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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Lorrain"/1) | (@(roleclean,performerclean) "Duke of Lorrain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2769 results for: Keyword - Duke of Lorrain
We found 1162 matches on Performance Comments, 1039 matches on Event Comments, 402 matches on Author, 334 matches on Performance Title, and 3 matches on Roles/Actors.

2726
03 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

2727
25 October 1776 @ Drury Lane Theatre

Event Comment: Paid the Duke of Bedford 1!4 Yrs Rent #78 11s. 6d. Receipts: #120 13s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A ChristmasTale

Song: II: Mrs Scott

2728
20 May 1777 @ Covent Garden

Event Comment: Benefit for Dumay, Harris & Holloway. Public Advertiser, 16 May: Tickets to be had of Dumay at Sandhill, behind the Foundling Hospital; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden; of Holloway, Great Maddox-street, Hanover-square. Receipts: #263 15s. (69.2; tickets: 194.13) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Frolicks

Dance: End III: Minuet de la Cour, Allemande-Mr and Mrs Holloway; End IV: The Shepherd's Wedding, as17770215; End: a Minuet-Dumay, Sga Tinte; Afterpiece: Rural Dance, as17770121

2729
19 December 1777 @ Drury Lane Theatre

Event Comment: Paid the Duke of Bedford 1!2 Yrs Rent #164 12s. 1!2d. Receipts: #141 11s. 6d. (115.2.0; 25.13.6; 0.16.0)

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: Comus

2730
05 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Hurst and Burton. Afterpiece: Not acted these 2 years. Public Advertiser, 25 Apr.: Tickets to be had of Hurst at his house, No. 374, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #209 15s. (42.11.0: 11.16.6; 0.2.6; tickets: 155.5.0) (charge: #65 3s.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Lyar

Dance: As17780504

2731
16 May 1778 @ Covent Garden

Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

2732
19 May 1778 @ Covent Garden

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the doors will not be admitted. Public Advertiser, 12 May: Tickets to be had of Condell, Cross-court, Duke's-court, Bow-street, Covent Garden; of Evans at Bromfield's, Trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, White-friars. Receipts: #259 5s. (53.3; tickets: 206.2) (charge: #105)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Comus

Dance: As17780507

2733
04 May 1779 @ Drury Lane Theatre

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 24 Apr.: Tickets to be had of Hurst, No. 368, opposite Norfolk-street, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #194 13s. (54.10.0; 16.5.6; 0.2.6; tickets: 123.15.0) (charge: #66 1s. 6d.)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Quaker

2734
26 February 1780 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Old Batchelor, announced on playbill of 24 Feb.] Paid the Guardians of the Duke of Bedford rent to Michaelmas 1778, land tax deducted, #160 16s. 4d. Receipts: #128 16s. 6d. (88.5.0; 38.11.0; 2.0.6)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Camp

Dance: As17800107

2735
20 December 1781 @ Drury Lane Theatre

Event Comment: [Mainpiece: The Carnival here and in all subsequent performances called A Carnival Masquerade.] Paid the Duke of Bedford's Rent on Acct. #200. Receipts: #145 6s. 6d. (114/0/0; 31/3/6; 0/3/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Dance: As17811217

2736
22 April 1785 @ Covent Garden

Event Comment: Benefit for Hull. Public Advertiser, 12 Apr.: Tickets to be had of Hull at his house in Duke's Court, near Dean's Yard, Westminster

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Song: As17850405

2737
21 December 1785 @ Drury Lane Theatre

Event Comment: Paid the Duke of Bedford 1/2 Yrs Rent #171 12s. 10d. Receipts: #203 11s. 6d. (166/12/0; 35/3/6; 1/16/0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Jubilee

2738
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

2739
01 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Morning Herald, 25 Apr.: Tickets to be had of Suett at Richardson's, Stationer, Orange-street, Bloomsbury; of R. Palmer, No. 9, Duke-street, Bloomsbury. Receipts: #307 5s. (65/3/0; 21/6/6; 5/17/6; tickets: 214/18/0) (charge: #105 19s. 7d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Bon Ton

2740
09 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Chapman and Williames. Morning Chronicle, 2 May: Tickets to be had of Chapman, No. 5, Prince's-street, Drury-Lane; of Williames, No. 2, Duke's Court, Bow-street. Receipts: #283 6s. (59/4/0; 16/11/6; 0/18/6; tickets: 206/12/0) (charge: #109 5s. 7d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Bon Ton

Song: In Act IV of 1st piece song by Chapman

2741
13 May 1786 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Tom Thumb

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

2742
23 January 1787 @ Covent Garden

Event Comment: Paid the Duke of Bedford One Year and 9 Mos. Rent for the Theatre, the House in Bow Street, and the House in the passage #336 17s. 6d. Receipts: #180 (176.16; 3.4)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Enchanted Castle

2743
04 May 1787 @ Covent Garden

Event Comment: Benefit for Hull. World, 17 Apr.: Tickets to be had of Hull, Duke's Court, near Dean's Yard, Westminster. Receipts: #209 11s. (124.11; 3.8; tickets: 81.12)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Poor Soldier

Dance: As17870217

2744
22 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for Williames and Bates. Public Advertiser, 9 May: Tickets to be had of Williames, No. 2, Duke's-court, Bow-street; of Bates, No. 12, Little Russel-street, Covent Garden. Receipts: #193 18s. 6d. (20.6.0; 10.8.0; 1.3.6; tickets: 162.1.0) (charge: #109 5s. 3d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Deserter

2745
20 April 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

2746
16 November 1789 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years [not acted since 23 Sept. 1785. Afterpiece in place of The Deserter, advertised on playbill of 14 Nov.]. Paid the Duke of Bedford one Year's Rent #192 10s. Receipts: #226 9s. 6d. (222.0.0; 4.9.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Poor Soldier

2747
18 March 1790 @ Drury Lane Theatre

Event Comment: Paid Duke of Bedford 1 Yrs. Rent #343 5s. 1d. Afterpiece [1st time; F 2, by Edward Morris. Author of Prologue unknown]: With new Dresses and Decorations. Public Advertiser, 8 Apr. 1790: This Morning is published The Adventurers (1s.). Receipts: #260 8s. (226.5.0; 31.16.0; 2.4.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Adventurers

Dance: As17891204

2748
11 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Performance Comment: As17891001, but Gower-Benson; Scroop-Lyons; Fluellen-Williames; Duke of Gloucester-_; Grey-_; Bates-_; Montjoy-_; Governor-_.

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

2749
18 September 1790 @ no theater listed

Event Comment: Gazetteer, 20 Sept.: [On Saturday morning] official notice was given from the Lord Chamberlain's Office to shut the Theatres [because of the death of the Duke of Cumberland, brother of George III]

Performances

Mainpiece Title: None

2750
13 October 1790 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun