SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Description of a Storm"/1) | (@(roleclean,performerclean) "Description of a Storm")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 108 matches on Event Comments, 75 matches on Performance Comments, 66 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Botheration

Afterpiece Title: Voluntary Contributions

Dance: End I 1st piece: The Statute Dance-

Song: In 2nd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Botheration

Dance: In III 2nd piece: Hornpipe in Fetters, as17971025

Song: In 3rd piece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Botheration

Dance: Between mainpiece and afterpiece: a Hornpipe-Jackson

Song: End: The Irish Newsman-Clarke; In afterpiece: Mr O'Blarney's Description of London, as17980508

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Review

Afterpiece Title: A Mogul Tale

Afterpiece Title: Obi

Song: End 1st piece: Half and Half (never before sung)-Fawcett; End of 2nd piece: Paddy's Description of Pizarro, as18000829

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Mago and Dago

Performance Comment: As17950101, but in X: Wou'd you see the World in little (composed by Dibdin)-Townsend; in place of A New Trade for a Jew-_; XVIII entitled Temple of Fortunev; in XIX (originally XXII) Death and the Doctor-the Devil and the Lawyer, in place of how to kick up a dust; added: A New Overture by Howard-; in XIV: A new Roundelay (composed by Atterbury)-Townsend, Street, Mrs Henley, Miss Kirton omitted from III: The Drift of Snow; from IV: a Storm; from XVIII: the Magic Concerto. from IV: a Storm; from XVIII: the Magic Concerto.
Cast
Role: It blows Hot and Cold Actor: a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard
Role: a Storm Actor: an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard

Performances

Mainpiece Title: The Lying Lover; Or, The Lady's Friendship

Performance Comment: Edition of 1704 lists: Old Bookwit-Griffin; Young Bookwit-Wilks; Lovemore-Mills; Frederick-Toms; Latine-Cibber; Storm-Pinkeman; Charcoal-Bullock; Penelope-Mrs Rogers; Victoria-Mrs Oldfield; Betty-Mrs Cox; Lettice-Mrs Lucas; Prologue-; Epilogue-.
Cast
Role: Storm Actor: Pinkeman

Performances

Mainpiece Title: The Lying Lover; Or, The Ladies Friendship

Performance Comment: Young Bookwit-Mills; Latin-Yates; Storm-Macklin; Charcoal-Neale; Old Bookwit-Berry; Victoria-Clive; Penelope-Mrs Woffington; Lovemore-Havard; Frederick-Blakey; Simon-Collins; Constable-I. Sparks; Turnkey-Bransby; Watch-Usher; Lettice-Mrs Macklin; Betty-Miss Minors.
Cast
Role: Storm Actor: Macklin

Afterpiece Title: The Devil to Pay

Song: I: Song-; II: Scotch Dialogue, as17460310 IV: Cantata-Lowe

Dance: III: Italian Peasants, as17460206

Event Comment: Mrs Siddons was "below herself. . .There was no Storm of Applause; there was not any of that Stillness of Attention which always precedes the Storm" (Public Advertiser, 24 Mar.). Receipts: #280 5s. (266/7/0; 9/11/6; 0/16/6; tickets not come in: 3/10/0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Performance Comment: New Overture-(Haydn); Praise the Lord-Double Chorus (Solomon, Handel); See her awful domes-Kelly (Julius Caesar, Handel); No more shall Edom-Miss Hagley (Dr Arnold); On our paternal-Reinhold, Dignum, Miss Hagley, Mrs Crouch, Chorus (Corelli); He bids the circling season-Miss Lockhart; Give glory to his awful name-Chorus (Handel); Cease ah cease-Mrs Crouch [i.e. Ombra Cara (Radamisto, Handel)]; Remember us O Lord-Quartetto, Chorus (Purcell); O thou almighty pow'r-Mrs Ambrose [i.e. Affani del pensier (Ottone, Handel)]; When storms the proud-Reinhold (Athalia, Handel); O Judah boast-Chorus (Handel); Rise O God-Chorus (Funeral Anthem, Handel).

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Music: As17890311

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Afterpiece Title: L'Alegro ed il Pensieroso 1

Afterpiece Title: L'Allegro ed il Pensieroso

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Performance Comment: [Scene I. The Deck of a Man of War.] When on board our trim Vessel-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton, Gray; The Mid Watch When 'tis night-Incledon; The good subjects of Old England-Incledon, Gray, Darley; [Scene II. A Landscape.] A song-Mrs Martyr; A song-Johnstone; [Scene III] In storms when clouds-Incledon; Treble Hornpipe-Byrn, Holland, Mme Rossi; A new Loyal Song and Chorus-Incledon.

Afterpiece Title: Catherine and Petruchio

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

Performance Comment: Vocal Characters-Bernard, Gray, Street, Linton, Mrs Martyr; Harlequin-Byrn; Clown-Follett; Dago-Farley; Mago-Richardson; Father to Columbine-Hawtin; Zany-Simmons; Columbine-Mme Rossi; Seraphil-Mrs Martyr; I. The Cave of Magov. The Meeting of Fantastic Spirits-the Arrival of Mago-his Address to Seraphil-Richardson; II. Dago's Cavernv. The Magic Concerto-the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr; IV. A Romantic Summer Viewv. It blows Hot and Cold-a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard; XI. The Trap-Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street; XVII. A Sketch from Naturev, which changes to A Flemish Fetev, from Teniers. A Throw with the dice-Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Cast
Role: It blows Hot and Cold Actor: a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard
Role: a Storm Actor: an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Shall I in Mamre's-Sale; For all these Mercies-Chorus (Joshua); Total eclipse-Incledon; O first created beam-Chorus (Samson); Hark, it is the linnet-Miss Poole (Joshua); When storms the proud-Reinhold; O Judah-Chorus (Athalia); O worse than death, Angels ever bright-Mme Mara (Theodora); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Performances

Mainpiece Title: A Midsummer Night's Dream

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Register Office

Performance Comment: As17710123, but Le Brush-Palmer; will introduce The Description of a Man of War and Sea Fight-Moody as Irishman.

Entertainment: End: Burlesque Cantata, as17710504

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Teague (With Songs)-Moody; Col. Careless-Jefferson; Col. Blunt-J. Aickin; Abel-Burton; Committeemen-Waldron; Bailiff-Griffiths; Bookseller-Carpenter; Day's Servant-Everard; Jack-Master Blanchard; Mrs Day-Mrs Bradshaw; Lt Story-Fawcett; Mr Day-Baddeley; Obadiah-Parsons; Arabella-Miss Jarratt; Ruth-Miss Pope; Porter-Wrighten; Coachman-Keen; In Act IV, Rhetorical Description of a Man of War and Sea Fight-Moody.

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: The Committee

Performance Comment: As17750417 but Blunt-Hurst; Obadiah-Wrighten; Mrs Chat-Mrs Cartwright (MacMillan); Rhetorical Description of a Man of War and Sea Fight-_.

Afterpiece Title: Miss in Her Teens

Dance: V: The Sailors Revels, as17740920

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Irish Widow

Dance: A Hornpipe-Gentleman [unidentified]

Song: End IV: Tally O-Mrs Kingham

Entertainment: Monologue. End: Snip's Humorous Description of the Camp-Gardner

Performance Comment: End: Snip's Humorous Description of the Camp-Gardner.

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The King and the Miller of Mansfield

Entertainment: Monologues.End II: A Dissertation on Macaronies-Murray; End: Abel Drugger's Description of a Fete Champetre-Murray

Performance Comment: End II: A Dissertation on Macaronies-Murray; End: Abel Drugger's Description of a Fete Champetre-Murray.

Song: End 2nd monologue: a celebrated song written by Garrick, on Pantomimical and Operatical Entertainments-

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: The Deserter

Song: In: the new Four@and@Twenty Fidlers all on a Row-Edwin

Entertainment: Monologues. End: Lingo's Opinions on Men and Manners-(A Comical, Whimsical, Operatical, Farcical Rhapsody [with incidental music by William Shield]) Edwin; End I afterpiece: A Description of the Curiosities of the Tower of London-Edwin

Performance Comment: End: Lingo's Opinions on Men and Manners-(A Comical, Whimsical, Operatical, Farcical Rhapsody [with incidental music by William Shield]) Edwin; End I afterpiece: A Description of the Curiosities of the Tower of London-Edwin.