SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Dr John Hill"/1) | (@(roleclean,performerclean) "Dr John Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11359 matches on Author, 2173 matches on Performance Comments, 1566 matches on Event Comments, 596 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece in place of The Earl of Essex, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1]: Composed, prepared and directed by Mark? Lonsdale. With new Music, Scenery, Machinery, Dresses and Decorations. The Dances by Byrn. The Music partly composed new by Shield [the printed score (Preston and Son [1794]) contains rest of new music, by Aylward , Atterbury, Spofforth, Howard, with overture by Gretry (from Evenements Imprevus)]; the rest selected by Goodwin from the works of Haydn, Aylward, Baumgarten, Boccherini, Pleyel, Gluck, Reeve, Dr Arne, Ware, Leffler Jun. & Spofforth. The Scenery (with very few exceptions) expressly designed and executed by Richards, Walmsley, Phillips, Lupino Jun. and Hodgins; assisted by Byrne, Holland, Thorne, Hollogan and others. The Dresses under the direction of Dick. Books of the Songs to be had at the Theatre. Receipts: #286 1s. (270.8; 15.13)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago or Harlequin the Hero

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): John Follett

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-. Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia

Performance Comment: Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia.
Event Comment: Adapted to the stage, as alter'd [by Dr John Dalton] from Milton's Masque at Ludlow Castle

Performances

Mainpiece Title: Comus

Related Works
Related Work: Comus Author(s): John Milton

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Performance Comment: Teague (with song)-Moody; Col. Careless-Jefferson; Col. Blunt-Aickin; Lieut. Story-Fawcett; Mr Day-Baddeley; Obadiah-Parsons; Abel-Burton; Committee@Men-Waldron; Mrs Day-Mrs Bradshaw; Arabella-Miss Jarratt; Ruth-Miss Pope; Edition of 1792 (John Bell) adds: Tavern@boy-Everard; Bailiff-Griffiths; Soldier-Blanchard; Chairman-Heath; Gaol@keeper-Kear; Bookseller-Carpenter; Porter-Wrighten; Mrs Chat-Mrs Cartwright.

Afterpiece Title: The Waterman

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Florizel and Perdita

Dance: LLes Charboniers, as17601216

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Lasts Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

Performances

Mainpiece Title: Dr Lasts Examination

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Bannister Jun.; Don Guzman-Parsons; Figaro-R. Palmer; The Page-Mrs Forster; Doctor Bartholo-Moss; Basil-Chapman; Doublefee-Johnson; Bounce-Swords; Antonio-Edwin; Countess-Mrs Bannister; Marcelina-Mrs Webb; Agnes-Miss Brangin; Susan-Miss Farren.
Cast
Role: Doublefee Actor: Johnson

Afterpiece Title: The Day

Related Works
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Related Work: A Song for St Cecilia's Day Author(s): John Dryden

Entertainment: Imitations End 2nd piece: As17870807

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips
Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Sir John Falstaff-Ryder; King-Aickin; Prince of Wales-Lewis; Sir Richard Vernon-Farren; Worcester-Powel; Poins-Davies; Francis-Edwin; Sir Walter Blount-Macready; Bardolph-Rock; Douglas-Egan; Carriers-Bernard, Blanchard; Hotspur-Fennell (1st appearance in that character); Hostess-Mrs Pitt; Lady Percy-Miss Chapman.
Cast
Role: Sir John Falstaff Actor: Ryder

Afterpiece Title: Don Juan

Dance: As17890916

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit or Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]
Cast
Role: John Grum Actor: Alfred
Role: Tully Actor: Johnstone
Role: John Actor: Lyons
Related Works
Related Work: The London Hermit; or, Rambles in Doresetshire Author(s): John O'Keeffe

Afterpiece Title: The Deaf Lover

Performance Comment: As17930612 but John-Burton; Sternhold-Barrett.
Cast
Role: John Actor: Burton
Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Prince John Actor: Barrymore

Afterpiece Title: The First Floor

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: Londons Triumph Or The Goldsmiths Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Related Works
Related Work: London's Triumphs: Celebrated the 29th of October, 1664. Author(s): John Tatham
Event Comment: The United Company. The date of the first performance is not known; It is one of several plays which may have been acted in or near December, for three were entered in the Term Catalogues at approximately the same time. Of the three, The Mistakes was given first near Christmas 1690; the other two may have come earlier in the month. A song, When Sylvia was kind, the music composed by John Eccles, is in Joyful Cuckoldom, ca. 1695. In the text of the play is a song, Corinna in the bloom of youth, sung by Mrs Botoler

Performances

Mainpiece Title: Alphonso King Of Naples

Performance Comment: Edition of 1691: The Prologue-Mr Powell by Mr John Haynes; Alphonso-Bowman; Ferdinand-Powell; Cesario-Mountfort; Tachmas-Hodgson; Vincentio-Bridges; Sigismond-Cibber; Oswell-Freeman; Fabio-Bowen; Attendant-Kirkham; Urania-Mrs Bracegirdle; Ardelia-Mrs Richardson; Epilogue-Mrs Knight by Mr D'Urfey.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that it was advertised in the Post Boy, 27-29 Feb. 1695@6 and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than January 1695@6. It may have appeared around the turn of the year. One song, While Phillis does drink, set by John Eccles and sung by Coper; and another, So well Corinna likes the joy, the composer not named but sung by Young Laroch, a Boy of seven, are in Deliciae Musicae, The First Book of the Second Volume, 1696. Downes, Roscius Anglicanus, p. 45: A Comedy, wrote by Mr George Greenvil, when he was very Young; Extraordinary Witty, and well Acted; but offending the Ears of some Ladies who set up for Chastity, it made its Exit. A Comparison Between the Two Stages (1702), p. 20: And a good Comedy, tho it had the Misfortune to be ill receiv'd

Performances

Mainpiece Title: The She gallants

Performance Comment: Edition of 1696: Prologue to the She@Gallant-Mr Betterton; Epilogue-Mrs Bracegirdle; Bellamour-Betterton; Philabel-Hodgson; Frederick-Thurman; Sir Toby Cusifle-Underhill; Sir John Aery-Bowen; Vaunter-Dogget; Courtall-Bailie; Lady Dorimen-Mrs Barry; Angelica-Mrs Bracegirdle; Constantia-Mrs Bootell; Lucinda-Mrs Bowman; Plackett-Mrs Lee.
Cast
Role: Sir Toby Cusifle Actor: Underhill
Role: Sir John Aery Actor: Bowen
Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): John Cooke
Related Work: The Amorous Gallant; or, Love in Fashion Author(s): John Bulteel
Related Work: The Wild Gallant Author(s): John Dryden
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: The She Gallant Author(s): John O'Keeffe
Related Work: The Positive Man Author(s): John O'Keeffe
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 16-18 April 1700, suggests that the first production came before Easter, March 31. A song, Delia tired Strephon with her flame, with music by John Eccles and sung by Bowman, is in Wit and Mirth, 1706

Performances

Mainpiece Title: The Beau Defeated Or The Lucky Younger Brother

Performance Comment: Edition ca. 1700: Prologue-Mr Bowman; Epilogue-a Boy; Sir John Roverhead-Bowman; Elder Clerimont-Trout; Younger Clerimont-Verbruggen; Belvoir-Thurmond; Lady Landsworth-Mrs Bracegirdle; Mrs Rich-Mrs Barry; Mrs Clerimont-Mrs Bowman; Lady la Basset-Mrs Prince; Mrs Fidget-Mrs Willis.
Cast
Role: Sir John Roverhead Actor: Bowman
Event Comment: Benefit for Mr Pritchard--pretty well (Cross). Tickets at Pritchard's Warehouse. The only time this play and farce will be performed this season. Afterpiece: Taken from Sir Charles Sedley. [The Larpent MS 112 indicates additional parts in The Grumbler: Lovemore-$Jefferson; Capt. Bellmount-$Ackman; Sir John Rightou'd-?; +Rigant-$Marr; Shallow-$Vaughan; Victoria-$Mrs Simson; Sersnet-Miss ?; +Footboy-?; The MS contains prompt notes also.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540330 but Dogberry-Taswell; Don John-Bransby; Antonio, Verges-_.
Cast
Role: Don John Actor: Bransby
Role: Don John Actor: Davies
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Grumbler

