SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of York and Cumberland"/1) | (@(roleclean,performerclean) "Dukes of York and Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1290 matches on Performance Comments, 1268 matches on Event Comments, 1014 matches on Author, 350 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Apollo and Daphne

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Performance Comment: Alexander-Shuter; Clytus-Reinhold; Lysimachus-Baker; Porus-Barnshaw; Jupiter-Fox; Parisatis-Mrs Mattocks; Roxana-Mrs Thompson; Betty-Miss Valois; Thais-Mrs Pinto (playbill); Mercury-Wormall (Freeholder's Magazine and Edition of 1770).
Cast
Role: Alexander Actor: Shuter

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Fairy Prince

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Performance Comment: parts by Smith, Shuter, Bensley, Quick, Kniveton, Morris, Wignell, Mrs Mattocks, Mrs Bulkley, Mrs Green, Mrs Gardner, Miss Miller. Prologue and Epilogue. Lord Seaton-Smith; Col. Ramsay-Bensley; Governor Anderson-Shuter; Bull-Quick; Squeezem-Kniveton; Varnish-Morris; Nicholas-Wignell; Lady Seaton-Miss Miller; Mrs Frankly-Mrs Mattocks; Miss Melville-Mrs Bulkley; Mrs Markam-Mrs Green; Lucy-Mrs Gardner; Prologue-Mrs Bulkley; Epilogue-Mrs Mattocks (Edition of 1772).
Cast
Role: Governor Anderson Actor: Shuter

Afterpiece Title: The Intriguing Chambermaid

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea, With Dryden's Ode

Performance Comment: Parts were: Acis-; Polyphemus-; Damon-; Galatea-; Chorus of Shepherds and Shepherdesses-.

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

Event Comment: Benefit for Dibdin. Paid Duke of Bedford half year's rent to Lady Day last (#182 10s. Taxes allowed #25 7s.) #157 3s.; Subscription to St George's Hospital 1 year to Lady Day, #10 10s.; Mr Calthorpe's 2nd and last payment #157 10s. (Treasurer's Book). Receipts: #134 2s. Charges: #68 15s. Profits to Dibdin: #65 12s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sir Andrew Actor: Dodd

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon

Song: End: Several Catches and Glees, part of which will be entirely New, Composed-Dibdin, for that evening, and Part selected from the most admired Composers

Dance: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Author

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Pigmy Revels

Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Cast
Role: Landlady Actor: Mrs Love

Dance: II: A Dance, as17730506

Event Comment: Paid Tallow chandler's 4th Bill #47 15s. 1d.; Mr J. Palmer's draft on the managers #50; Lent Mr Lauchery as per order #3 17s.; Duke of Bedford's rent half year to Mich last #164 2s. 10d.; Tabor & Pipe 5 nights (this incl.) #2 12s. 6d. Receipts: #126 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Lottery

Dance: II: Grand Provencalle Dance, as17741213

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith; Myrtle-Jefferson; Sir John Bevil-Bransby; Mr Sealand-Aickin; Cimberton-Waldron; Humphrey-Chaplin; Daniel-Burton; Tom-King; Phillis-Miss Pope; Lucinda-Miss Hopkins; Mrs Sealand-Mrs Johnston; Isabella-Miss Platt; Indiana-Miss Younge.
Cast
Role: Mr Sealand Actor: Aickin
Role: Mrs Sealand Actor: Mrs Johnston

Afterpiece Title: A ChristmasTale

Song: II: Mrs Scott

Event Comment: Benefit for Dumay, Harris & Holloway. Public Advertiser, 16 May: Tickets to be had of Dumay at Sandhill, behind the Foundling Hospital; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden; of Holloway, Great Maddox-street, Hanover-square. Receipts: #263 15s. (69.2; tickets: 194.13) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Frolicks

Dance: End III: Minuet de la Cour, Allemande-Mr and Mrs Holloway; End IV: The Shepherd's Wedding, as17770215; End: a Minuet-Dumay, Sga Tinte; Afterpiece: Rural Dance, as17770121

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Comus

Event Comment: Benefit for Hurst and Burton. Afterpiece: Not acted these 2 years. Public Advertiser, 25 Apr.: Tickets to be had of Hurst at his house, No. 374, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #209 15s. (42.11.0: 11.16.6; 0.2.6; tickets: 155.5.0) (charge: #65 3s.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Lyar

Dance: As17780504

Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Comus

Dance: As17780507

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 24 Apr.: Tickets to be had of Hurst, No. 368, opposite Norfolk-street, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #194 13s. (54.10.0; 16.5.6; 0.2.6; tickets: 123.15.0) (charge: #66 1s. 6d.)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Quaker

Event Comment: [Mainpiece in place of The Old Batchelor, announced on playbill of 24 Feb.] Paid the Guardians of the Duke of Bedford rent to Michaelmas 1778, land tax deducted, #160 16s. 4d. Receipts: #128 16s. 6d. (88.5.0; 38.11.0; 2.0.6)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Camp

Dance: As17800107

Event Comment: [Mainpiece: The Carnival here and in all subsequent performances called A Carnival Masquerade.] Paid the Duke of Bedford's Rent on Acct. #200. Receipts: #145 6s. 6d. (114/0/0; 31/3/6; 0/3/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Dance: As17811217

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina-Mrs Morton; The Lady-Mrs Bates; Principal Bacchant and Euphrasyne (with Sweet Echo, accompanied on the oboe by W. Parke)-Mrs Martyr; Pastoral Nymph (with Noon-tide Air)-Mrs Pinto, formerly Miss Brent (1st appearance on this stage these 10 years [recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .

Song: As17850405

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Jubilee

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire