SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doctor Macdonogh"/1) | (@(roleclean,performerclean) "Doctor Macdonogh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 890 matches on Performance Title, 571 matches on Performance Comments, 60 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Post Man, 12-15 March 1697@8: Wednesday next, being the 16th of March, will be performed in York Buildings, a Consort of new Musick, for the benefit of Doctor Blow, and Mr Pacsible, and beginning at eight a Clock

Performances

Mainpiece Title: Concert

Event Comment: London Spy, May 1699: Here and there a Poppet-show, where a senceless Dialogue between Punchanello and the Devil was convey'd to the Ears of the listening Rabble thro' a tin Squeaker, being thought by some of them as great a piece of Conjuration as ever was perform'd by Doctor Faustus

Performances

Mainpiece Title: Entertainments

Event Comment: Benefit Firbank and Bickerstaff. Mainpiece: Not Acted there these Four Years. Afterpiece: The Two Doctors' Scenes from the last Act. [Mrs del'Epine sings] at the Desire of several Persons of Quality [for her last appearance until winter]

Performances

Mainpiece Title: The Taming Of A Shrew; Or, Sawny The Scot

Afterpiece Title: Le Medicin Malgre Luy (last act)

Song: Several Italian songs-Mrs del'Epine, the music composed by Greber; and an English song composed by Purcell-

Event Comment: Written by Doctor Young

Performances

Mainpiece Title: Busiris, King Of Aegypt

Event Comment: Benefit Durac, the Pantalon, and Soulart, the Doctor. N.B. An actress lately arrived from France will perform tne Part of Colombine in the Woman Captive, and in the Amoureuses Follies the Part of Agate

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Les Follies Amoureuses

Performances

Mainpiece Title: The Most Knowing, Least Understanding; Or, Harlequin's Metamorphosis; Viz

Performance Comment: Chimney Sweeper, Blackmoor, Astrologer, Moving Statue, Infant, Zodiack, and Diana; With The Comical Transformation of Brighella and Doctor into Mercurius and Apollo.

Afterpiece Title: The Pleasant Marriage; Concluding with The Singing Deities

Dance: Dancing and other Decorations proper to the Play , entirely new and diverting-

Performances

Mainpiece Title: Camilla

Afterpiece Title: The Metamorphoses of Cartouche

Performance Comment: Pantalon, the Doctor, Brighella , being the first Time of their Appearing on that Stage, wherein Brighella transforms himself into the following Shapes, viz. 1st, An Idiot; 2d, A Swiss Musick-Master (with the Stuttering Song); 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady. 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady.

Dance: TTwo Pierrots-Nivelon, Poitier

Song: Two Songs in Italian by the Author-Rochetti

Performances

Mainpiece Title: The Contrivances; Or, More Ways Than One

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Performance Comment: Sir Timothy-Griffin; Toby-Bridgwater; the Statue to be perform'd as in the Entertainment of Harlequin Doctor Faustus-.

Afterpiece Title: Phebe; or, The Beggar's Wedding

Dance: HHarlequin-Master Lally, Miss Brett; Sultana-Miss Robinson Jr

Event Comment: At the Desire of several Persons of Quality. Afterpiece: a Grotesque Entertainment. With new Scenes and Habits. Daily Post, 17 Nov.: We hear the following new Pieces are writ into Parts and are to be play'd at [dl] with all convenient Expedition, viz, The Perjur'd Love; or, The Broken Heart, a Tragedy; The Provident Wife; or, The Doctor's the Disease, a Comedy; and the Tragedy of Brutus

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Country Revels

Performances

Mainpiece Title: None

Performance Comment: Alzira and The Mock Doctor. Advertised, but postponed.
Event Comment: During the summer of 1741, at the New Wells, London Spaw, Clerkenwell, the proprietor presented daily programs of pantomime, singing, and dancing. In midsummer, however, he added a single play to his program but did not list the cast. The sequence of plays included: July 9-16: Flora; or, Hob in the Well. July 17-25: Damon and Phillida. July 27-August 10: The Honest Yorkshireman. August 11-17: The Mock Doctor. August 24-September 7: The Generous Free-Mason; or, The Constant Lady; With the Comical Humours of Squire Noodle and his Man Doodle

Performances

Event Comment: [G+General Advertiser gives The Mock Doctor as the afterpiece. As 1 Oct., but Davy-$Hippisley.] Receipts: #76 15s

Performances

Mainpiece Title: The Committee

Afterpiece Title: The King and The Miller of Mansfield

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Benefit for a Citizen in Distress. Benefit for Mr Buss. Cash #47 1s. 6d. plus tickets #46 19s. Total income #94 6s. (Treasurer's Book). Tickets to be had at Pinchbeck's Toy Shop, in the Haymarket; the Mitre, Union St., Westminster; The Rummer, Charing Cross, the Gentleman and Porter, Fleet St.; Mr Dickenson, Printseller, Fleet St., Doctor's Commons Coffee House; the Dog Tavern, Garlick Hill; the Three Tuns Aldgate; and of Hobson at the stage door. Tomorrow, the Merchant of Venice, for the Benefit of a Young Gentlewoman under misfortunes, by the bankruptcy of her Guardian (General Advertiser). Receipts: #93 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lying Valet

Dance: CComic Dance-Mathews, MacNeale, Miss Baker

Event Comment: Benefit for ye encrease of a fund for ye support of a publick Charity [Lock Hospital] (Cross(. Rec'd cash #76 17s. 6d., plus #123 16s. from tickets; Total #200 13s. 6d. Paid Moor for pair breeches for Garrick #1 5s.; Paid 1 year's subscription to H. Park Hospital #10 10s.; To Garrick by George Garrick #7 10s.; Paid King playing S. Doctor #1 1s. by order of Lacy (Treasurer's Book). Last time of performing till the Holidays. Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Miss in Her Teens

Dance: Grandchamps, Mlle Auretti

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Performances

Event Comment: Benefit for Woodward. Afterpiece: A New farce written by Mr Woodward-for his Benefit, The farce was a kind of dispute among ye Actors, & went off, as it was a Benefit, without Interruption, but I believe will not be play'd agen, ye Epil: was a parody upon Shakespear's Stage of Life, & was Lik'd (Cross). No Part of Pit will be rail'd into the Boxes. Ladies send servants by three. Tickets to be had of Woodward at Clarendon's Warehouse, and of Hobson at the stage door. Last time of performing the mainpiece this season. [Larpent MS 92, indicates the afterpiece as a criticism from the actors' view of the way they are handled by audiences, and of their own damnation of a play presented to them. All works up to the Epilogue: @'All the town's a farce-he says and swears,@And all the men and women merely players...'@ which is severe upon politicians, doctors, statesmen and connoisseurs. The characters appear under their own names, Cross, Clive, etc.] Receipts: #300 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Lick at the Town

Event Comment: [L+Letter from Henry Woodward, Comedian, The Meanest of all Characters To Dr John Hill, Inspector-General of Great Britain, the greatest of all characters completely damns Hill as unsuccessful player, apothecary, doctor, scholar, writer, and gentleman. It ran to three editions in the year.] We hear great interest is being made to succeed Mr Serjeant Shore, deceased, as Serjeant Trumpet to his Majesty, which is in the gift of his Grace the Duke of Grafton as Lord Chamberlain; and that the contest lies chiefly between that excellent performer, Mr. Valentine Snow, Trumpet to the First Troop of Horseguards; Mr. Debourg, the violin; and Mr Beard, of the theatre Royal in Drury Lane (Public Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Intriguing Chambermaid

Dance: AA Dutch Dance, as17521125

Event Comment: Afterpiece: A new farce by Doctor Heffinal [sic] for his benefit. O Sad! (Cross). Tickets at Forrest Coffee House, The Bedford, and Randall's, and author's lodgings at Mew's Coffee House. To the Printer of the Public Advertiser, 24 April: Sir, Let this suffice for a general answer to all unfriendly whispers or paragraphs against the new farce to be performed tonight at Drury Lane -its author never previously Caballed, never published his sentiments of any stage performance till after the run -then neither the writer nor manager could be injured -its principal characters are Lady Protea, a coquet alarmed at the apprehension of dying amid; Lord Epigram Strainwit, a pert coxcomical witling; Dr Matho, a Virtuoso, Antiquarian, and in love; Dreadnought Broadside, a sea-officer and strenuous Antigallican. I am &c. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Maiden Whim; or, The Critical Minute

Event Comment: Afterpiece alter'd from Beaumont & Fletcher (Cross) being a sequel to Catherine and Petruchio; or, The Taming of the Shrew (Public Advertiser). Benefit for Pritchard. Tickets of Pritchard in Great Queen St.; Lincoln's Inn Fields; and at Pritchard's Warehouse in Tavistock St. [The Larpent MS 133 lists the characters: Sophocles, Tranio, Maria, Bianca, Jaques, Petruchio, Petronius, Pedro, Citizens, Countrymen, Doctor, Apothecary, 1st Watch, 2nd Watch.] Receipts: #140 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Tamer Tam'd

Song: Beard

Event Comment: Benefit for Ackman, Harrison, and Scrase. Tickets deliver'd by Walker will be taken. No Building on the Stage. [Genest, IV, 519, lists The Mock Doctor for the afterpiece, apparently by mistake.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Britannia

Dance: A Hornpipe-Harrison

Ballet: TThe Prussian Camp. As17580421 but Blakes_

Event Comment: Benefit for Webster. Public Advertiser, 14 Mar.: Tickets to be had of Webster at his house, No. 2, Paul Baker's Court, Doctors Commons. Receipts: #207 15s. 6d. (57.2.0; 19.3.0; 0.9.6; tickets: 131.1.0) (charge: #105)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Fortunatus

Dance: As17791122

Event Comment: Serenata: Composed by the late Dr Arne, with Alterations and additional Chorusses from the Doctor's own Manuscripts. Books of the Serenata to be had at the Theatre

Performances

Mainpiece Title: Eliza

Music: As17840303athi

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: The Lawyers' Panic; Or, Westminster Hall In An Uproar

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: As17841222, but added: Doctor Squib, a Part of the Devil-Kean (in imitation of Foote; the 1st time of his ever attempting a character); omitted: Sir T. Maxwell, Julep, Apozem, Calomel, Camphire . the 1st time of his ever attempting a character); omitted: Sir T. Maxwell, Julep, Apozem, Calomel, Camphire .

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson