SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E Young"/1) | (@(roleclean,performerclean) "E Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3271 matches on Performance Comments, 895 matches on Performance Title, 750 matches on Author, 603 matches on Event Comments, and 46 matches on Roles/Actors.

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: Loveless-Mills; Young Loveless-Blakes; Roger-Macklin; Savil-Yates; Welford-Havard; Morecraft-Taswell; Captain-Winstone; Poet-Arthur; Traveller-I. Sparks; Tobaccoman-Gray; Abigail-Mrs Macklin; Martha-Mrs Mozeen; Widow-Mrs Cross; Scornful Lady-Mrs Woffington.
Cast
Role: Young Loveless Actor: Blakes

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Hurlstone; Young Philpot-Hewardine; Old Wilding-Hurlstone Jun.; Young Wilding-Crewe; Quildrive-Ridgway; Dapper-Lane; Maria-Mrs Pollard; Corinna-Miss S. Francis.
Cast
Role: Young Philpot Actor: Hewardine
Role: Young Wilding Actor: Crewe

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast
Role: Young Bellair Actor: Jevon

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17561202, but Young Clincher-Collins.
Cast
Role: Young Clincher Actor: Collins.

Afterpiece Title: Harlequin Sorcerer

Event Comment: "[Allegranti] in an evil hour came again to England, and reappeared in Cimarosa's Matrimonio Segreto. Never was there a more pitiable attempt: she had scarcely a thread of voice remaining, nor the power to sing a note in tune: her figure and acting were equally altered for the worse, and after a few nights she was obliged to retire, and quit the stage altogether...But she was at least remembered to have had a voice, and was looked upon only with compassion" (Mount-Edgcumbe, 39-40). "The opera of last night was also enriched by the first appearance, on any stage, of a young lady, a daughter of Signor Rovedino...She was received with the warmest applause" (Morning Chronicle, 10 Apr.)

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: As17990330

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Mad Captain

Song: E. Roberts

Dance: TTwo Pierrots-Vallois, J. Delagarde; Scotch Dance-Mrs Bullock; Masqueraders-Vallois, Mrs Bullock

Event Comment: Benefit Young Boman and Young Pervil, who lately acted the Part of Gomez in The Spanish Fryar. Admission as 21 May

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Young Pervil; Aimwell-Young Boman; Scrub-Young Norris; Sullen-Young Ray; Bonniface-youngest Bullock son; Mrs Sullen-Miss Porter; Cherry-Miss Younger; Dorinda-Miss Lydell.
Cast
Role: Archer Actor: Young Pervil
Role: Aimwell Actor: Young Boman
Role: Scrub Actor: Young Norris
Role: Sullen Actor: Young Ray
Role: Bonniface Actor: youngest Bullock son
Role: Cherry Actor: Miss Younger
Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Note repeated in subsequent bills. Larpent MS 337 casts the Prelude as follows: Manager-Younger; Author-$Kniveton; Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox">Dyer; Prompter-$Younger; Author-$Kniveton; Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox; Young Lady, her first appearance; servant.] Receipts: #199 5s

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Performance Comment: The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage.
Event Comment: Benefit the Young Persons that perform the Play. Written by Mr Otway

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performance Comment: King-Bowman's Son; Don Carlos-Mills' Son; Don John-Young Ray; Roi Gomez-Young Frisbe; Queen-Miss Younger; Eboli-Miss Willis; And the Original Epilogue-the Child that Acted Princess Elizabeth in Anna Bullen.
Cast
Role: Don John Actor: Young Ray
Role: Roi Gomez Actor: Young Frisbe
Role: Queen Actor: Miss Younger

Song: Miss Booth

Event Comment: Benefit for Younger. Tickets deliver'd by Bryan and Branson will be taken. Tickets sold at doors will not be admitted. Charges #65 15s. Balance to Younger #58 10s. plus income from tickets. Younger 70 129 159 #52 15s. Bryan 4 49 61 #14 9s. Branson 26 102 134 #35 4s.@Total ticket value #102 8s. (Account Book).@ Rec'd #20 a year improv'd rent of the houses in Bow St. and part of the effects of the late John Rich...#250. Receipts: #124 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17680118, but in Act I song-DuBellamy; Truman-a Young Gentleman, 1st appearance any stage.

Afterpiece Title: Harlequin Dr Faustus

Dance: I: The Highland Reel, as17680307

Event Comment: Benefit for Younger. Tickets deliver'd for Macbeth , by Branson and Miss Helme, will be taken. Mr Younger being oblig'd by Mr Powell's illness, to change his play of Macbeth to the above tragedy, humbly hopes for the Indulgence of his Friends and the Public in general. Charges #67 9s. Balance to Younger #18 3s. 6d. plus #48 9s. from tickets (Box 97; Pit 110; Gallery 77). [Branson and Miss Helme seem to have borne none of the charges and to have received full value for their tickets]: Branson #33 (Box 29; Pit 99; Gallery 109); Miss Helme #16 14s. (Box 1; Pit 63; Gallery 70). Receipts: #85 12s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17690417 but Oroonoko-Younger; Imoinda-Miss Ward; J. Stanmore-Fox; Widow Lackit-Mrs Pitt; Charlotte-Mrs DuBellamy; Lucy-Miss Helme; Daniel-Shuter; Hotman-_.
Cast
Role: Oroonoko Actor: Younger

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit Mrs Lampe and Miss Young. Mainpiece: At the Particular desire of several Ladies of Quality. Afterpiece: By Desire. [Margery; or, A Worse Plague than the Dragon, by H. Carey, a sequel to Dragon of Wantley.] Tickets at stage door and at Mrs Lampe's and Miss Young's Lodgings, at the Golden Ball, in Brownlow St. Tickets deliver'd out for She Wou'd and She wou'd not will be taken for this play

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Young Bevil Actor: Hale

Afterpiece Title: The Dragoness

Performance Comment: Lady-Mrs Lampe; Mauxalinda-Miss Young; More-Salway; Gaffer Gubbins-Reinhold.
Cast
Role: Mauxalinda Actor: Miss Young

Dance: New Comic Dance-Richardson, Delagarde, Mrs LeBrun; Sailor's Dance, as17420427 Pantaloon and Enamorata, as17420420

Event Comment: Benefit for Marten and Miss Young. Charges #60. Deficit to each #14 3s. 9d., covered by income from tickets: Marten #62 17s.; Miss Young #57 2s. Advanced to Servandoni #5 5s. N.B. The Opera Rosamond cannot be performed on account of Miss Falkner's Indisposition. Receipts: #31 12s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17491027, but Young Bevil-Gibson; Indiana-Miss Bellamy.
Cast
Role: Young Bevil Actor: Gibson

Afterpiece Title: Hob

Cast
Role: Flora Actor: Miss Young.

Dance: III: Scotch Measure, Highland Reel-Froment

Song: IV: Rise Glory rise (From Opera Rosamond)-Lowe

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Tickets delivered out by Miss Ferguson will be taken. Receipts: #7 15s. 4d. covered by income from tickets. @Tickets Miles Box 15@Pit 178@Gallery 62@Value #36 13s.@Tickets Mrs Baker Box 86@Pit 124@Gallery 67@Value #46 16s.@Tickets Miss Young Box 18@Pit 75@Gallery 80@Value #23 15s.@Tickets Miss Ferguson Box 9@Pit 57@Gallery 39@Value #14 14s.@Total Box 128@Pit 434@Gallery 248@Value #121 12s.@ Paid Rich on account #21. Paid Meares 3s. [The house is now running a deficit of #371.

Performances

Mainpiece Title: Wit Without Money

Performance Comment: As17600109, but Lucy-Miss Young; Isabella-Mrs Baker.
Cast
Role: Lucy Actor: Miss Young

Afterpiece Title: Harlequin Statue

Song: II, IV: A Song-Miss Brent

Dance: III: The Drunken Peasant-Miles, with Clown - Bennet

Event Comment: Benefit for Collins, and Younger, Prompter. Receipts: #38 8s. plus income from tickets: Collins, #51 6s. (box 26; Pit 258; Gallery 161); Younger, #55 14s. (Box 50; Pit 152; Gallery 104) (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Performance Comment: As17601006, but Nell-Mrs Younger, 1st appearance that stage.

Dance: End: The Waggoners, as17610228; End IV: A Hornpipe-Mrs Crawford

Event Comment: Ladies send servants by 3 o'clock. A Comic Opera, Never Perform'd [by Isaac Bickerstaffe]. The Scenes, Dresses and Dances entirely new (playbill). [The playbill does not assign parts. Assignment from Genest and Winston who both identify the Young Gentlewoman as Miss Brickler. The Music compiled from Favourite airs of the most celebrated composers." See note for 27 May relative to dances in this opera.] Receipts: #245 14s. (Account Book)

Performances

Mainpiece Title: Love In The City

Performance Comment: Wagg-Shuter; Old Cockney-Gibson; Barnackle-Dunstall; Young Cockney-Dibdin; Sightly-DuBellamy; Spruce-Mattocks; Miss LaBlond-Miss Poitier; Miss Molly Cockney-Mrs Green; Penelope-A Young Gentlewoman [Miss Brickler]; Priscilla-Mrs Mattocks; With Dances [adapted to the opera-Fishar, LaRiviere, Arnauld, Sga Manesiere, Miss Wilford, Miss Valois. (Edition of 1767) .
Cast
Role: Young Cockney Actor: Dibdin
Role: Penelope Actor: A Young Gentlewoman
Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Performance Comment: Alcanor-Powell; Mahomet-Bensley; Pharon-Hull; Zaphna-a Young Gentleman being his 1st appearance; Mirvan-Perry; Ali-Davis; Palmira-Mrs Yates.

Afterpiece Title: Harlequin Dr Faustus

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17680926, but Tibalt-Mahon; Escalus-Gardner; Juliet-a young Gentlewoman who never appeared on any stage [Miss Morris]; [With a New Occasional Prologue-Powell.

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme and Mr Branson will be taken. Charges #70 3s. 6d. Balance to Younger #36 10s., plus #116 3s. from tickets (Box 151; Pit 340; Gallery 274) (Account Book). Receipts: #106 13s. 6d

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Younger; Juba-Smith; Sempronius-Clarke; Syphax-Gibson; Portius-Bensley; Marcus-Wroughton; Lucius-Gardner; Decius-Morris; Lucia-Mrs Mattocks; Marcia-Miss Miller.
Cast
Role: Cato Actor: Younger

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: Acted but once these ten years. Benefit for Younger. Tickets delivered by Miss Helme will be taken. Charges. #68 6d. Profit to Younger #37 6d. plus #65 10s. from tickets (Box 136; Pit 134; Gallery 114). Miss Helme receiv'd #12 1s. clear from her tickets (Box 5; Pit 42; Gallery 45) (Account Book). Receipts: #105 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: As17720324 but Caled-Younger, 1st time.
Cast
Role: Caled Actor: Younger, 1st time.

Afterpiece Title: Mother Shipton

Dance: End: The Wapping Landlady, as17720424 Sixfold Hornpipe, as17720424

Event Comment: Benefit for Mrs Baker. Charge #70 19s. Profit to Mrs Baker #13 18s. 6d., plus #66 19s. from tickets (Box 93; Pit 208; Gallery 125) (Account Book). [The Young Gentlewoman-Miss Dayes (Hogan).] Receipts: #84 17s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17720224, but a Solemn Dirge-_Mattocks, _Phillips; Romeo-a Young Gentleman, never on any stage before; Nurse-Mrs Gardner; Juliet-a Young Lady, 1st appearance any stage (playbill).

Afterpiece Title: The Spanish Lady

Cast
Role: Anna Actor: By the Young Lady

Monologue: True Blue. As 21 April, but Principal Parts-Mrs Baker, Mrs _Mattocks (playbill)

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme will be taken. Tomorrow (the Eight Time) the New Comedy She Stoops to Conquor, with (for the last time this season) The Golden Pippin. Charges #71 16s. 6d.; Profit to Younger #74 13s., plus #65 19s. from tickets (Box 116; Pit 149; Gallery 146) (Account Book). Receipts: #146 9s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: As17730330 but Clytus-Younger.
Cast
Role: Clytus Actor: Younger.

Afterpiece Title: Harlequin Sorcerer

Dance: End: The Merry Sailors, as17721012

Event Comment: Doors open at 5 o'clock. Play begins at 6 o'clock. [Young Lady identified by Kemble note on playbill and by Winston MS 10. Her identity appears from playbill of 13 Oct. where her name occurs in character of Rosetta along with the statement that it is her fourth appearance on any stage. She appears on the weekly payroll from the first week at 16s. 6d. per day (Account Book). The Westminster Magazine believed her to be no actress (October issue): "Her musical powers were not extraordinary; her acting powers still worse."] Receipts: #206 14s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Baker; Eustace-Dyer; Hodge-Dunstall; Deborah-Mrs Pitt; Margery-Mrs Baker; Lucinda-Mrs Mattocks; Rosetta-a Young Lady (Pupil of Dr Arne) first appearance any stage [Miss Jameson]; [With a Dance [incidental to the opera-.
Cast
Role: Young Meadows Actor: Mattocks
Role: Rosetta Actor: a Young Lady

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Event Comment: Mr G. very fine in Hastings Miss Young's first appearance in Alicia pretty well She was a little too Mad Mrs Canning a Widow made her first appearance upon the Stage in Jane Shore a Small mean figure very little power (very So, So.) great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Stopages #30 5s. 6d.; Paid Salary list #522 18s.; Mr King 6 nights extra salary #3; Mr Johnston's Music Bill for Alfred, &c. #19 16s. 9d.; Mr Baddeley on note per Mr. G G #21. Receipts: #267 11s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick; Shore-Reddish; Gloster-Jefferson; Bellmour-Packer; Catesby-Wright; Ratcliffe-Ackman; Derby-Hurst; Jane Shore-A Young Gentlewoman, first appearance on any stage; Alicia-Miss Young, first time.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept