SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dibdin Jun"/1) | (@(roleclean,performerclean) "Dibdin Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1684 matches on Performance Comments, 1364 matches on Author, 291 matches on Event Comments, 119 matches on Performance Title, and 17 matches on Roles/Actors.
Event Comment: At Lee, Yeates Sen & Jun and Warner's Booth, Southwark

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Event Comment: At Lee, Yeates Sen & Jun and Warner's Booth

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Event Comment: At Lee, Yeates Sen & Jun and Warner's Booth, Southwark. Mrs Bracegridle died, at her House in Howard St. (Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Event Comment: [At Lee, Yeates Sen & Jun and Warner's Booth, Southwark

Performances

Mainpiece Title: The Fair Maid Of The West

Event Comment: At the Tiled Booth, Bowling Green, Southwark. Benefit for Yeates, Jun</a> will be perform'd a Comedy. Prices: #2s., 1s. 6d., 1s., 6d. Tickets delivered out by Daniel and Sturgess will be taken. This is the last Time of performing there this Season. [No concert formula.

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The Lying Valet

Event Comment: At Yeates Jun's Great Tiled Booth, George Inn Yard, West Smithfield. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. From 12 to ten p.m. [Repeated.

Performances

Mainpiece Title: The Credulous Husband; Or, The Intriguing Wife

Afterpiece Title: Harlequin Magician; or, Mezzetin Deceived

Event Comment: Benefit of Cross jun</a> and Miss Thomas. Box 5s. Pit 3s. Gallery 2s. To begin at 6 p.m

Performances

Mainpiece Title: Acis And Galatea

Music: To conclude with the Coronation Anthem-

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 31 Dec. 1776. Public Advertiser assigns the Ghost to Farren.] Afterpiece: With Additions and Alterations, New Music, Scenes [by Greenwood, Leroy and French Jun. (Morning Post, 4 Jan.)], Dresses, and Decorations. Receipts: #175 1s. 6d. (137.1.0; 34.17.0; 3.3.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Performances

Mainpiece Title: L'allegro Il Penseroso; Judas Maccabaeus

Afterpiece Title: The Song of Moses; Judas Maccabaeus

Music: As17770214

Event Comment: Benefit for Berrisford, Carleton Jun., Shade & Edleston. Receipts: #227 5s. 6d. (25.17.0; 3.10.6; 0.0.0; tickets: 197.18.0) (charge: #84)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Mayor of Garratt

Dance: As17761214

Song: In I: song-Miss Abrams

Event Comment: Benefit for Carleton Jun</a>., Hind, Shade & Bayne. Tickets sold at the doors will not be admitted. Tickets delivered for a comic opera [Love in a Village, announced on playbill of 23 May] and by Barrett and McDonald will be taken. Receipts: #258 11s. 6d. (19.4.0; 7.2.6; 0.1.0; tickets: 232.4.0) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lyar

Dance: End II: Minuet de la Cour, as17780508

Event Comment: Benefit for T. Ansell, Pilfold, Woolley, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Francis, Walker, Whittington, Abbot, Haliburton, Ledger Jun. will be admitted

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Liverpool Prize

Dance: As17790222

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521

Event Comment: Benefit for Watson, Carleton Jun., Wilson & Hicks. Tickets delivered by Master Benson, Barrett, McDonald and Boroughs will be taken. Receipts: #256 14s. (18.1; 10.17; 0.13; tickets: 227.3) (charge: #105)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Who's The Dupe

Dance: As17791215

Entertainment: Monologue. End: Bucks have at ye all-Master Benson

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: L'omaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performance Comment: =-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians: Farren, Waldron, Burton, Packer, Lamash, Bannister Jun.; Miss Pope. [For assignment of parts see17811012].

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The True Briton

Dance: In Act III of mainpiece a Hornpipe, as17820314mitations. End of mainpiece, by Bannister Jun

Performance Comment: End of mainpiece, by Bannister Jun .

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.
Event Comment: Benefit for Watson, Carleton Jun., Wilson, Hicks & Palmer Sen. Receipts: #267 3s (14/17; 7/6; 0/14; tickets: 244/6) (charge: #105 8s. 8d.)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Lyar

Dance: As17830505

Performances

Mainpiece Title: The Patriot

Performance Comment: Principal Characters by Wilkinson, Parker, Cross, Hunter, Miller, Powell, Shatford, Smith; Miss Watson Sen., Miss Forde, Miss Watson Jun., Miss Frederick, Miss Hemet. Cast not known. New Prologue [spoken by T. Davis] and Epilogue [spoken by Miss Hemet] .

Afterpiece Title: The Reprisal; or, The Tars of Old England