SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court Theatre Vienna"/1) | (@(roleclean,performerclean) "Court Theatre Vienna")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2944 matches on Event Comments, 399 matches on Performance Comments, 117 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: Benefit Mrs Clive. By Command of their Royal Highnesses the Prince and Princess of Wales. Servants will be admitted to keep places on the stage, which for the better accommodation of the Ladies, will then be form'd into an Amphitheatre. Ladies are desir'd to send their servants by 3 o'clock. Tickets and Places to be had of Mrs Clive, at her house in Great Queen St, Lincoln's Inn Fields; and of Hobson at the stage door of the theatre

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Dance: Boromeo, Desse, Mlle Bonneval

Event Comment: Benefit for Mrs Pritchard. Servants will be admitted to keep Places on the stage, which for the better accommodation of the Ladies will be form'd into side boxes. Tickets and places to be had at Mrs Pritchard's, at the Blue Door in Great Queen St., Lincoln's Inn Fields, or of Hobson at the stage door. Numbers of Counterfeit tickets on Benefit nights, having lately been sold in the passages leading to the Theatre, 'tis desired no Persons will buy any there, Care being taken to prevent all tickets so bought from being admitted

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lying Valet

Song: II: Beard; IV: The Early Horn-Lowe

Dance: III: Tyrolean Dance, as17421129

Event Comment: Announced only as A New Sacred Oratorio. [First London Performance.] See Universal Spectator, 19 March, for emphatic objection against performing oratorios in theatres

Performances

Mainpiece Title: Messiah

Music: Concerto on Organ-; Violin Solo-DuBourg

Event Comment: Benefit Miss Cole, who lately belong's to the Theatre-Royal in Drury-Lane. A Concert, etc. Prices 4s., 2s. 6d. Tickets at the Peacock, opposite Exeter Exchange in the Strand

Performances

Mainpiece Title: George Barnwell

Dance: The Swedish Gardeners (after the Manner of the Fausans)-Master Matthews, Miss Wright; The Medley a Joke-Master Matthews, Miss Wright

Event Comment: Benefit a Family in Distress. [Concert formula.] Great Theatrical Booth, Bowling Green. Boxes and Stage 3s. Pit 2s. Gallery 1s. By the Company of Comedians from the Theatre Royal in Drury Lane, & who perform gratis. To begin positively at Six and conclude about Nine. By Permission

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Music: Solo on German Flute-Mr Thumoth

Event Comment: The Universal Spectator today carried an even harsher attack on the theatres as a place to represent oratorios; see Deutsch, Handel, pp. 567-68

Performances

Mainpiece Title: Sirbace

Event Comment: Mainpiece: By Particular Desire. We hear Mrs Clive, by Desire, and in imitation of the late celebrated Mrs Verbruggen, who perform'd the Part of Bayes in the Rehearsal, is to appear in that character at the Theatre Royal Drury Lane for the benefit of her brother. (Daily Advertiser) Note. Tickets deliver'd out for the Benefit of a Gentleman under Misfortunes, for Friday the 22nd instant for the Play As You Like It will be taken on Thursday next the 21st to the Comedy call'd The Alchemist

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Event Comment: Benefit Stevens, Waters, Brook, Hussey. As we could not have our Benefit on Saturday Last, the Company are so kind to pay for us at us at the Theatre Royal in Lincoln's Inn Fields; we humbly hope that our friends will excuse the Disappointment (it not being in our power to avoid it) and favour us on Friday, 3 June, when tickets deliver'd out for the 28th of May for Drury-Lane will be taken this night at Lincolns Inn Fields..-London Daily Post and General Advertiser. This was not acted at dl. Fleetwood refused and they acted at lif, Friday 3 June. Yates, Taswell, Mrs Macklin, Mrs Pritchard, Mrs Hale of cg and Havard Played. N.B. there was an execution on dl at the time.-Winston MS. from Dyer MS

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: Beard, Lowe

Event Comment: We hear his Royal Highness the Prince of Wales has fitted up a Theatre near Cliefden, for a Company of French Comedians, who play there three times a week (Daily Advertiser)

Performances

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Afterpiece Title: The School Boy

Event Comment: Mainpiece, not acted in 10 years. [The British Champion, or Impartial Advertiser, No. 109, gives a four column comment upon the players versus the managers at Drury Lane. It appears to be written by a citizen appalled at the large salaries of the players as well as at the reputed high living of Fleetwood. Concludes by suggesting that theatre prices be much reduced.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Lying Valet

Song: II: Sullivan; IV: Bumper Squire Jones-Sullivan

Dance: III: Italian Masquerade-Muilment, Desse, Leviez, Mrs Walter, Mrs Thomson

Event Comment: No Money will be taken behind the scenes, nor any money to be return'd after the Curtain is drawn up. The following Letter, signed A By-Stander was inserted in the London Daily Post and General Advertiser: As I am absolutely unconcerned in all the now subsiding Theatrical Disputes, I hope the following observations upon what happened last Tuesday Night at Drury Lane will not be thought unworthy the Publick attention. The Manager of a theatre is to regard the General sense of the Town, and not any Faction form'd thru pique or resentment; Such a Faction may be Noisy, it may be Insolent, but never can be Considerable enough to force either the Manager or the Publick into their terms. Their outrages are equally insults upon the Understanding of the Town, as they are injuries to the Property of the Manager. Therefore if the Manager shall at any time give way to such proceedings, Then and not till Then, the Publick has a right ot find fault with him. The stage Then becomes a property to the insolence of a few misled people; and all theatrical diversions, which in this and other countries used to be directed by Decency and Publick Approbation are sacrificed to a pitiful Personal Resentment. If the above propositions are undeniable, the following Queries are submitted to the Publick, and the answer to them will determine the Reasonableness of the Tuesday Night Riot: I. Whether the Rioters were not Inconsiderable in their numbers and Circumstances? II: Whether any Gentleman can answer to himself, for doing in a Body, a thing which no Gentleman can justify for doing by himself? III. Whether the Rioters can justify their breaking into the Boxes, and taking possession of the seats, which were taken by many persons of Quality and Distinction, at the same time refusing to pay anything; thereby robbing the Manager of all the money of the Boxes, and most part of the Pit? IV. Whether the Manager ought to suffer in his property for the private quarrel between any two actors, as was the case...? V: Whether if such insolences are not discountenanced in the most effectual manner by the Town, any publick diversion can continue longer than a noisy inconsiderable Cabal pleases? VI. Whether any other motive than a regard to Public Decency would have hindered the Manager and Mr. Garrick's friends (who were treble the number) from treating the rioters as they deserved? I should be glad to see the above questions fairly and impartially answered

Performances

Mainpiece Title: The Rehearsal

Event Comment: At the Temple Punch House, Tony Aston, the oldest approv'd Actor in the three Kingdoms, being deni'd his bread in both Theatres, this Day exhibits his learned comic demonstrative Oratory on the Face, with English, Irish, Scotch, and Negroe Songs, in proper habits, Prologue and Epilogue, and all his own Pasquin Invention. 6 p.m. 1s. He is under Misfortunes, and desires the Company of the Ingenious and Humorous. [Repeated 29, 31 Dec.; and with some changes in wording on 2, 5, 9, 25 Jan., 6, 15 Feb. 1744.

Performances

Event Comment: In a short time will be perform'd at the Theatre in the Hay-Market, a Concert of Music; and the Tragedy of Othello, Moor of Venice. The character of Othello will be new dress'd agreeable to the Manner and Custom of his own Country. As both these entertainments will be perform'd by a set of Gentlemen for their own Diversion, no Money will be taken, nor any person admitted but by printed Tickets; which (by order of the Gentlemen) will be deliver'd gratis by Mr Machlin, at his House in Bow-Street, Covent Garden; where Ladies, by sending their Servants, may take Places for the Boxes.--Daily Advertiser

Performances

Mainpiece Title: None

Event Comment: Written by Sir John VanBrugh. Last night their Royal Highnesses the Prince and Princess of Wales, Prince George and Prince Edward were at the Theatre Royal in Covent Garden to see the Comedy of Aesop and the Rape of Proserpine.-London Daily Post and General Advertiser

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Iago-Macklin [see puff in Daily Advertiser, 23 Feb.]; Othello-a young Gentleman, first time any stage [Foote]; Montano-York [Hogan, Shakespeare in the Theatre, I, 367]; Lodovico-Hill [Genest, IV, 76].Genest, IV, 76].
Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Event Comment: Last Night was acted (for the third time) at the New Theatre in the Hay-Market, the Tragedy of Othello, Moor of Venice. The Gentleman who perform'd the character of Othello, receiv'd Universal Applause.--Daily Advertiser, 21 Feb

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

Event Comment: Benefit the Author [Havard]. Tickets to be had at his lodgings, the Corner of the Great Piazza, in James St, Covent Garden; at the Bedford Coffee House, and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: Regulus

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Sir William Belfond-Phillips (from the Theatre Royal Dublin); Squire-Chapman; Sir Edward Belfond-Bridgwater; Belfond Jun-Hale; Lolpoop-Hippisley; Truman-Cashell; Attorney-Ridout; Scrapeall-James; Capt Hack'em-Marten; Cheatly-Rosco; Shamwell-Gibson; Termagant-Anderson; Teresia-Mrs Hale; Isabella-Mrs Vincent; Lucia-Miss Hippisley; Mrs Hack'em-Stoppelaer; Ruth-Mrs Martin; Mrs Termagant-Mrs Pritchard.

Afterpiece Title: The Royal Chace

Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit Garrick. By particular desire 5 rows of the pit will be railed into boxes--Servants will be admitted to keep places on the stage, which for the better accomodation of the ladies will be formed into boxes--the ladies are desired to send their servants by three o'clock--to begin at 6 o'clock. Tickets to be had of Garrick at his lodgings, the last house in James St., joining the Great Piazza; at the Bedford Coffee House, Covent Garden; Mr Vaillant's, Bookseller at the Strand; Mr Harrache's, Toyman in Long Acre; and of Mr Hobson at the stage door of the theatre where places for the Boxes may be taken

Performances

Mainpiece Title: Hamlet

Dance: Muilment, Mrs Auguste

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17440207, but Fair Penitent-Mrs Horton; Sciolto-Stephens; Lothario-a Gentleman (formerly Patentee of the Theatre Royal in Drury Lane) [Highmore].Highmore].

Afterpiece Title: The Devil to Pay

Dance: SScotch Dance, as17431124

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold