SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court of France"/1) | (@(roleclean,performerclean) "Court of France")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 620 matches on Event Comments, 149 matches on Performance Comments, 114 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bransby & Burton. Public Advertiser, 19 Apr.: Tickets to be had of Bransby, No. 10, New Pye-street, Westminster; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #196 1s. 6d. (61.11.0; 24.17.6; 0.0.0; tickets: 109.13.0) (charge: #64 9s.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Bon Ton

Dance: End I afterpiece: the Louvre Minuet, Allemande-the Miss Stageldoirs

Event Comment: Benefit for Wild, prompter, and Mahon. Gazetteer, 26 Apr.: Tickets to be had of Wild, No. 20, Martlet-court, Bow-street, Covent-garden; of Mahon, No. 6, Paradise-street, Marybone. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Afterpiece [1st time; CO 2, by-Richards]: The Music entirely new, composed by William? Bates. Receipts: #256 13s. 6d. (126.0.6; tickets: 130.13.0) (charge: #72 15s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Device; or, The Marriage-Office

Dance: End: The Humours of New@Market with the Pony Races, as17770428

Song: End I: A Welcome to the Spring (composed by Dr Arne)-Mrs Farrell

Event Comment: Benefit for Fawcett, Legg & Kear. Morning Chronicle, 3 May: Tickets to be of Fawcett, Craven Buildings, Drury-Lane; of Legg, Market-street, St James's Market; of Kear, No: 2, Stephen-street, Tottenham Court Road. Tickets delivered for Wednesday the 7th Inst. will be taken. Receipts: #229 1s. (36.12; 10.12; 0.0; tickets: 181.17) (charge: #64 15s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Register Office

Dance: End: Grand Dance, as17770425

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Cast
Role: Harcourt Actor: Ward

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

Event Comment: Benefit for Dumay, Harris & Holloway. Public Advertiser, 16 May: Tickets to be had of Dumay at Sandhill, behind the Foundling Hospital; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden; of Holloway, Great Maddox-street, Hanover-square. Receipts: #263 15s. (69.2; tickets: 194.13) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Frolicks

Dance: End III: Minuet de la Cour, Allemande-Mr and Mrs Holloway; End IV: The Shepherd's Wedding, as17770215; End: a Minuet-Dumay, Sga Tinte; Afterpiece: Rural Dance, as17770121

Event Comment: Benefit for Dickinson, 1st gallery office-keeper. Afterpiece [F 2, by Edward Thompson, 1st acted at Richmond, 1 Aug. 1776; not published; Prologue probably by the author]: Never performed there. Public Advertiser, 17 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, near Lincoln's Inn Fields. Receipts: #276 17s. (21.14; 7.10; 0.0; tickets: 247.13) (charge: #84)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: St Helena; or, The Isle of Love

Dance: End II: a Hornpipe, as17770430

Event Comment: [Extra night] Benefit for the Widow and Children of the late Hugh? Kelly. Tickets delivered for a Comedy, May 28th, will be admitted. Morning Chronicle, 10 May: Tickets to be had of Mrs Kelly, No. 3, Racquet Court, Fleet-street. Receipts: #108 -16s. (52.1; tickets: 56.15) (charge: #52 1s.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and Walker. Mainpiece [1st time; PAST 5]: Done into English, from the Original of Allan Ramsay, by Cornelius Vanderstop, Esq. As it has long been the Desire of the Nobility and Gentry to have this celebrated Piece performed in English, the Gentleman who has undertaken this ardent Task hopes it will give Satisfaction to the Public in general. [Text 1st published For the Author, 1777.] Afterpiece [1st time; F 2, by James Stewart. Authors of Prologues unknown.]. The Doors to be opened at 5:00. To begin at 6:00. No Persons whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Ladies are desired to send their Servants by Five to keep Places. Tickets to be had at the Edinburgh Coffee-house and Jamaica Coffee-house, Cornhill; the St. Andrew, Wapping; and of Walker, No. 4, New Round Court, Strand

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Students; or The Humours of St

Event Comment: A new Comic Opera; the Music by Paisiello [and "other eminent Composers" (libretto)]; under the Direction of Giordani. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office, Union Court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Coffee Room will be open with Tea, Coffee, Lemonade, Orgeat, Ice, Creams, &c. which will be furished by Weltje, of St. James's Street. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are respectfully intreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. [Public Advertiser, 13 Feb. 1778, prints a letter outlining a scheme-never realized-of having occasional plays at king's on non-opera nights acted by performers from both dl and cg, and by "the young Nobility of both Sexes."

Performances

Mainpiece Title: Le Due Contesse

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 6 years. Public Advertiser, 17 Mar.: Tickets to be had of Lewis at his house in Broad court, Bow-street, Covent Garden. Receipts: #194 16s. (143.9; tickets: 51.7) (charge: #66 13s.

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: True-Blue

Afterpiece Title: The Apprentice

Dance: 2nd piece: Aldridge. [This was danced, as here assigned, in all subsequent performances.

Song: III: Epithalamium-; the vocal parts-Robson, Miss Dayes

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Freeman [who, as Chamont, is identified in Public Advertiser, 7 Apr.]. Tickets to be had of Freeman, Vine-street, Piccadilly; of Massey, at Marshall's, Bedford-court, Covent Garden. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Irish Widow

Entertainment: Monologue. End I afterpiece: an Epilogue-Master Benson

Event Comment: Benefit for Farren and Miss Sherry. Mainpiece: With the grand Triumphal Entry. Tickets delivered by Thompson will be taken. Public Advertiser, 22 Apr.: Tickets to be had of Farren at Rumler's, Clare-court, Drury-lane; of Miss Sherry at Nichol's, Baker, Bridges-street, Covent Garden. Receipts: #265 7s. (84.5; 15.9; 0.1; tickets: 165.12) (charge: #75 12s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Bon Ton

Dance: End: The Sailors' Revels, as17780425

Event Comment: Benefit for Hurst and Burton. Afterpiece: Not acted these 2 years. Public Advertiser, 25 Apr.: Tickets to be had of Hurst at his house, No. 374, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #209 15s. (42.11.0: 11.16.6; 0.2.6; tickets: 155.5.0) (charge: #65 3s.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Lyar

Dance: As17780504

Event Comment: Benefit for Whitfield and Mrs Pitt. [2nd piece in place of The Ephesian Matron, announced on playbill of 12 May.] Public Advertiser, 2 May: Tickets to be had of Whitfield, No. 14, Crown-court, Bow-street, Covent Garden. Receipts: #144 15s. [51.14; tickets: 93.1) [charge: #74 7s.)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: True-Blue

Afterpiece Title: The Commissary

Dance: End 2nd piece: The Poney Races, as17780421

Song: As17780511

Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

Event Comment: Benefit for Dickinson, pit office-keeper. Public Advertiser, 16 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's Inn Fields. Receipts: #276 13s. (48.16; 9.0; 0.14; tickets: 218.3) (charge: #105)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Waterman

Dance: End: Hornpipe, as17780518

Song: In I: song-Miss Abrams

Event Comment: Benefit for the New General Lying-in-Hospital, in Store-street, Tottenham-Court-Road. Tickets delivered for Venice Preserv'd will be taken. Receipts: #149 1s. 6d. (66.4.6; tickets: 82.17.0) (charge: #115)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: True-Blue

Afterpiece Title: Comus

Event Comment: A new Comic Opera. The music entirely new by Sacchini. With entire new Scenes, Dresses and Decorations both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [see 5 June 1779]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The door in Market Lane for Chairs only. Public Advertiser, 31 Oct.: To prevent mistakes Ladies who have not honoured the Director with the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the Office of the Theatre, in order to [permit] their Tickets being engraved. The Renters' Shares proposed to be granted on this Theatre are now made out, and particulars prepared, at Messrs Wallis and Parker's, Norfolk-street, Strand, who are impowered by the Proprietors to dispose in single Shares of those which remain unsubscribed for. The annual Subscriptions are receiving by Johnson at the Office of the Theatre in Union-court, Haymarket

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Event Comment: Benefit for Wroughton. Public Advertiser, 13 Mar.: Tickets to be had of Wroughton at his house, No. 18, Broad-court, Bow-street, Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Midas

Dance: As17790218

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 2 years [not acted since 19 Apr. 1773]. Public Advertiser, 17 Mar.: Tickets to be had of Lewis at his house, Broad-court

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: True-Blue

Afterpiece Title: The Liverpool Prize

Dance: In 2nd piece: Aldridge

Event Comment: Benefit for Wild, prompter. Afterpiece: Not acted these 7 years. With a Mock Processionv, and Triumphal Entry of Chrononhotonthologos. Morning Chronicle, 1 May: Tickets to be had of Wild at Pennington's, watch-maker, opposite Broad Court, Drury-Lane

Performances

Mainpiece Title: Illumination

Afterpiece Title: Oroonoko

Afterpiece Title: Chrononhotonthologos

Ballet: End: The Humours of Newmarket; with the Poney Races. Jockeys-Dagueville, Harris, Master Dagueville, Master Holland; Ladies-Miss Ross, Sga Tinte

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 24 Apr.: Tickets to be had of Hurst, No. 368, opposite Norfolk-street, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #194 13s. (54.10.0; 16.5.6; 0.2.6; tickets: 123.15.0) (charge: #66 1s. 6d.)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Quaker

Event Comment: Benefit for Whitfield and Mrs Morton. Public Advertiser, 17 Apr.: Tickets to be had of Whitfield, No. 14, New Crown Court, Russel Street, Covent Garden; of Mrs Morton, No. 15, same address

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Comedy of Errors

Afterpiece Title: True-Blue

Afterpiece Title: The Invasion

Dance: 3rd piece: As17790405; End IV: Hornpipe-Master Davies (scholar to Hurst; 1st appearance in public)

Song: In III: song in character-Mrs Morton

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois