SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dr Ford"/1) | (@(roleclean,performerclean) "Dr Ford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 480 matches on Performance Comments, 400 matches on Event Comments, 243 matches on Performance Title, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The College Of Physicians; Or, Doctor Last's Examination

Afterpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Song: End II 2nd piece: The Greenwich Pensioner-Dignum

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Event Comment: Benefit Ford, the Numberer, and Mrs Cantrell. At the particular Desire of several Persons of Quality. Receipts: money #49 3s. 6d.; tickets #117 9s. [A Ticket (Pit, No. 119) for this performance is in the Folger Library; another (Pit, No. 107) is reproduced in Thaler, Shakespere to Sheridan, facing P. 52.

Performances

Mainpiece Title: The Beggar's Opera

Dance: TTwo Pierrots-Nivelon, Poitier; Numidian Dance-Glover, Miss LaTour

Event Comment: Benefit Henry Ford

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Stage Coach [Opera]

Event Comment: Benefit Ford (Numberer) and Gwinn. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #16 2s. 6d.; tickets #123 13s

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The School Boy

Dance: III: French Peasant-Mrs Laguerre; IV: Saraband, Tambourin-Miss Rogers, Scholar to Salle; After I afterpiece: Highlander and his Mistress-Salle, Mrs Laguerre

Song: II: Miss Rogers; V: Mrs Wright

Event Comment: Benefit Ray and Ford. Written by Shakespeare. Receipts: money #27 11s.; tickets #140 15s

Performances

Mainpiece Title: Henry Iv, Part I

Dance: I: Sicilian-Glover, Mrs Pelling; III: Scots Dance-Mrs Bullock; IV: Two Pierrots-Poitier, Pelling; V: Hornpipe-Jones, Mrs Ogden; The Medley, as17320504

Song: II: No Kissing At All-Leveridge, Salway

Event Comment: Benefit Ford and Salle's Widow. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #20 4s.; tickets #154 18s

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Flora

Dance: I: Scottish Dance-Master Weeks; II: Tambourine-Miss Rogers; IV: Dutch Skipper-Jones, Mrs Ogden; V: Clown-Nivelon; End of Afterpiece: Scottish Dance, as17330501

Song: III: Chanson a Boire-Leveridge, Laguerre

Event Comment: Benefit Ford and Mrs Forrester

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Lottery

Dance: II: Tambourine by Glover and Miss Rogers. IV: The Kilkenny by Glover and Mrs Laguerre. V: By Malter and Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre. III: By Mrs Wright

Event Comment: Benefit Ford and Mrs Forrester. [For a discussion of the production of plays, see Prompter, 6 May.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422

Event Comment: Benefit Ford and Houghton

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Honest Yorkshireman

Music: Between the Acts: Select Pieces-

Dance: I: Je ne scai quoi-Tench, Villeneuve, Miss Oates; III: Two Pierrots-Lalauze, Nivelon; V: Serious Dance-Villeneuve, Miss Oates

Song: II: Cantata-Roberts; IV: Leveridge, Laguerre

Event Comment: Benefit Neale and Ford. Tickets for Harrington taken

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Parting Lovers

Afterpiece Title: The Stage Coach

Dance: II: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; IV: Grecian Sailors-Glover

Event Comment: Benefit Phillips, Dignam, Legar, Ford, Levy, and others

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Mrs Macklin. Mainpiece [by John Ford]: Reviv'd not acted these Hundred years. Afterpiece: A New Farce never acted before by Charles Macklin. Note: Tickets deliver'd out for 22 April will be taken. Tickets to be had of Mrs Macklin in Bow St., and of Hobson at the Stage door. Cross: The play lik'd--farce not. Receipts: #93 (Cross); house charges, #60 (Powel); cash, #80 19s. 6d.; tickets, #12 15s. (Clay MS)

Performances

Mainpiece Title: Lover's Melancholy

Afterpiece Title: The Club of Fortune Hunters; or, The Widow Bewitch'd

Dance: III: Savoyards, as17471215; V: Pastoral Dance, as17480326

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Witches

Performance Comment: As17621123, but Lilliputians-Miss Ford, Miss _Froment; Aldridge_. Aldridge_.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Dance: III: A New Comic Dance call'd, the The Shepherdesses, or, La Faux a Veugle-Mas. Clinton, Miss Street, Miss Ford. scholars to Gerhardi

Performance Comment: Clinton, Miss Street, Miss Ford. scholars to Gerhardi.

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performance Comment: Blurton, Miss Ford.
Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

Performance Comment: Blurton, Miss Besford, Miss Ford 1st time.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Oxonian in Town

Dance: End: The Dutch Milkmaid-Mas. Blurton, Miss Ford. [See17671114.

Performance Comment: Blurton, Miss Ford. [See17671114.]

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Country Wife

Dance: II: A New Pantomime Dance call'd The Gardeners-Mas. Blurton, Miss Besford, Miss Ford

Performance Comment: Blurton, Miss Besford, Miss Ford.

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Catherine and Petruchio

Dance: III: The Provenzales-Mas. Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920

Performance Comment: Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920.
Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: Benefit for Mrs Jordan. Part of the Pit [9 rows (World, 23 Mar.)] to be laid into the Boxes. Afterpiece [1st time; F 2, probably by Isaac Bickerstaffe, but also ascribed to Mrs Jordan and to Richard Ford. Text 1st published (unauthorized), Dublin, 1799]. Kemble Mem.: The Farce is written by Mr Bickerstaffe. World, 29 Apr. 1790: The Spoil'd Child was sent to Mrs Jordan from Bickerstaffe in Italy, where her fame had reached. Public Advertiser, 13 Mar.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #352 18s. 6d. (137.13.0; 12.4.6; 1.7.0; tickets: 201.14.0) (charge: #111 6s. 11d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks