SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court Theatre Vienna"/1) | (@(roleclean,performerclean) "Court Theatre Vienna")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2944 matches on Event Comments, 399 matches on Performance Comments, 117 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [C$Cross suggests The Intriguing Chambermaid as afterpiece, but it is unsupported by the newspapers.] We hear that the Comedy call'd the Pilgrim is now in rehearsal, and will be acted soon, at the theatre Royal in Drury Lane; and that the Secular Masque written by Dryden and set to music by Dr Boyce will be performed with it. The Epilogue which was inserted in our Yesterday's paper, and copied from the Midwife's Magazine, we fine to be imperfect and not genuine, therefore think ourselves under a necessity of asking the Author's pardon. [Hope in a day or two to give it correctly (General Advertiser). Midwife No II, from which it was copied, adds the note: "This Epilogue was taken in shorthand the night I went to see Miss Jenny Cibber play the part of Alicia...Some few mistakes may therefore have happened which the candid reader will excuse and correct."] Receipts: #50 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Brazen-Woodward; Ballance-Bridges; Kite-Layfield (from the Theatre Royal in Dublin); Worthy-Havard; Bullock-W. Vaughan; Welch Collier-Blakes; Recruits-Shuter, Ray; Melinda-Mrs Mills; Rose-Mrs Green; Lucy-Mrs Bennet; Sylvia-Mrs Pritchard.

Afterpiece Title: A Duke and no Duke

Dance: CCountry Amusements, as17501102; Pigmalion, as17501102

Event Comment: Mainpiece: By Desire. Afterpiece: A new Musical Entertainment went off pretty well--some Noise &c. (Cross). Published at 3 o'clock that afternoon and sold at the theatre for 6d. (General Advertiser). No admission behind scenes or in Orchestra on account of the entertainment. [Music by C. Burney. Text by Moses Mendez]. Receipts: #120 (Cross)

Performances

Mainpiece Title: Alchemist

Afterpiece Title: Robin Hood

Event Comment: MMr Beard ill (Cross). Robin Hood Defer'd. Love's Last Shift deferr'd till Wednesday next. The Comedy of All's Well that Ends Well (written by Shakespear); and the Comedy of Every Man in his Humour (written by Ben Johnson) are now reviving at the Theatre Royal in Drury Lane (General Advertiser). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Intriguing Chambermaid

Dance: II, V: Country Amusements, as17501102; Pigmalion, as17501102; IV: Comic Dance, as17501117

Event Comment: Whereas several Ungenerous aspersions have been cast on me, with respect to an Advertisement published in the London Gazetteer of Tuesday last, directed to the Friends of the Manager of Covent Garden Theatre, I declare that I was in no way consenting, or privy to the said Advertisement. John Rich (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. This evening their Royal Highnesses the Prince and Princess of Wales and the young Princes will be at the Theatre Royal in Covent Garden to see the tragedy of the Fair Penitent (General Advertiser)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day at the office in Covent Garden theatre at Half a Guinea each; 1st Gallery 5s. Upper Gallery 3s. 6d. The Galleries will be open'd at half an hour after Four. Pit and Boxes at Five. To begin at 6:30 p.m

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: A little Noise at ye Singing & Dancing (Cross). Nn Saturday night was played for the first time a new Masque called Alfred, at the Theatre Royal in Drury Lane, before a very numerous and splendid audience. The Piece itself, as it justly deserved met with great and universal applause: However, the spectators rightly found fault with some improprieties in the performance of the inferior dancers and actors, which we hear will be all corrected in this night's representation (General Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: A new tragedy, call'd the Earl of Essex, which has sometime been in rehearsal at the Theatre Royal in Covent Garden, will be performed in a Few Days

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: Tomorrow will be publish'd at 1s 6d. Alfred, a Masque as it is now acting with great applause at the Theatre Royal in Drury Lane. Printed for A. Miller, opposite Catherine St., in the Strand. Receipts: #130 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Box 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre. No persons to be admitted behind the Scenes, nor any money to be returned after the curtain is drawn up [Customary notice on subsequent bills, which will not be repeated here.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Afterpiece: By Particular Desire. Ye Audience allarm'd in the Middle of ye farce by Cap Robinson & Cap Loyde fighting behind ye Boxes; people suspected at first it was fire, but being convinc'd to ye Contrary set down again. Cap Rob was wounded (Cross). Was a terrible alarm at Drury Lane theatre by a noise from behind the boxes, occasion'd by two gentlemen quarrelling and drawing their swords, which produc'd a rumor of fire through the house, and so great a confusion that many were hurt in attempting to force their way out. A woman was with difficulty saved from throwing herself over the gallery into the pit (Gentleman's Magazine, p. 425). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Song: III: Mattocks

Dance: IV: Will be introduced a Comic Dance-Harvey, Mrs Addison

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Page at the Stage Door of the Theatre. [A customary notice each night. It will not be repeated further here.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Anatomist

Event Comment: Never were the theatres more in Estimation than at present, nor was there ever a time at which so much pains appear to have been taken, in order to continue them upon a good footing. We owe our thanks to Mr Garrick for engaging in the expence of such a number of additional performers, but we owe him also our applause for the success with which they have played (Inspector No 203, in Daily Advertiser and London Gazette). Receipts: #110 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: IV: Mattocks

Event Comment: A New Musical Entertainment, call'd the Shepherd's Lottery is now in rehearsal, at the Theatre Royal in Drury Lane, and will be perform'd there in a few days. The music is composed by Dr Boyce. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Anatomist

Ballet: SSavoyard Travellers. As17511105

Event Comment: This Day is Publish'd at 2s. sew'd The British Theatre. Containing the lives of the English Dramatic Poets, with an Account of all their plays. Together with the Lives of all of most of the principal Actors, as well as Poets. To which is prefix'd a short view of the Rise and Progress of the English Stage. Printed for R. Baldwin

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Necromancer

Event Comment: The Tragedy of Phaedra and Hippolitus, written by Smith; and the Comedy call'd Every Man in his Humour written by Ben Johnson, are now reviving at the theatre Royal in Drury Lane. and will be acted there alternately next week. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Shepherd's Lottery

Dance: IV: A Comic Dance-Harvey, Sga Piettero

Event Comment: Some Hissing, tho' play'd Well-Garrick Kiteley &c. (Cross). Mainpiece: Written by Ben Johnson, never acted there. Characters Dress'd in the Old English@Manner. Receipts: #200 (Cross). We hear that His Majesty intended to go to the theatre Royal in Drury Lane this evening, to see the Comedy of Every Man in his Humour, wrote by Ben Johnson in 1598, acted the same year by the Lord Chamberlain's Servants, and dedicated to the great Mr Camden; and was reviv'd since the Revolution with Great Applause, having a new Epilogue spoken by Ben Johnson's Ghost , written by the late Earl of Dorset (Daily Advertiser)

Performances

Mainpiece Title: Every Man In His Humour

Dance: LL'Entree de Flore, as17511015; Peasant Dance, as17511015

Event Comment: By desire. Benefit for a Citizen under misfortunes. A Concert, &c. Tickets may be had of Mr Meredith, housekeeper at the Theatre. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Fair Penitent

Song: Powell

Event Comment: By Desire of the...Masons...Benefit of a Brother under Misfortunes. The new Scenes, which were painted for the Gentlemen who presented this Tragedy last Winter at the Theatre Royal in Drury Lane will be made use of. A Concert. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. The Doors to be shut at six, no person to be admitted after, on Account of the Play being Gratis

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Lethe

Event Comment: On Saturday next will be performed a new dramatic entertainment call'd Taste, written by Mr Foote. Mr Woodward takes this opportunity of informing those Gentlemen and ladies who have honour'd him with Memorandums for his Night of the Entertainment, that it is fix'd for Thursday next, the 19th instant. Places may be taken at the Stage Door of the Theatre, or at Mr Woodward's Lodgings in the Great Piazza, Covent Garden. Receipts: #110 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Event Comment: No alterations were made in the farce, but cutting out a little, & it was play'd with great Applause, & given out again with great Clapping. Benefit for Mr Worsdale (Cross). Tickets to be had at the Bedford Coffee House. Part of Pit laid into boxes. We hear that Miss Bellamy, belonging to Drury Lane Theatre, was taken ill on Sunday last, and continues very much indispos'd. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Taste

Dance: End IV: a Comic Dance-Sg Piettro, Sga Piettro