Dance: II: Masquerade Dance-

Event Comment: Receipts: #58 4s. Paid for sundries for Mr Ross, viz.: a hat at #1 1s. and a pair of shoes at 14 shillings for Essex; a pair of black shoes at 14 shillings and a pair of black shammy shoes at 10s. 6d. for Hamlet (Account Book). [See Hamlet in Shammy Shoes, by John Yoklavitch, Shakespear Quarterly, III (1952), pp. 209-18.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Cimberton-Arthur; Tom-Dyer; Humphrey-Anderson; Daniel-Collins; Lucinda-Mrs Baker; Phillis-Mrs Vincent; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Indiana-Mrs Hamilton; with Singing-Lowe.
Cast
Role: Sir John Actor: Gibson
Role: Phillis Actor: Mrs Vincent

Afterpiece Title: Merlin Harlequin Skeleton

Dance: JJovial Coopers, as17571107

Event Comment: Benefit for Woodward. Mainpiece: Not acted in 20 years. [See 27 Jan. 1744.] With the Humours of Sir John Falstaff. Pit and Boxes laid together, and the Stage formed into a commodious amphitheatre. Boxes, pit, and Stage 5s. Ladies send servants by 3 o'clock; otherwise, Woodward cannot be responsible for any mistake. Places with tickets to be had of Woodward at his house in the Piazza, cg. This Day Publish'd, The Dramatic Execution of Agis. Price 6d. Receipts: #300 (Cross)

Performances

Mainpiece Title: King Henry Iv Part Ii

Performance Comment: King Henry-Garrick, 1st time; Prince of Wales-Palmer; John of Lancaster-Usher; Archbishop of York-Havard; Chief Justice-Bransby; Shallow-Yates; Silence-Rooker; Pistol-Blakes; Hostess-Mrs Macklin; Doll Tearsheet-Miss Minors; Falstaff-Woodward, 1st time.
Cast
Role: John of Lancaster Actor: Usher

Afterpiece Title: The Male Coquette

Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Leonato-Davies; Balthasar (with a proper song)-Atkins; Beatrice-Miss Pritchard; Don Pedro-Havard; Claudio-Palmer; Dogberry-Yates; Frair-Burton; Don John-Bransby; Verges-Philips; Borachio-Blakes; Hero-Mrs Davies; In Act II a Masquerade Dance-; in which will be introduc'd a Minuet-Noverre, Miss Pritchard; To conclude with a Country Dance-the characters of the play.
Cast
Role: Don John Actor: Bransby
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.
Cast
Role: Sir John Dorilant Actor: Reddish

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.
Cast
Role: Prince John Actor: Lamash
Role: Gadshill Actor: Holcroft

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: [In mainpiece the playbill retains Staunton as King John, but on the Kemble playbill a MS annotation substitutes L'Estrange.] Receipts: #223 13s. (211/18; 11/15)

Performances

Mainpiece Title: Edward The Black Prince

Performance Comment: As17841020, 1783 but King John-L'Estrange [of CG] .of CG] .
Cast
Role: 83 but King John Actor: L'Estrange

Afterpiece Title: Harlequin Junior

Event Comment: [Prologue by John Peter Roberdeau (European Magazine, Aug. 1791, p. 141).] "Of Palmer Sen.'s? acting the chief fault is...a manner by far too juvenile. He has very much the turn of countenance and mode of speech suitable to Falstaff, but his gait has no appearance of debility or infirmity, and is such as any man might use, incumbered by the same dress" (Gazetteer, 21 June)

Performances

Mainpiece Title: Half An Hour After Supper

Cast
Role: John Actor: Phillimore

Afterpiece Title: King Henry the Fourth Part I

Performance Comment: King Henry-Williamson; Prince of Wales-Palmer Jun. (1st appearance on the stage); Lancaster-Bland; Worcester-Aickin; Northumberland-Chapman; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Davies; Westmoreland-Usher; Sir Walter Blunt-Iliff; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Rock; Carriers-Wewitzer, Burton; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb; New Occasional Prologue-Palmer.
Cast
Role: Sir John Falstaff Actor: Palmer
Role: Gadshill Actor: Ledger

Dance: End II: Triple Hornpipe, as17910617