SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of York and his Duchess"/1) | (@(roleclean,performerclean) "Duke of York and his Duchess")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1304 matches on Performance Comments, 1213 matches on Event Comments, 402 matches on Author, 355 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Aickin; Rodolpho-Ackman; Officers-Keen, Strange, Marr; Laura-Mrs Hopkins; Sigismunda-Mrs Dancer, 1st appearance there.
Cast
Role: Tancred Actor: Holland
Role: Siffredi Actor: Love
Role: Osmond Actor: Aickin
Role: Rodolpho Actor: Ackman
Role: Officers Actor: Keen, Strange, Marr
Role: Laura Actor: Mrs Hopkins
Role: Sigismunda Actor: Mrs Dancer, 1st appearance there.

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-King; Sir Harry's Servt-Dodd; Philip-Baddeley; Duke's Servt-Palmer; Freeman-Packer; Kitty-Mrs Clive.
Cast
Role: Lovell Actor: King
Role: Sir Harry's Servt Actor: Dodd
Role: Philip Actor: Baddeley
Role: Duke's Servt Actor: Palmer
Role: Freeman Actor: Packer
Role: Kitty Actor: Mrs Clive.

Dance: End: The Irish Hay@makers, as17670919

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Performance Comment: . Downes (Roscius Anglicanus, pp. 20-21, 34): Solyman-Betterton; Alphonso-Harris; Villerius-Lilliston; Admiral-Blagden; Roxolana-Mrs Davenport; Ianthe-Mrs Sanderson; Haly-Downes.
Cast
Role: Solyman Actor: Betterton
Role: Alphonso Actor: Harris
Role: Villerius Actor: Lilliston
Role: Admiral Actor: Blagden
Role: Roxolana Actor: Mrs Davenport
Role: Ianthe Actor: Mrs Sanderson
Role: Haly Actor: Downes.
Event Comment: Pepys, Diary: But, Lord! to see how this play of Sir Positive At-all [The Sullen Lovers], in abuse of Sir Robert Howard, do take, all the Duke's and every body's talk being of that, and telling more stories of him, of the like nature, that it is now the town and country talk, and, they say, is most exactly true. The Duke of York himself said that of his playing at trap-ball is true, and told several other stories of him

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See William VanLennep, "Plays on the English Stage", p. 13. The edition of 1668 states: As it was Acted (with great Applause) by the Servants of His Royal Highness the Duke of York, at the Theatre in Lincolns-Inn Fields

Performances

Mainpiece Title: The Changeling

Event Comment: Benefit for Farren. Public Advertiser, 8 Apr.: Tickets to be had of Farren, No. 13, York-street, Covent Garden. Receipts: #208 4s. 6d. (63/19/0; 15/1J/6; 0/1/0; tickets: 128/9/0) (charge: #65 16s. 11d)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Farren (1st appearance in that character); Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Norris; Gratiano-Wrighten; Iago-Bensley; Emilia-Mrs Hopkins; Desdemona-Miss Farren .
Cast
Role: Othello Actor: Farren
Role: Roderigo Actor: Dodd
Role: Cassio Actor: Palmer
Role: Brabantio Actor: Aickin
Role: Lodovico Actor: Packer
Role: Duke Actor: Chaplin
Role: Montano Actor: Norris
Role: Gratiano Actor: Wrighten
Role: Iago Actor: Bensley
Role: Emilia Actor: Mrs Hopkins
Role: Desdemona Actor: Miss Farren

Afterpiece Title: Catherine and Petruchio

Cast
Role: : Music Actor: master-Fawcett
Role: master Actor: Fawcett
Role: Hortensio Actor: Norris
Role: Pedro Actor: Griffiths
Role: Bianca Actor: Miss Simson
Role: Curtis Actor: Mrs Love
Role: Petruchio Actor: Palmer
Role: Grumio Actor: Baddeley
Role: Baptista Actor: Wright
Role: Biondella Actor: Lamash
Role: Taylor Actor: Burton
Role: Catherine Actor: Mrs Wrighten

Dance: As17820302athi

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Pope; Priuli-Hull; Renault-Fearon; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Palmer; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Siddons (of DL). New Occasional Prologue spoken by Mrs Siddons .
Cast
Role: Jaffier Actor: Pope
Role: Priuli Actor: Hull
Role: Renault Actor: Fearon
Role: Bedamar Actor: Davies
Role: Duke Actor: Thompson
Role: Spinosa Actor: Cubitt
Role: Elliot Actor: Palmer
Role: Officer Actor: Booth
Role: Pierre Actor: Aickin
Role: Belvidera Actor: Mrs Siddons

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Nancy Actor: Mrs Martyr
Role: Sir Charles Racket Actor: Lewis
Role: Lovelace Actor: Palmer
Role: Woodley Actor: Cubitt
Role: Drugget Actor: Quick
Role: Dimity Actor: Mrs Wilson
Role: Mrs Drugget Actor: Mrs Pitt
Role: Lady Racket Actor: Mrs Abington
Event Comment: Benefit for Browne. [Miss Eccles, who was from the York theatre, is identified in European Magazine, July 1787, p. 64.] Public Advertiser, 16 July: Tickets to be had of Browne, No. 13, King-street, Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Browne; Priuli-Aickin; Renault-Gardner; Bedamar-R. Palmer; Duke-Usher; Spinosa-Lawrence; Elliot-Swords; Officer-Johnson; Pierre-Bensley; Belvidera-A Young Lady (1st appearance [Miss Eccles]).Miss Eccles]).
Cast
Role: Jaffier Actor: Browne
Role: Priuli Actor: Aickin
Role: Renault Actor: Gardner
Role: Bedamar Actor: R. Palmer
Role: Duke Actor: Usher
Role: Spinosa Actor: Lawrence
Role: Elliot Actor: Swords
Role: Officer Actor: Johnson
Role: Pierre Actor: Bensley
Role: Belvidera Actor: A Young Lady

Afterpiece Title: The Flitch of Bacon

Cast
Role: Tipple Actor: Edwin
Role: Captain Wilson Actor: Meadows
Role: Captain Greville Actor: Davies
Role: Justice Benbow Actor: Usher
Role: Kilderkin Actor: Ledger
Role: Ned Actor: Burton
Role: Major Benbow Actor: Parsons
Role: Eliza Actor: Mrs Bannister.

Entertainment: Monologue End: a monody, The Shadows of Shakespeare; or, Shakespeare's Characters doing Homage to Garrick (written by Samuel Jackson? Pratt)-Browne

Cast
Role: Actor: Browne.
Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Marplot Actor: Lee Lewes
Role: Sir Francis Gripe Actor: Wewitzer
Role: Sir Jealous Traffic Actor: Frost
Role: Whisper Actor: Gull
Role: Charles Actor: Everard
Role: Sir George Airy Actor: Fennell
Role: Patch Actor: Mrs Lee Lewes
Role: Isabinda Actor: Mrs Day
Role: Miranda Actor: Miss Atherton

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: The King's Company. Pepys, Diary: My wife and I...to the Theatre, where we seated ourselves close by the King, and Duke of York, and Madame Palmer, which was great content; and, indeed, I can never enough admire her beauty. And here was Bartholomew Fayre, with the puppet-show, acted to-day, which had not been these forty years (it being so satyricall against Puritanism, they durst not till now, which is strange they should already dare to do it, and the King to countenance it), but I do never a whit like it the better for the puppets, but rather the worse

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. Pepys, Diary: After dinner, with my wife, to the King's house to see The Mayden Queene, a new play of Dryden's, mightily commended for the regularity of it, and the strain and wit; and, the truth is, there is a comical part done by Nell, which is Florimell, that I never can hope ever to see the like done again, by man or woman. The King and Duke of York were at the play. But so great performance of a comical part was never, I believe, in the world before as Nell do this, both as a mad girle, then most and best of all when she comes in like a young gallant; and hath the motions and carriage of a spark the most that ever I saw any man have. It makes me, I confess, admire her

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Cast
Role: Florimell Actor: Nell Gwin.
Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prologue Actor: the Genius of England
Role: King Edward Actor: Moon
Role: King John Actor: Wintersell
Role: Prince Actor: Kenniston
Role: Lord Delaware Actor: Hart
Role: Count Guesclin Actor: Burt
Role: Lord Latimer Actor: Cartwright
Role: Page Actor: Beeston
Role: Alizia Actor: Mrs Guinn
Role: Plantaginet Actor: Mrs Marshall
Role: Cleorin Actor: Mrs Corey
Role: Sevina Actor: Mrs Nepp
Role: Valeria disguised Actor: F. Damport
Role: A Lady Actor: Betty Damport
Role: Epilogue to the King Actor: .
Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

Event Comment: The Duke of York: I have been at a play this day (CSPD, Charles II, 1682, p. 497)

Performances

Event Comment: Lord Preston (in Paris) to the Duke of York, 22 Sept. 1683, N.S.: I should not have presumed to give your Highness the trouble of this if something of charity had not induced me to it. I do it at the instance of a poor servant of his Majesty's who some time since was obliged by a misfortune to leave England. It is Mr Grahme [Grabut?], sir, whom perhaps your Highness may remember. Mr Betterton coming hither some weeks since by his Majesty's command, to endeavour to carry over the Opera, and finding that impracticable, did treat with Monsr Grahme to go over with him to endeavour to represent something at least like an Opera in England for his Majesty's diversion. He hath also assured him of a pension from the House, and finds him very willing and ready to go over. He only desireth his Majesty's protection when he is there, and what encouragement his Majesty shall be pleased to give him if he finds that he deserves it (HMC, 7th Report, Part I, p. 290). W. J. Lawrence (Early French Players in England, p. 149) argued that Grahme should be Grabut, who had once been Master of the King's Music (to 1674) and who had settled in Paris. Grabut was certainly back in London in the spring of 1684

Performances

Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday, October XXIX 1683. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir Henry Tulse, Knight, Lord Mayor of the City of London. Containing A Description of the whole Solemnity. With Two new Songs set to Musick.

Performances

Mainpiece Title: The Rover

Performance Comment: As17241113, but Pedro-Thurmond; With a new Prologue, Epilogue-Miss Robinson Jr , who acted the Part of Princess Elizabeth by Anna Bullen , and the Duke of York in Richard the Third.

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

Event Comment: Benefit for ye Marine Society. Boxes & pit 10s. 6d.; Gal: 3s. up: Gall 2s.; Stage 5s. (Cross). Tickets to be had of Mr Brogden at Mr Fieldings; Mr Stephens, 1st Secretary to the Society, in Princes's St. near the Bank, and of Mr Box, 2nd Secretary to said Society, in Duke St., York Buildings; and places of Varney at Stage-Door. [Advertisements for this performance for "clothing Friendless Boys and Men for the Sea" appeared in the Public Advertiser from 26 April to this day. The long Notice for the day pointed out that benefactors who attended would enjoy the satisfaction of seeing about 100 men and boys, all volunteers, clothed by the Marine Society appear on stage to thank them. The next day they would march to Portsmouth to go on board the Fleet. "As Britannia herself is to make her appearance on the scene in behalf of her warlike offering, it is pleasing to reflect that so many of her lovely daughters will attend her. It is not doubted but there will be the most Brilliant House that has been seen for sometime."] Receipts: #280 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Frankly Actor: Palmer.
Role: Ranger Actor: Garrick
Role: Clarinda Actor: Mrs Pritchard
Role: Jacintha Actor: Miss Macklin
Role: Strictland Actor: Berry
Role: Meggot Actor: Woodward
Role: Bellamy Actor: Blakes
Role: Mrs Strictland Actor: Mrs Davies
Role: Lucetta Actor: Miss Minors
Role: To conclude with a Country Dance Actor: the characters of the Play.

Afterpiece Title: Britannia

Cast
Role: With a Prologue Actor: Garrick
Role: Epilogue Actor:
Event Comment: By Command of the Prince of Wales. Receipts: #115 18s. 6d. Present Prince of Wales at #5 5s., with Duke of York; Princess of Wales at #5 5s., with Lady Augusta, Lady Caroline, Lady Louisa. Paid Woodfall for printing #46 18s. 6d. and another printing bill #31 12s. 6d

Performances

Mainpiece Title: The Jovial Crew

Cast
Role: Old Rents Actor: Sparks
Role: Hearty Actor: Beard
Role: Springlove Actor: Clarke
Role: Beggar Men Actor: Collins, Barrington, Costollo, Bennet, Holtom, Baker
Role: Justice Clack Actor: Shuter
Role: Randal Actor: Dunstall
Role: Beggar Women Actor: Mrs Stephens, Mrs Pitt, Miss Young, Miss Sledge, Miss Mullart, Mrs White
Role: Oliver Actor: Dyer
Role: Hilliard Actor: Lowe
Role: Vincent Actor: Mattocks
Role: Patrico Actor: Marten
Role: Scentwell Actor: Gibbs
Role: Martin Actor: R. Smith
Role: Amie Actor: Mrs Baker
Role: Meriel Actor: Mrs Vincent
Role: Rachel Actor: Miss Brent
Role: With Dances Actor: incident to the play.

Afterpiece Title: The Knights

Cast
Role: Hartop Actor: Shuter
Role: Sir Gregory Gazette Actor: Bennet
Role: Jenkin Actor: Davis
Role: Tim Actor: Costollo.
Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17610907, but Player-Anderson.
Cast
Role: Player Actor: Anderson.
Role: Macheath Actor: Beard
Role: Peachum Actor: Collins
Role: Lockit Actor: Dunstall
Role: Filch Actor: Holtom
Role: Mat@o@Mint Actor: Baker
Role: Beggar Actor: Bennet
Role: Lucy Actor: Mrs Vernon
Role: Mrs Peachum Actor: Mrs Stephens
Role: Diana Trapes Actor: Mrs Copin
Role: Polly Actor: Miss Brent
Role: With a Hornpipe Actor: Mrs Vernon
Role: Country Dance Actor: the characters in the Opera.

Afterpiece Title: The Rape of Proserpine

Dance: As17610907

Event Comment: Both Pieces By Particular Desire. Present the Dukes of York and Cumberland, Princess of Brunswick, and Lady Louisa. Paid for the paragraph of the Royal Family coming in the Ledger and Gazetteer 6s. (Account Book). Receipts: #149 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Squire Of Alsatia

Cast
Role: Squire Actor: Woodward
Role: Belfond Jun Actor: Smith
Role: Truman Actor: Hull
Role: Lolpoop Actor: Dunstall
Role: Sir William Belfond Actor: Shuter
Role: Sir Edward Belfond Actor: Gibson
Role: Ruth Actor: Mrs Pitt
Role: Lucia Actor: Mrs Baker
Role: Teresa Actor: Mrs Burden
Role: Isabella Actor: Miss Vincent
Role: Mrs Termagant Actor: Mrs Vincent.

Afterpiece Title: The Citizen

Cast
Role: Citizen Actor: Woodward
Role: Old Philpot Actor: Shuter
Role: Sir Jasper Actor: Dunstall
Role: Quildrive Actor: Perry
Role: Young Wilding Actor: Dyer
Role: Beaufort Actor: Baker
Role: Maria Actor: Miss Eliot

Dance: End: The Garland-Fishar, Miss Wilford. [See17651003.

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: Parts by King, Bensley, Parsons, Champness, Fawcett, Fox, Vernon, Mrs Abington, Mrs Baddeley, Miss Plym, Miss Reynolds, Mrs Bradshaw, Mrs Dorman, Mrs Arne. Prologue and Epilogue. The Dances-Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet; Cymon-Vernon; Linco-King; Merlin (Enchanter)-Bensley; Dorus-Parsons; Damon and Dorilas-Fawcett, Fox; Demon of Revenge-Champness; Sylvia-Mrs Arne; Urganda (Enchantress)-Mrs Baddeley; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; 1st shepherdess-Miss Reynolds; 2nd Shepherdess-Miss Plym; Cupid-Miss Rogers; Parts-Mrs Dorman; Prologue for New Year's Day-King; Epilogue (by George Keate)-Mrs Abington (Edition of 1767).
Cast
Role: The Dances Actor: Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet
Role: Cymon Actor: Vernon
Role: Linco Actor: King
Role: Merlin Actor: Bensley
Role: Dorus Actor: Parsons
Role: Damon and Dorilas Actor: Fawcett, Fox
Role: Demon of Revenge Actor: Champness
Role: Sylvia Actor: Mrs Arne
Role: Urganda Actor: Mrs Baddeley
Role: Fatima Actor: Mrs Abington
Role: Dorcas Actor: Mrs Bradshaw
Role: 1st shepherdess Actor: Miss Reynolds
Role: 2nd Shepherdess Actor: Miss Plym
Role: Cupid Actor: Miss Rogers
Role: Parts Actor: Mrs Dorman
Role: Prologue for New Year's Day Actor: King
Role: Epilogue Actor: Mrs Abington
Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Cast
Role: Alwin Actor: Barry
Role: Raymond Actor: ThomasBarry
Role: Grey Actor: Sowdon
Role: Morton Actor: J. Palmer
Role: Leroches Actor: Gardner
Role: Lord William Actor: Miss Palmer
Role: Countess Actor: Mrs Dancer
Role: Eleanor Actor: Mrs Burden
Role: Sir Ardolf Actor: Bannister
Role: Parts Actor: Keen, Smith, Strange, Loveman.

Afterpiece Title: Miss in Her Teens

Cast
Role: Fribble Actor: Shuter. Short bill as17670708 .
Role: Tag Actor: .
Role: Miss Biddy Actor: Miss Ogilvie
Role: Loveit Actor: Gardner
Role: Jasper Actor: Quick
Role: Flash Actor: Davis
Role: Puff Actor: Palmer

Dance: Miss Froment

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Cast
Role: Perseus Actor: Mattocks
Role: Andromeda Actor: Mrs Baker
Role: Cepheus Actor: Legg
Role: Cassiope Actor: Mrs Lampe
Role: Mercury Actor: Baker
Role: Magician Actor: Dibdin
Role: Harlequin Actor: Miles
Role: Hussar Actor: Weller
Role: Petit Maitre Actor: Dyer
Role: Hussar's Servant Actor: Cushing
Role: Valet de Chambre Actor: Holtom
Role: Colombine Actor: Mrs Dyer
Role: Dance Actor: Arnauld, Miss Valois.