SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E and C Dilly"/1) | (@(roleclean,performerclean) "E and C Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1375 matches on Event Comments, 973 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MD 2, by Andrew Franklin. Larpent MS 1224; not published; synopsis of plot in Universal Magazine, Oct. 1798, pp. 275-76]: The Overture and Musick composed by Florio. Books of the Songs to be had at the Theatre. Account-Book, 8 July 1799: Paid Florio for the Outlaws #20. Receipts: #258 5s. 6d. (163.10.0; 92.16.6; 1.19.0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Horatio Actor: Holland

Afterpiece Title: The Outlaws

Performance Comment: Characters by C. Kemble, Holland, Biggs, Kelly, Sedgwick, Dignum, Caulfield, Trueman, Maddocks, Hollingsworth, Sparks, Master Chatrerley, Bannister Jun., Mrs Crouch, Miss DeCamp, Mrs Sparks, Miss Leak. Cast from European Magazine, Oct. 1798, p. 258 and Larpent MS: Duke-C. Kemble; Count-Holland; Don Alvarez-Biggs; Anastro-Kelly; Cavaldo-Sedgwick; Marco-Dignum; Francisco-Maddocks; Muleteers-Hollingsworth, Sparks; Child-Master Chatterley; Jasper-Bannister Jun.; Countess-Mrs Crouch; Martia-Miss DeCamp; Dorca-Mrs Sparks; Clara-Miss Leak; unassigned-Caulfield, Trueman.
Cast
Role: Count Actor: Holland
Related Works
Related Work: The Outlaws Author(s): Andrew Franklin
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performance Comment: End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.]This was included in all subsequent performances.]
Event Comment: Mainpiece [1st time: MD 5, by James Boaden]: With new Musick [by Michael Kelly], Dresses, and Decorations. [Scenery by Capon (Theatre Notebook, XIX, 14).] Morning Chronicle, 16 Jan. 1799: This Day is published Aurelio and Miranda (2s.). Receipts: #271 16s. (218.15.0; 51.19.6; 1.1.6)

Performances

Mainpiece Title: Aurelio And Miranda

Performance Comment: Characters by Kemble, Barrymore, C. Kemble, Bannister Jun., Wewitzer, Archer, Webb, Evans, Maddocks, Sparks, Ryder, Wentworth, Mrs Siddons, Mrs Powell, Miss Tidswell, Miss Wentworth, Miss Heard, Mrs Sparks, Mrs Bland. Cast from text (J. Bell, 1799): Aurelio-Kemble; Raymond-Barrymore; Lorenzo-C. Kemble; Christoval-Bannister Jun.; Pedro-Wewitzer; Zingaro-Archer; Claude-Webb; Lopez-Evans; Hilario-Maddocks; Bonaventure-Sparks; Servant-Ryder; Juan-Wentworth; Miranda (Eugenio)-Mrs Siddons; Agnes-Mrs Powell; St. Agatha-Miss Tidswell; Teresa-Miss Wentworth; Antonia-Miss Heard; Leonella-Mrs Sparks; Zingarella-Mrs Bland.
Cast
Role: Miranda Actor: Mrs Siddons
Role: Zingarella Actor: Mrs Bland.

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Cory.
Role: Josephine Actor: Mrs Bland

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Performances

Mainpiece Title: The Castle Of Montval

Performance Comment: Characters by Kemble, Aickin, Holland, C. Kemble, Barrymore, Packer, Fisher, Mrs Siddons, Mrs Powell, Miss Heard. [Cast from text (R. Phillips, 1799), and European Magazine, May 1799, p. 328: Old Count-Kemble; Count of Colmar-Aickin; Count of Montval-Holland; Marquis of Vaublane-C. Kemble; Lapont-Barrymore; Blaise-Packer; Ambrose-Fisher; Countess of Montval-Mrs Siddons; Matilda-Mrs Powell; Teresa-Miss Heard; Prologue-Powell; Epilogue-Mrs Powell. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Count of Montval Actor: Holland

Afterpiece Title: Blue-Beard

Cast
Role: Beda Actor: Mrs Bland
Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Performance Comment: Characters by Aickin, C. Kemble, Barrymore, Clarke, Palmer, Wathen, Davies, Caulfield, Trueman, Davenport, Abbot, Chippendale, Lyons, Suett, Miss DeCamp, Mrs Bland, Miss Palmer. [Cast from test (Geo. Cawthorn, 1799), and European Magazine, Sept. 1799, p. 187: Count de Ladesma-Aickin; Ferdinand-C. Kemble; Roderic de Froila-Barrymore; Guzman-Clarke; Garcias-Palmer; Lerida-Wathen; Lanusa-Davies; Bertran-Caulfield; Antonio-Trueman; Percy-Davenport; Ripperda-Abbot; Leonardo-Chippendale; Servant-Lyons; Popoli-Suett; Eugenia-Miss DeCamp; Rosa-Mrs Bland; 1st Woman of the Harem-Miss Palmer; Vocal Parts-Trueman, Story, Linton, Brown, Caulfield Jun., Aylmer, Dibble, Willoughby, Little, Kenrick, Ms Bland, Ms Griffiths, Ms Edward, Ms Hale, Ms Menage, Ms Gawdry, Ms Benson, Ms Butler, Ms Leserve, Ms Norton, Ms Masters; Prologue-Trueman. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Purse

