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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Deutsch"/1) | (@(roleclean,performerclean) "Deutsch")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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141 results for: Keyword - Deutsch
We found 72 matches on Event Comments, 71 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

126
21 March 1750 @ Covent Garden

Event Comment: PPrincess Amelia present; audience very thin (Deutsch, Handel, p. 684)

Performances

Mainpiece Title: Theodora

Afterpiece Title: New Concerto on the Organ

127
18 April 1750 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Performances

Mainpiece Title: The Messiah

Performance Comment: [See Gentleman's Magazine; Deutsch, Handel, p. 708.]

128
01 May 1750 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: To begin at Twelve noon. The Gentlemen are desired to come without swords and the Ladies without hoops (Deutsch, Handel, p. 688). The seating capacity of the Hospital was 1,000. There was a tremendous crush and confusion...a number of distinguished people drove up at the last moment, many without tickets, and found it impossible to gain admission (R. H. Nichols and F. A. Wray, History of the Foundling Hospital (London 1935), p. 202). Handel offered to give a repeat performance to accomodate those disappointed. [See 15 May.

Performances

Mainpiece Title: The Messiah

129
15 May 1750 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: A Computation was made of what Number of Persons the chapel...would conveniently hold, and no greater number of Tickets were delivered to hear the Performance there on the First Instant. But so many Persons of Distinction coming unprovided with Tickets and pressing to pay Tickets, caused a greater number to be admitted than were expected. To prevent any disappointments, shall be performed, [again] [Deutsch, Handel, p. 690)

Performances

Mainpiece Title: The Messiah

130
18 May 1750 @ Hickford's Room

Performances

Mainpiece Title: A Concert

Performance Comment: Violin solo-Felice de Giardini first appearance in London (Deutsch, Handel, p. 691); Vocal parts-Sga Cuzzoni.

131
16 March 1751 @ Castle Tavern

Event Comment: At the Castle Tavern, Paternoster Row (Deutsch, Handel, p. 704)

Performances

Mainpiece Title: Samson

132
26 February 1752 @ Covent Garden

Performances

Mainpiece Title: Jeptha

Performance Comment: Jeptha-Beard tenor; Storage-Signora Galli Mezzosoprano; Iphis-Signora Frasi soprano; Hamor-Brent alto; Zebul-Wass bass; Angel-the Boy (Deutsch, Handel, p. 719); Chorus of Israelites- (Larpent MS).

133
09 April 1752 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At the Chapel, Foundling Hospital (Deutsch, Handel, p. 725). The number of Tickets was 1,200 (Gentleman's Magazine, April)

Performances

Mainpiece Title: The Messiah

134
01 May 1753 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At the Foundling Hospital. To begin at 12 noon. Price half a guinea each. [Above 800 coaches and chairs and tickets amounted to 925 guineas (London Magazine, May 1753). Tickets brought #706 3s. 10d., Deutsch, Handel, from Minutes of Fondling Hospital.

Performances

Mainpiece Title: The Messiah

135
12 March 1754 @ King's Theatre

Performances

Mainpiece Title: Admeto

Performance Comment: Principal performers-Faustina, Cuzzoni, Senesino were the chief performers Deutsch, Handel, from Johann Joachim Quantz's autobiography.
Cast
Role: Principal performers Actor: Faustina, Cuzzoni, Senesino were the chief performers Deutsch, Handel, from Johann Joachim Quantz's autobiography.

136
05 May 1757 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Performances

Mainpiece Title: The Messiah

Performance Comment: Signora Frasi's part by Mr Savage's celebrated Boy (Deutsch, Handel, from Jackson's Oxford Journal).

137
31 January 1758 @ King's Theatre

Event Comment: A pasticcio, with libretto by G. A. Migliavacca; music by F. G. Bertoni, Handel, Davide Perez (Deutsch, Handel, p. 793). A New Opera, with new Decorations and Dances. It will be performed Tuesday and Zenobia on Saturdays (Public Advertiser)

Performances

Mainpiece Title: Solimano

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

138
10 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performance Comment: Edition of wordbook (J. Watts, sold by B. Dod, 1758) lists Time, Counsel (or Truth), Beauty, Pleasure, Deceit, and Chorus. Deceit-Mrs Passerini. [(Deutsch, Handel, p. 793).](Deutsch, Handel, p. 793).]

139
22 February 1758 @ Covent Garden

Performances

Mainpiece Title: Belshazzar

Performance Comment: Larpent MS lists parts: Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (a Babylonian Lord), Chorus of Babylonians , Jews , Medes , and Persians . [Deutsch, Handel, p. 794, lists: Belshazzar-Beard; Nitocris-Signora Frasi; Cyrus-Miss Young [Mrs Scott]; Daniel-Miss Frederick; Gobrias-Champness.

140
01 April 1758 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Vocals by Beard, Champnes, Soaper, Miss Young. Deutsch, Handel, p. 797: Acis-Beard; Polyphemus-Champnes; Damon-Soaper; Aalatea-Miss Young.

Music: First Violin-Brown; Second Violin-Froud; First Violoncello-Gordon; Harpsichord-Cooke; Between I and II: a Concerto on Hautboy-Vincent

141
27 April 1758 @ The Chapel at the Foundling's Hospital, or at the Lock Hospital, Hyde Park Corner

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah