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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Diary of Isaac Reed"/1) | (@(roleclean,performerclean) "Diary of Isaac Reed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2718 results for: Keyword - Diary of Isaac Reed
We found 1378 matches on Event Comments, 1326 matches on Author, 116 matches on Performance Comments, 4 matches on Performance Title, and 1 matches on Roles/Actors.

2151
04 December 1735 @ Covent Garden

Event Comment: Receipts: #49 19s. 6d. Egmont, Diary, II, 208: acted indifferently

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Rape of Proserpine

2152
25 March 1736 @ Haymarket Theatre

Event Comment: Egmont, Diary, II, 250: I went to the Haymarket Playhouse to see Pasquin again, which was extremely Crowded, though the 17th day of its acting

Performances

Mainpiece Title: Pasquin

2153
07 February 1737 @ Covent Garden

Event Comment: In the morning Handel's new opera, Justin, was rehearsed. [See Egmont, Diary, II, 342.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

2154
08 March 1737 @ Lincoln's Inn Fields

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

2155
22 March 1737 @ Haymarket Theatre

Event Comment: EEgmont, Diary, II, 375: I went...to see The Historical Register, wrote by Mr Fielding. It is a good satire on the times and has a good deal of wit

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

2156
18 April 1737 @ Haymarket Theatre

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

2157
28 March 1738 @ King's Theatre

Event Comment: Benefit Handel. Pit and Boxes half a guinea. Gallery 5s. London Evening Post, 30 March: Their Royal Highnesses the Prince and Princess of Wales were present; there was the greatest and most polite Audience ever seen there, and it's thought Mr Handel cou'd not get less that Night than 15001. Egmont, Diary, II, 474: In the evening I went to Hendel's Oratorio, where I counted near 1,300 persons besides the gallery and upper gallery. I suppose he got this night 1,000 1. [For further details, see Deutsch, Handel, p. 455.

Performances

Mainpiece Title: An Oratorio

Music: With a Concert on the Organ-

2158
06 October 1738 @ Covent Garden

Event Comment: Mainpiece: Written by Shakespear. [See Egmont, Diary, II, 511, for behavior of royalty.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Dragon of Wantley

Music: Withthe Original Musick-; The Vocal Parts-Leveridge, Laguerre, Salway, Roberts, Thompson, Stoppelaer, Mrs James, Mrs Vincent, Mrs Kilby

Dance: The usual Dances-proper to the Play

2159
18 January 1739 @ Crown Tavern

Event Comment: EEgmont, Diary, III, 5: I went at night to a public meeting of the vocal music club at the Crown Tavern, where the famous oratorio of Hendel, called 'The Feast of Alexander," was performed by the gentlemen of our club

Performances

Mainpiece Title: The Feast Of Alexander

2160
15 February 1739 @ Drury Lane Theatre

Event Comment: Benefit the Author. Egmont, Diary, III, 23: In the evening I went to...Mustapha...the language of it is lofty but not bombast, the sentiments fine and justly expressed, the characters kept up to, and the principles of honour and virtue inculcated; in a word, to one of our best modern tragedies

Performances

Mainpiece Title: Mustapha

2161
25 September 1739 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness the Duke. Egmont, Diary, III, 83: I went with my wife to the play entitled 'Sir Walter Raleigh,' revived by the comedians on occasion of the now differences with Spain. They choose one to represent Count Gundemar, who in all things is like Mr Giraldini, the Spanish minister at our Court lately recalled, and whenever any severe things were said which bore a resemblance to our ministry's transactions, or our backwardness to resent the insults of Spain, the audience clapped all over the house

Performances

Mainpiece Title: Sir Walter Raleigh

Afterpiece Title: The Virgin Unmask'd

Dance: V: Tambourine-Mlle Chateauneuf

2162
02 March 1744 @ Covent Garden

Event Comment: Music by Handel; libretto by James Miller. See Earl of Egmont's Diary, III, 290, where he speaks of attending on 1 March, probably a rehearsal

Performances

Mainpiece Title: Joseph And His Brethren

Music: Concerto on the Organ-

2163
07 February 1753 @ Drury Lane Theatre

Event Comment: This play was wrote by Mr Moor but as he had some Enemies, came out under ye Name of Mr Spence--went off well, except some few Words & a Song wch are since omitted--Mr Havard not being able to play the part design'd for him The following advertisement was put at ye Bottom of ye Bills for he first 2 Days: N.B. The Managers being engag'd to act two New Plays this Winter, cou'd not longer defer this Tragedy in waiting for Mr Havard's Recovery; Mr Davies at a very short Warning, has willingly undertaken the Character which Mr Havard was to have acted, and humbly hopes for the Indulgence of the Public (Cross). [This N.B. note from the Cross Diary is printed verbatim on the playbill]. Never Acted before. Tis hoped no Gentlemen will desire to be admitted behind the Scenes, this night. Receipts: #217 (Cross)

Performances

Mainpiece Title: The Gamester

2164
03 March 1758 @ Covent Garden

Event Comment: With New Additions and Alterations. [On 1 March (Baker, Diary, p. 106) went to Handel's and heard the rehearsal by "Frasi, Miss Young als [alias], Miss Scott, Cassandra Frederick, Beard, Champness, Baildon."

Performances

Mainpiece Title: Judas Maccabaeus

2165
10 March 1758 @ Covent Garden

Event Comment: [John Baker, Diary, p. 106: "Went apres midi con Uxor in chariot to 'Messiah', could not get seat in Upper Gallery, sat in lower."

Performances

Mainpiece Title: The Messiah

2166
22 October 1759 @ Covent Garden

Event Comment: Receipts: #161 12s. To Covent Garden Playhouse to see Miss Brent in the character of Polly. Mr Dives was there and Lt Fevey, went to Miss Borgard in the side box and see her and Miss Ligonier into their coach, went and spoke to Mr Kindersley in the upper boxes, and fetched Mrs B, Mr and Mrs Pickel out of the Gallery. I liked her singing much. It was the 11th night (Elma Hailey, "The Brietzcke Diary 1759-1765," Notes and Queries, (Aug. 1951), 196, p.360)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: As17591017

2167
27 October 1759 @ Drury Lane Theatre

Event Comment: MMiss Pope in Corrinna (fine) Mr Wilkinson, Mrs Amlet (sad) (Cross). Mainpiece: Not acted in 8 years [but see 3 Jan. 1753]. My mother and I were at Drury Lane to see The Confederacy and Harlequin Ranger, Mrs King, Watson and Miss Pitt sat in our Box, a new actress did Corrinne to perfection, see Schutz Jr, Mr Schutz, Dives and Pigot there (Hailey, 'The Brietzcke Diary," p. 360). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Ranger

2168
03 November 1759 @ Covent Garden

Event Comment: Receipts: #139 9s. 6d. Paid Gom for carpenters #7 11s. 6d. Paid Mr Arne for composing as per bill #12 12s. Was at Covent Garden to hear Miss Brent, I sat in the Boxes but there was not much company there (Hailey, "Brietzcke Diary," p. 361)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591102

2169
24 November 1759 @ Drury Lane Theatre

Event Comment: [C+Charlotte in the afterpiece probably by Miss Hippisley. See 11 March 1760. No receipts in the Cross Diary.

Performances

Mainpiece Title: Comus

Afterpiece Title: The Apprentice

2170
10 January 1760 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. I slept [?] at Drury Lane before the play & was at my Office, it was a cold frostly night (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: High Life Below Stairs

2171
12 January 1760 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. I was at Drury Lane Gallery to see Everyman in his Humour and the Pantomime farce of Harlequin's Invasion which was a medley of nonsense. See George (as usual) there and Capt. Stevens (Hailey "Brietzcke Diary," Vol. 197, p. 69). Receipts: #170 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin's Invasion

2172
16 January 1760 @ Drury Lane Theatre

Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire in King's Stredt, Covent Garden (playbill). We gave our Night's pay for ye Sufferers by the fire in King's Street Covent Garden Sun: ye 23d. of Dec. (Cross). Sisters diner at Mrs B's. I slept [slipt?] in after the play at Drury Lane & see them in the Gallery, where I had a few words with Mr Williams (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Mock Doctor

2173
17 January 1760 @ Drury Lane Theatre

Event Comment: This was Mr Macklin's Night, as Author of the Farce (Cross). Amphitheatre on stage (Winston MS 8). A full house to Mr Macklin's Benefit & his new Farce of Love a la Mode (Hailey, Brietzcke Diary, Vol. 197, p. 69). Receipts: #304 15s. (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

2174
19 January 1760 @ Covent Garden

Event Comment: Receipts: #146 2s. Paid Meares #5 16s. 6d.; Monck #1 10s.; Hargreaves (smith) #13 6s. 11d.; Kemp, six nights for lamps, #9 12s. At the Bedford tonight & slept [slipt?] in at Covent Garden Mr Bettenson was at the Bedford, we were talking about the Count, a poor man that comes there slept in after the play at Drury Lane Gallery (Hailey, "Brietzcke Diary," Vol. 197, p. 69)

Performances

Mainpiece Title: Comus

2175
24 January 1760 @ Drury Lane Theatre

Event Comment: Two Entertainments by Mr Murphy of 3 Acts each (Cross Diary). With new Scenes, Cloaths, and other Decorations. Full Prices

Performances

Mainpiece Title: The Desert Island

Afterpiece Title: The Way to Keep Him