SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch and Italian Manner"/1) | (@(roleclean,performerclean) "English French Dutch and Italian Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1969 matches on Performance Title, 1168 matches on Event Comments, 768 matches on Performance Comments, 7 matches on Roles/Actors, and 0 matches on Author.
Event Comment: A New Italian Comic Opera. Benefit for Sga Spiletta and Giordani

Performances

Mainpiece Title: L'albergatrice

Event Comment: Benefit for Sga Passerini. Pit and Boxes half a Guinea. Gallery 5s. The Overture and some songs composed by his Majesty the King of Prussia. The Remaining songs by the best masters as Quantz, Nichelman, Benda. The Duet and chorus-Graun, chief composer of the court, poetry-Villati. The afterpiece "an Italian Pastoral.

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festeggiante

Event Comment: Alter'd from the Italian with several new Additions. [By Dr Morell. Set by Handel. The words entirely adapted to the Music of Il Trionfo del Tempo, composed at Rome about 1707 (Biographia Dramatica).

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performance Comment: See17580210. Time-Champness, bass; Counsel (or Truth)-Miss Young [Mrs Scott?] [mezzosoprano; Beauty-Signora Frasi[, soprano; Pleasure-Beard[, tenor; Deceit-Signora Beralta[, soprano (Deutsch, Handel, p. 783)., soprano (Deutsch, Handel, p. 783).

Performances

Mainpiece Title: A Medley Concert

Performance Comment: As17570623, but Sga Mimicotti will sing an Italian air accompanied by Myn Heer Van-Poop Broomsticato%.

Afterpiece Title: Harlequin's Frolic

Cast
Role: Blander Actor:
Role: Frenchman Actor:
Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

Performances

Mainpiece Title: A Medley Concert

Performance Comment: See17571017, but The Guittard, a song by Mr Arne,-Mrs Hooper; a new dance, Le Matelotte-Joly; Italian Peasants-_; School of Anacreon-Kear; Chaste Diana-Mrs Hooper; Phoebus sinketh in the West-Kear.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Queen Mab

Performance Comment: As17581005, but In Italian Grotesque Characters; Mab-Mrs Vernon.
Event Comment: Afterpiece: In Italian Grotesque Characters. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Song: III: A Cantata-Miss Young

Event Comment: Benefit for Rice. Afterpiece: For the only time this season will be introduc'd a Mock Italian Burletta. Boxes 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock. As it was originally performed in 1754

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Afterpiece Title: Britannia's Triumph; or, The Contest of Love and Glory

Dance: HHornpipe-

Music: The Band all mask'd in the Venetian Taste

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Performance Comment: Parts-Signora Passerini, Miss Frederick, Signora Eberardi, Quilici, Tedeschino, and a variety of Chorusses by the best voices.

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: Tunbridge Walks

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but with a Comic Mimic Italian Song-Mrs Clive in character.

Song: II: Vernon; accompanied by the Guitar-

Dance: TThe Provancalle, as17631014

Event Comment: The following Italian Singers have arrived in Dublin: Giuseppi Giordani, Francisco Giordani, Sga Marina Giordani, Sga Nicolina Giordani, Spiletta (Daily Advertiser). [Engaged for the Dublin season.

Performances

Mainpiece Title: Ezio

Entertainment: Till the arrival of the Principal Dancers which are engaged, will be performed between the Acts: Solos, Concertos-

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: From the Italian of Metastasio, set to Music by Nicollo Piccini. To begin at 6 p.m

Performances

Mainpiece Title: The Death Of Abel

Music: First Violin Solo-Barthelemon; Concerto on Hautboy-Simpson

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: End: The Irish Lilt, as17680930

Event Comment: Oratorio from the Italian of Metastasio. Never Performed. The Music by Sg Jomelli With additional Chorusses by Leo, Graun, and others. Servants permitted to keep places in the Front as well as Side Boxes. Books of the Performance to be sold there. Charges: #35

Performances

Mainpiece Title: The Passion

Music: As17700302

Event Comment: Last Oratorio, but one this season. From the Italian of Metastasio. The Music by Sg Nicolo Piccini, the composer of La Buona Figluola with additional Chorusses. Charges: #35

Performances

Mainpiece Title: The Death Of Abel

Performance Comment: Parts were for four characters and a chorus: Adam-; Eve-; Abel-; Cain-; Chorus of Angels- (BM 1342 k. 19).

Music: As17700307

Event Comment: Oratorio-taken from the Italian of Metastasio. Music by Piccini

Performances

Mainpiece Title: The Death Of Abel

Music: As17710220

Event Comment: Benefit for Mrs Thompson. Prices 3s. The Musical Piece from the Italian of Goldoni, and adapted to the original Music of Galuppi by Storace, compiler of La Serva Padrona

Performances

Mainpiece Title: The Coquet

Entertainment: Singing-Miss Catley; Musical Imitations-Bannister; With Horns and with Hounds-Mrs Thompson

Event Comment: By Handel. By Command of their Majesties

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: with Coronation Anthems, two Italian Songs-; a Duetto-Mrs Weichsel, Sga Corri.
Cast
Role: two Italian Songs Actor:

Music: I: Bach Concerto-Tacet, Cramer, Cervetto, Fisher; II: Concerto for Two Violins and a Violin@cello by Bach-

Performances

Mainpiece Title: A Miscellaneous Act

Performance Comment: Overture-, composed by Barthelemon; new cantata, A Sea Storm, composed by Barthelemon,-Mrs Barthelemon; Under sweet Friendship's Name-Vernon; Canon-Barthelemon; Concerto on the hautboy-Sharp; Song, composed by Dr Arne,-Mrs Wrighten; Concerto on the flute-DeCamp; Italian Rondeau-Mrs Barthelemon; Variation of Lovely Nancy, as done in Italy,-Barthelemon; Concerto on the violin-Barthelemon.

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

Performance Comment: Vocal Parts As17790303but Grand Chorusses-.
Event Comment: Benefit for Miss Wheeler. Morning Herald, 8 Apr.: Tickets to be had of Miss Wheeler, No. 11, Tavistock-street, Covent-garden. 2nd piece: Altered from Prior's Nut-brown Maid. With Airs and Chorusses composed by Shield. Afterpiece: Not acted these 15 years. Receipts: #213 3s. 6d. (95/7/0; 32/2/6; 0/14/0; tickets: 85/0/0) (charge: #108 10s. 3d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Henry and Emma

Afterpiece Title: The Capricious Lovers

Performance Comment: Hobbinol-Suett; Astolpho-Phillimore; Damon-Waldron; Fabian-Norris; Colin-Williames; Phoebe-Miss Wheeler; Emily-Miss Wright; Clara-Miss Simson; Lisetta (with a mock Italian Song)-Mrs Wrighten. Epilogue in the character of Phoebe spoken by Miss Wheeler .

Dance: End of Act I of afterpiece The Irish Fair, as17820406

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Capricious Lovers

Performance Comment: Hobbinol-Suett; Astolpho-Phillimore; Damon-Waldron; Fabian-Norris; Colin-Williames; Phoebe-Miss Wheeler; Emily-Miss Wright; Clara-Miss Simson; Lisetta (with the mock Italian song)-Mrs Wrighten .

Dance: End of Act I of afterpiece The Irish Fair by Blurton, Miss M. Stageldoir