Event Comment: Mainpiece [1st time; CO 3, by Andrew Franklin]: The Scenery, Machinery, Dresses and Decorations entirely new. The Overture and Musick composed by Florio. The Scenes, designed by Greenwood, and painted by him, Banks, and assistants. The Machinery, Dresses and Decorations designed by Johnston, and executed by him, Gay, and Underwood. The Female Dresses designed and made under the direction of Miss Rein. Books of the Songs to be had at the Theatre. "With thy exception of Pizarro, this is one of the most magnificent spectacles the stage has for some time produced. The dresses...are attended with particular accuracy to the costume of the country...and the scenery is locally correct" (Monthly Mirror, Mar. 1800, p. 173). "As a singer [Mme Mara's] powers are indisputable; but as a performer she exhibits herself in a light which alternately provokes our ridicule and pity. Her delivery is an absolute libel on the profession. To the defects of a foreign pronunciation she joins a natural impediment of speech, which partakes too strongly of a lisp to warrant her bearing part in the prose dialogue of a play. What could possibly induce her to appear before the public under such disadvantages, unless she did it in compliment to the composer, we are at a loss to conjecture; nor less are we puzzled to account for the supineness of an audience which can patiently tolerate such puny efforts" (Dramatic Censor, I, 347-48). Morning Chronicle, 14 June 1800: This day is published The Egyptian Festival (2s.). Receipts: #320 18s. 6d. (277.6.6; 42.8.0; 1.4.0)

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: Egyptians. Raymond, Holland, C. Kemble, Suett, Dignum, Caulfield, Cory, Surmont, Roffey, Mme Mara (1st appearance at this Theatre), Mrs Bland. English. Powell, Kelly, Bannister Jun., Sedgwick, Sparks, Webb, Ryder, Grimaldi, Miss Stephens, Miss DeCamp. Cast from text (J. Ridgway, 1800): Egyptians Mustapha Muley Bey-Raymond; Ali Hassan-Holland; Myrteza-C. Kemble; Uscola-Suett; Yezid (Chief of the Arabs)-Dignum; Jaffa-Caulfield; Priest-Cory; Kedah-Surmont; Zemira-Mme Mara; Nigra-Mrs Bland; English Governor-Powell; Boomly-Kelly in text: Trueman (see18000313; Longbow-Bannister Jun.; Mainstay-Sedgwick; Cook-Sparks; Officer-Webb; Violetta-Miss Stephens; Jackina-Miss DeCamp; unassigned-Roffey, Ryder, Grimaldi; Chorusses-Maddocks, Wentworth, Evans, Fisher, Danby, Danby Jun., Cook, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Drake, Ms Saunders, Ms Jacobs, Ms Benson, Ms Butler, Ms Chippendale, Ms Coates, Ms Gawdry; Slaves-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.
Related Works
Related Work: The Egyptian Festival Author(s): Andrew Franklin

Afterpiece Title: The Liar

Event Comment: 1st piece: In one Act; 1st time at this Theatre [acted 19 June 1784]. 2nd piece [1st time; D 3, by Charles Kemble, based on Le Deserteur, by Louis Sebastien Mercier. Authors of Prougue and Ephlogue unknown]. Morning Chronicle, 1 Aug. 1800: This day is published The Point of Honour (2s.)

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Afterpiece Title: The Flitch of Bacon

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. L. C. list 5@139, p. 129 names Flora's Vagaries; L. C. 5@12, p. 17 names Rule a Wife, and Have a Wife. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Charles II to Madame, Whitehall, 14 Dec.: I can say no more to you now for I am called to goe to the Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 227)

Performances

Mainpiece Title: Women Pleased

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. It is uncertain, however, just when this performance occurred. The L. C. lists at Harvard (see VanLennep, Plays on the English Stage, p. 19) suggest that the three performances at the head of this list belong to the spring of 1672 rather than the spring of 1671. If this is correct, this performance of Sir Solomon is out of place in the list, for it can hardly be placed at 14 Nov. 1672, yet it is surprising that, so soon after the opening of dg, the Duke's Company should act at court, especially when the King and Queen attended dg on the following day, 15 Nov. 1671. This performance of Sir Solomon should be judged as an uncertain one

Performances

Mainpiece Title: Sir Solomon; Or, The Cautious Coxcomb

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: the King and Queen &c Two Boxes. See VanLennep, Plays on the English Stage," p. 18. See also Tuesday 14 Nov. 1671

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. It is uncertain whether this performance and those for 13 and 28 March belong to 1670@1 or 1671@2. They are on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347), but VanLennep's discovery of an L. C. list for the Duke's Company covering March 1670@1 but not including these plays led him to believe that they Pertain to March 1671@2. See VanLennep, Plays on the English Stage, p. 19. On 9 March 1670@1 or 1671@2 Henry Herbert qranted permission to the Duke's Company to act The Lady Errant. See The Plays and Poems of William Cartwright, ed. G. Blakemore Evans (Madison, Wisc., 1951), p. 85

Performances

Mainpiece Title: Hannibal

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Friendship In Fashion

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162; on a similar list (L. C. 5@145, p. 120) the date is given as 25 May, but the second list may have been compiled from the first one and subject to error. See also Nicoll, Restoration Drama, p. 349. There is no indication that this is the first production, but the Epilogue refers to the shortly expected "long Vacation," a suggestion that the premiere came in May. The play was not licensed until 29 Aug. 1678

Performances

Mainpiece Title: The Counterfeits

Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Performances

Mainpiece Title: The Spanish Fryar