SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court"/1) | (@(roleclean,performerclean) "Court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 582 matches on Event Comments, 131 matches on Roles/Actors, 64 matches on Performance Title, 41 matches on Performance Comments, and 0 matches on Author.
Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Upholsterer

Dance: TThe Female Archer, as17661215

Event Comment: Afterpiece: Never performed there. Neville MS Diary: Shuter made ye house laugh by saying to the conjurer. Should be glad to see you at Court; there will a change in ye Ministry soon" and by desiring Jo to take care of his Toes

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: A Duke and no Duke

Dance: III: A Serious Dance-; End: Hornpipe-Miss Froment

Event Comment: Paid the Porters at the several Inns of Court their Xmas Boxes #3 11s. 6d. (Account Book). Receipts: #207 9s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Orpheus and Eurydice

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Paid Porters at Several Inns of Courts their Christmas Boxes #3 11s. 6d. (Account Book). Receipts: #229 13s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: A Comedy by Mrs E. Griffith, acted for first time. New Scenes, Dresses, Decorations, etc. Neville MS Diary: While I stood at the Pit door of Drury Lane Playhouse, took occasion to say that now they (meaning the present venal House of Commons) had expelled Mr Wilkes they would proceed to do everything that is bad. For which one present (I suppose a friend of the Court) said they would proceed to send me to Newgate if it should come to their ears

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Contrivances

Event Comment: Benefit for New General Lying In Hospital in Store St., Tottenham Court Road. Charges #85 10s. Balance to Hospital #10 17s. 6d., plus income from tickets #116 15s. (Box 377, Pit 150). Paid Tenducci for his performance in Amintas the 21st Inst. #30 (Account Book). [Shuter's Occasional Epilogue is Larpent MS 303.] Receipts: #96 7s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Thomasand Sally

Dance: IV: The Lamplighters, as17691005

Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Event Comment: Benfit for New General Lying In Hospital, Store Street, Totenham Court Road. Last time of performing till the Holidays

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Country Madcap

Dance: End: New Pantomime Dance, as17701205

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Institution of the Garter; or, Arthur's Round Table Restored

Performance Comment: King Edward-Aickin; Genius of England-Reddish; Sir Dingle (court fool)-King; Nat Needle-Parsons; Roger-Weston; Spirits-Miss Hayward, Mrs Morland, Miss Rogers, Mrs Simson; Edward the Black Prince-Miss Hopkins; Chief Druid-Inchbald; Squallini-Mrs Wrighten; Queen Philippa-Mrs Johnston (Genest's News Clippings).
Event Comment: Gave the Porters of the Several Inns of Court their Christmas Box #3 11s. 6d. (Account Book). Receipts: #187 6d. (Account Book),

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

Event Comment: Benefit for Mr and Mrs DuBellamy. Tickets to be had of DuBellamy in Wild-Court, Great Wild-Street, at the Rainbow Coffee House, Cornhill and of Mr Sarjant at the stage door. Charges #64 10s. Deficit to the DuBellamy's #20 12s., cover'd by income from tickets #189 14s. (Box 449; Pit 475; Gallery 62) (Account Book). Receipts: #43 18s. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Song: II: By Particular Desire The Rapture-DuBellamy

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Benefit for Lying In Hospital, Store Street, in Tottenham Court Road. Paid salary list #513 17s. 6d.; Rec'd stopages #15 17s. (Treasurer's Book). [Figures written on playbill indicate Charges #84.] Receipts: #196 12s. Charges: #77 2s. Profits to Hospital: #119 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A Trip to Scotland

Event Comment: Gave the Porters at the several Inns of Court their Christmas Box, #3 11s. 6d. Paid Colman for the clear receipts of his night for alterations &c. the 11th inst. #254 15s. 6d. (Account Book). Receipts: #213 8s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Monologue: Before: New Occasional Prelude. As 27 Oct. 1772

Event Comment: Mainpiece: By Desire. The eighth night of the New Pantomime of the Sylphs will be on Thursday. Gave Porters of the several Inns of Court their Christmas Box #3 12s. 6d. Paid John Corker and Joseph Stephenson each 10s. as per certificate from Sir John Fielding (Account Book). Receipts: #183 15s. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Sylphs

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Cast
Role: Spavin Actor: Courtney
Event Comment: This Comedy is written by Mr Cumberland but I think inferior to his other Productions was tolerably well receiv'd but a most excellent Epilogue was Written by Mr G. & Spoken by Mrs Abington which gave a great Lift to the Play Uncommon Applause to the Epilogue (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid Mr Lauchery per order #1 1s. (Treasurer's Book). [From the Westminster Magazine, Dec. 1774: We cannot think Mr Cumberland has courted the Comic Muse in this play so successfully as in the West Indian, and the rest of his comedies. His language is unexceptionably good; he is often as witty as Congreve, as easy as Vanbrugh, and as satirical as Wycherly. But language alone will not do. The plot is ill conducted.] Receipts: #243 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Hob in the Well

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Event Comment: Benefit for Bransby & Burton. Public Advertiser, 19 Apr.: Tickets to be had of Bransby, No. 10, New Pye-street, Westminster; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #196 1s. 6d. (61.11.0; 24.17.6; 0.0.0; tickets: 109.13.0) (charge: #64 9s.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Bon Ton

Dance: End I afterpiece: the Louvre Minuet, Allemande-the Miss Stageldoirs