SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke and Duchess of Richmond"/1) | (@(roleclean,performerclean) "Duke and Duchess of Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1290 matches on Performance Comments, 1119 matches on Event Comments, 402 matches on Author, 371 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: Duke of Bedford Actor: Underhill
Role: Duke of Exeter Actor: Cogan
Role: Duke of Burgundy Actor: Smith
Event Comment: [The playbill assigns the Dauphin to Barrymore but, "Benson performed the Dauphin instead of Barrymore" (Thespian Magazine, Nov. 1792, p. 125). It is not stated who acted Duke of Gloster; doubling these two parts is not likely.] Account-Book: Paid The Prince of Wales's Porter for Performances in Cymon [on 31 Dec. 1791, et seq.] #13 10s. Receipts: #169 9s. 6d. (118.6.6; 46.8.0; 4.15.0)

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson?; Duke of Bedford-Dignum; Duke of Exeter-Aickin; E. of Westmoreland-Sedgwick; Archbp. of Canterbury-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Cooke; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Fluellen-Baddeley; Bardolph-Alfred; Boy-Master Gregson; Pistol-Suett; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Benson; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Duke of Gloster Actor: Benson?
Role: Duke of Bedford Actor: Dignum
Role: Duke of Exeter Actor: Aickin
Role: of Westmoreland Actor: Sedgwick
Role: Grey Actor: Bland
Role: Duke of Burgundy Actor: Phillimore

Afterpiece Title: The Liar

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: Duke of Buckingham Actor: Smith
Role: Lord Sands Actor: Price
Event Comment: Benefit for Redman, Casey, Dumai and Bates. Charges #64 12s. Deficit to beneficaries #25 10s. 6d. covered by individual incomes from tickets: Casey #14 4s. (Box 18; Pit 34; Gallery 46); Redman #25 6s. (Box 5; Pit 77; Gallery 125); Dumay #56 12s. (Box 106; Pit 182; Gallery 103); Bates #17 10s. (Pit 48; Gallery 103) (Account Book). Receiv'd of Fransdorf 1!2 value of his tickets 28th inst....#4 2s. 6d. Receipts: #39 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17680411 but Ratcliff-Bennet; Lady Anne-Mrs Lessingham; Duchess of York-Mrs Ferguson; Tressel-Casey; Add Oxford-Redman; Tyrrel-Bates (playbill). Duchess of York-Miss Vincent (Public Advertiser).

Afterpiece Title: Duke and no Duke

Cast
Role: Duke Actor: Perry

Dance: II: By Particular Desire, a Minuet-Dumai, a Young Lady his scholar; End: The Highland Reel, as17680307

Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman (1st and only appearance in that character); Duke of Buckingham-Farren; Cranmer-Hull; Cromwell-Davies; Lord Chamberlain-Cubitt; Bishop of Winchester-Quick; Surrey-Macready; Duke of Norfold-Harley; Duke of Suffolk-Marshall; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Queen Catherine-Mrs Pope.
Cast
Role: Duke of Buckingham Actor: Farren
Role: Duke of Norfold Actor: Harley
Role: Duke of Suffolk Actor: Marshall

Afterpiece Title: The Sailor's Festival

Performance Comment: As17930510, but in Scene I We be three poor Mariners-_Gray; [Scene II. The Disconsolate Sailor, When my Money was gone-Mrs Martyr (in character); When daisies mead-Miss Barnett [both in place of songs by Mrs Martyr and Johnstone]; [In Scene III added: Irish Song-Johnstone; Comic Song-Munden; [To conclude with a Representation of the Grand Fleet at Anchor in Portsmouth Harbour-.

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Performances

Mainpiece Title: Richmond Wells; Or, Good Luck At Last

Performance Comment: Actors only listed, but edition of 1723 lists: Randome-Shephard; Loveworth-Char. Williams; Gaylove-Wilks Jr; Cheatly-Oates; Tony Souscrown-Miller; Robin-Harper; Belinda-Mrs Morgan; Mrs Fainal-Mrs Wetherilt; Prologue-W. Wilks; Epilogue-Penkethman.
Cast
Role: Randome Actor: Shephard

Song: Drunken Man-Harper

Dance: Drunken Man-Harper

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Performance Comment: Villeroy-Ryan; Biron-Bridgwater; Baldwin-Roberts; Carlos-Walker; Fernando-Hippisley; Frederic-Hale; Fabian-Wignell; Belford-Ridout; Jaquelin-Chapman; Sampson-Hall; Julia-Mrs Buchanan; Victoria-Mrs Stevens; Nurse-Mrs Martin; Isabella-Mrs Hallam .
Cast
Role: Fernando Actor: Hippisley

Afterpiece Title: See If You Like It

Dance: Richmond Maggot by Le Sac and Miss Rogers. Scots Dance, as17340920

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir George-Ryan; Sir Francis-Hippisley; Sir Jealous-Morgan; Charles-Walker; Marplot-Chapman; Miranda-Miss Norsa; Isabinda-Mrs Bullock; Patch-Mrs Stevens; Scentwell-Miss Horsington .
Cast
Role: Miranda Actor: Miss Norsa

Afterpiece Title: The School Boy

Dance: Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De L'Orme, La Coquette Francois by Lally, S. Lally, Mlle Salle

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Honest Yorkshireman

Dance: Richmond Maggot by Le Sac and Mrs Woodward

Performances

Mainpiece Title: Sauny The Scot; Or, The Taming Of The Shrew

Afterpiece Title: Damon and Phillida

Dance: Richmond Maggot by Le Sac and Mrs Woodward. Dutch Skipper by Vallois and Mrs Bullock

Performance Comment: Dutch Skipper by Vallois and Mrs Bullock .

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lover His Own Rival

Performance Comment: Cast not listed, but see17360210 Prologue and Epilogue by Mrs Roberts .

Dance: Richmond Maggot by Le Sac and Mrs Woodward

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Duke Actor: Lilliston
Role: Evandra Actor: Mrs Hester? Davenport.
Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Performance Comment: Edition of 1682: Prologue-Mr Smith; Epilogue-Mr Betterton; Duke of Venice-D. Williams; Priuli-Boman; Antonio-Leigh; Jaffeir-Betterton; Pierre-Smith; Renault-Wilshire; Bedamar-Gillo; Spinosa-Percival; Belvidera-Mrs Barry; Aquilina-Mrs Currer.
Cast
Role: Duke of Venice Actor: D. Williams
Event Comment: The Duke's Company. The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition, 21 April 1682 (Huntington Library), and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 102-05. The Prologue and Epilogue were advertised in The Observator, 27 April 1682, with the statement: Recommended to All Men of Sense and Loyalty

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: See16820209, but Prologue To His Royal Highness Upon His first appearance at the Duke's Theatre since his Return from Scotland. Written by Mr Dryden-Mr Smith; The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-. The Epilogue Written by Mr Otway to his Play call'd Venice Preserv'd; or a Plot Discover'd; Spoken upon his Royal Highness the Duke of York's coming to the Theatre, Friday, April 21, 1682-.

Performances

Mainpiece Title: Duke And No Duke

Performance Comment: Lavinio-Thurmond; Trapolin-Bowen; Brunetto-Husband; Barbarino-Boman; Conjuror-Cross.
Cast
Role: Brunetto Actor: Husband

Dance: LaBee, lately arriv'd from the Opera at Paris; also new dances-Thurmond Jr, others

Song: A Variety of English and Italian Songs-

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The School Boy

Dance: Between the Acts: Dancing-

Event Comment: Mainpiece: Not Acted these Six Years. At the Desire of several Persons of Quality. Written by the late N. Tate, Esq; Poet Laureat, Author of the Tragedy of King Lear. With Scenes, Habits, Machines, and other proper Decorations

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Phebe

Dance:

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Country Wedding and Skimmington

Song:

Dance:

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Country Wedding and Skimmington

Song:

Dance:

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Harlequin a Sorcerer

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda