Aldrige, Vincent, Sga Fiorentini, Sga Giorgi. With New Music, Scenes, Decorations, and Dresses.
Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: Afterpiece: By the Author of the Register Office [Reed]. By Permission and Particular Desire. The tragedy was originally written in Italian by Sg Fonidoso Dellarundo, of Civita Vecchia, and bequeathed by him, at his Decease, to an English Gentleman, with whom he had contracted an intimate Acquaintance. It was translated into English by the celebrated Mr Rone, and (considering the difference of the idiom between the two languages) it is thought equal at last, if not superior to the original (Public Advertiser)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Madrigal and Trulletta

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

Event Comment: Benefit for the Author [i.e. compiler of the entertainment, identified in Oracle, 21 May, as LeTexier]. The Tickets, engraved by Bartolozzi, will be delivered in Lisle-street [LeTexier's home address] only, and no where else

Performances

Mainpiece Title: A New Kind Of Concert

Performance Comment: PART I A New Divertisement-Mlle Dorival, Mlle St.Amand, Mlle Provert, other Dancers; [to introduce the Animated Pictures-; [A new Hunting Song, Chorusses (composed by Philidor)-Albertarelli; A Hunting Symphony by Haydn-; [some favourite Airs with Variations on the Piano Forte-Master Hummel; Italian Song-Sga Sestini; Concerto on the Violin-Master Clement; [at the Harpsichord [the new Song [by Haydn (composed for his Benefit) [see17910512]-Davide; A Divertisement-all the Principal Dancers; [with the charming Pas de Deux-Vestris? Jun, Mlle Hilligsberg; the Pas Russe-Vestris? Jun, Mlle Hilligsberg; [PART II A Comic Duetto-Albertarelli, Sga Sestini; A new Overture [in the Tragic Style, with an entire new Cantata (both composed by Federici,)-Davide; Catches and Glees-the best English Singers; Orpheus and Eurydice-[see17910331.see17910331.