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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Crow Street Theatre Dublin"/1) | (@(roleclean,performerclean) "Crow Street Theatre Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4202 results for: Keyword - Crow Street Theatre, Dublin
We found 3709 matches on Event Comments, 590 matches on Performance Comments, 152 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2251
02 June 1800 @ Drury Lane Theatre

Event Comment: Benefit for Sga Bossi DelCaro. 2nd ballet: 1st time; composed for the occasion by Dupret; the music by Bossi, composer and leader of the Band at the Opera House. Of Age To-morrow [advertised on playbill of 30 May] is obliged to be deferred on account of the indisposition of Bannister Jun. Morning Chronicle, 30 May: Tickets to be had of Sga Bossi DelCaro, No. 1, Great Suffolk-street, Charing-cross. Receipts: #327 5s. (212.10.0; 61.13.6; 2.18.0; tickets: 50.3.6) (charge: #215 13s. 7d.)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: No Song No Supper

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

2252
04 June 1800 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Morning Chronicle, 28 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #628 0s. 6d. (92.5.6; 41.1.6; 8.11.0; tickets: 486.2.6) (charge: #70 7s. 11d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Devil to Pay

2253
05 June 1800 @ Drury Lane Theatre

Event Comment: Benefit for Trueman. [In mainpiece the playbill retains Mrs Walcot as Mrs Heidelberg, but "An apology was made on behalf of Mrs Walcot, in whose stead the papt of Mrs Heidelberg was ably sustained by Mrs Sparks" (Dramatic Censor, II, 243. As afterpiece the playbill announces Three Weeks after Marriage, but "Mrs Jordan happening, like other great performers, to be taken ill (it is wonderful how much great actors and actresses are subject to sudden indisposition!) Trueman was under the necessity of subsituting The Prize for the afterpiece" (ibid, p. 244).] Morning Chronicle, 30 May: Tickets to be had of Trueman, No. 38, Norfolk-street, Strand. Receipts: #127 8s. (70.6; 55.6; 1.6; tickets: none listed) (charge: #201 2s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Prize

Song: End: Strike the Harp-Master Suett, Master Heather, Danby; with an accompaniment of Piano Forte-; [a New Loyal Song Secure within her sea@girt Reign [(Dramatic Censor, II, 243)] (written by Dutton and composed by Moorehead,)-Trueman; End IV: Crazy Jane-Mrs Bland

2254
07 June 1800 @ Drury Lane Theatre

Event Comment: Benefit for Miss Stephens. Morning Chronicle, 21 May: Tickets to be had of Miss Stephens, No. 85, Park-street, Grosvenor-square. Receipts: #326 18s. 6d. (63.5.0; 51.10.6; 0.15.0; tickets: 211.8.0) (charge: #212 0s. 4d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Rosina

Song: End II: a new Musical Address (composed by Horn)-; In course Evening: The Soldier tir'd of War's alarms-Miss Stephens; and an entire New Ballad-Miss Stephens

2255
19 June 1800 @ King's Theatre

Event Comment: Benefit for Didelot and Mme Rose Didelot. Tickets to be had of Didelot, No. 13, Panton-street, Haymarket

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Laura et Lenza, as18000513; Minuet de la Cour-Mons and Mme Didelot; End 2nd piece: Telemaque-Mme Rose Didelot will take original part

2256
02 August 1800 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Morning Chronicle, 28 July: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Castle of Sorrento

Song: As18000725

2257
08 September 1800 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Morning Chronicle, 1 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Castle of Sorrento

Song: As18000725

2258
08 October 1660 @ The Cockpit in Drury Lane

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

2259
05 December 1660 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the new Theatre and there I saw The Merry Wives of Windsor acted, the humours of the country gentleman and the French doctor very well done, but the rest but very poorly, and Sir J. Falstaffe as bad as any

Performances

Mainpiece Title: The Merry Wives Of Windsor

2260
13 December 1660 @ Theatre in Vere Street

Event Comment: The Diary and Will of Elias Ashmole, ed. Gunter, pp. 70-71: 13 Dec. 1660: The King going to a Play at the new Theatre this afternoon, had his coach (the leathers whereby the coach hung broke and so the coach fell from the wheels) overturned over against the new Exchange, but (blessed be God) had no hurt. Sir Francis Floyd passing by took him in his arms and carried him to his coach. The Earl of Latherdale and my Lord of Ossory being with the King in his coach

Performances

2261
03 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where was acted Beggar's Bush, it being very well done; and here the first time that ever I saw women come upon the stage

Performances

Mainpiece Title: The Beggars Bush

2262
04 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Mr Moore and I to the Theatre, where was The Scornful Lady, acted very well, it being the first play that ever he saw

Performances

Mainpiece Title: The Scornful Lady

2263
07 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

2264
08 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: I took my Lord Hinchinbroke and Mr Sidney to the Theatre, and shewed them The Widdow, and indifferent good play, but wronged by the women being to seek in their parts

Performances

Mainpiece Title: The Widow

2265
19 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw The Lost Lady, which do not please me much

Performances

Mainpiece Title: The Lost Lady

2266
28 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw again The Lost Lady, which do now please me better than before; and here I sitting behind hn a dark place, a lady spit backward upon me by a mistake, not seeing me, but after seeing her to be a very pretty lady, I was not troubled at it at all

Performances

Mainpiece Title: The Lost Lady

2267
31 January 1661 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Pepys, Diary: To the Theatre, and there sat in the pit among the company of fine ladys, &c.; and the house was exceeding full, to see Argalus and Parthenia, the first time that it hath been acted: and indeed it is good, though wronged by my over great expectations, as all things else are

Performances

Mainpiece Title: Argalus And Parthenia

2268
12 February 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: we went by water to Salisbury Court play-house, where not liking to sit, we went out again, and by coach to the Theatre, and there saw The Scornful Lady, now done by a woman, which makes the play appear much better than ever it did to me

Performances

Mainpiece Title: The Scornful Lady

2269
16 February 1661 @ Theatre in Vere Street

Event Comment: The King's Company. An edition appearing in 1661 lists no cast, no prologue, no epilogue. Pepys, Diary: To the Theatre, where I saw The Virgin Martyr, a good but too sober a play for the company

Performances

Mainpiece Title: Virgin Martyr

2270
23 February 1661 @ Salisbury Court

Event Comment: The Duke's Company. The British Museum copy of the 1653 copy of this play has, in an old hand: Deflores by Betterton. Pepys, Diary: Then by water to Whitefriars to the Play-house, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly. Besides, I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich

Performances

Mainpiece Title: The Changeling

2271
02 March 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: I went to the Theatre, where I found so few people (which is strange, and the reason I did not know) that I went out again

Performances

2272
11 March 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Loves Mistress

2273
14 March 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre and there saw King and no King, well acted

Performances

Mainpiece Title: A Kinge And No Kinge

2274
28 March 1661 @ Theatre in Vere Street

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

2275
27 April 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: After dinner with Mr Creed and Captain Ferrers to the Theatre to see The Chances

Performances

Mainpiece Title: The Chances