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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1151
14 January 1707 @ Queen's Theatre

Event Comment: For the Encouragement of the Comedians Acting in the Hay-Market, and to enable them to keep the Diversion of Plays under a separate Interest from the Opera. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscription Tickets. First Gallery 2s. Upper Gallery 1s. [Cibber (II, 4-5) states that each subscriber received three tickets for the first day of each of three plays offered by subscription for a payment of three guineas.

Performances

Mainpiece Title: Julius Caesar

1152
07 February 1708 @ Queen's Theatre

Event Comment: The Boxes to be open'd to the Pit, and no Person to be admitted but by Tickets...at half a Guinea each Tickets. The Number of Tickets not to exceed 400. Stage Boxes half a Guinea. First Gallery 5s. Upper Gallery 2s. And by Order, no Person to stand upon the Stage. Receipts: #53 15s. 3d

Performances

Mainpiece Title: Camilla

Dance: Cherrier, Debargues, Mrs Debargues, Mrs Santlow, Mrs Evans, others

1153
12 February 1708 @ Drury Lane Theatre

Event Comment: Afterpiece [by Richard Estcourt]: Mr Bayes's Practice of an Interlude, call'd, Prunella, done from the Italian. Benefit Estcourt. And at the Request of many of the Nobility (who have taken Tickets) 2 Benches of the Pit will be Rail'd in, for more Conveniency. And to prevent any Disappointment, by coming late, 'tis desire'd that their Servants may be sent by 2 a Clock with the Tickets to keep Places

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Prunella

1154
25 January 1709 @ Queen's Theatre

Event Comment: The Boxes to be open'd to the Pit. And no Person to be admitted but by Printed Tickets at half a Guinea each Tickets, the Number not to exceed 460. Stage Boxes half a Guinea. First Gallery 5s. Upper Gallery 2s

Performances

Mainpiece Title: Camilla

1155
16 February 1709 @ Queen's Theatre

Event Comment: Benefit Valentini. The Boxes to be open'd to the Pit. And no Person to be admitted but by printed Tickets [at half a Guinea]. Stage Boxes half a Guinea. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Note, the Tickets deliver'd for Pyrrhus and Demetrius to be taken this Day

Performances

Mainpiece Title: Camilla

1156
07 April 1709 @ Drury Lane Theatre

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. The Boxes to be open'd to the Pit, and No Person to be admitted but by printed Tickets at half a Guinea each. Note, That the Tickets deliver'd out for the Moor of Venice, and Great Mogul, will be taken at this Play. [Receipts: possibly #154 6s. 7 1!2d., according to Baggs.] For a comment on this occasion, see Tatler, 12 April. Whincop (pp. 175-76) states: But Mr Betterton being new past Seventy Years of Age, and lame with the Gout, seemed but to burlesque the Part of youthful Valentine

Performances

Mainpiece Title: Love For Love

1157
24 May 1711 @ York Buildings

Event Comment: At Clayton's House in York Buildings. At 8 p.m. Tickets 5s. No Money receiv'd or Tickets given out at the House; [available at Charles Lillier's, Corner of Beauford Buildings, and at Eliot's St. James's Coffeehouse]

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (Written by Mr Harison), The Feast of Alexander (Written by Mr Dryden)-Mr ThomasClayton (Author of Arsinoe)

1158
16 July 1711 @ York Buildings

Event Comment: At the Request of several Persons of Quality, (who, for the better Attention to the Performance, and of the Warmth of the Season, have desired that only 100 Tickets should be given out). At 8 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (by Harrison), If Wine and Music have the Power (by Prior), The Feast of Alexander (by Dryden)-ThomasClayton

1159
26 February 1713 @ Queen's Theatre

Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Performances

Mainpiece Title: Ernelinda

1160
26 February 1715 @ King's Theatre

Event Comment: [Composer unknown. Text by Zeno.] By Subscription. By His Royal Highness's Command. Admission to Pit and Boxes by Ticket only. Stage Boxes 15s. Gallery 2s. 6d. The Book of the Opera given out with tickets. At 6:30 p.m. Colman's Opera Register: ye Musick managed by Nic Haym

Performances

Mainpiece Title: Lucius Verus

1161
02 April 1715 @ King's Theatre

Event Comment: Benefit Signora Pilotti. By His Majesty's Command. Pit and Boxes together by tickets only at half a guinea. Stage Boxes 15s. Gallery 4s. Tickets for Ernelinda taken. At 6 p.m

Performances

Mainpiece Title: Lucius Verus

1162
25 March 1717 @ Drury Lane Theatre

Event Comment: Benefit Mrs Santlow. Pit and Boxes together by Seal'd Tickets at 5s. By His Majesty's Command. Tickets for Mrs Santlow's benefit for The Rehearsal and Sir Courtly Nice taken at this play

Performances

Mainpiece Title: Love For Love

1163
02 February 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

1164
12 March 1720 @ King's Theatre

Event Comment: Admission as 10 March. N.B. The Noble and Honorable Subscribers to the French Comedians, are humbly intreated to pardon the Omission of sending them Tickets on Thursday last, it having proceeded merely from a Mistake, which shall be prevented for the future, and each one shall have a perpetual Ticket sent to him on Tuesday next

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

1165
13 March 1721 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Royal Highness's Command. Admission to Pit and Boxes by Tickets only. Tickets for The Orphan taken or the Money returned

Performances

Mainpiece Title: Loves Last Shift

Dance: Shaw, Denoyer, Thurmond Jr, Lally, Mrs Booth, Mrs Bicknell, Mrs Younger, Mrs Tenoe

1166
23 March 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Cross. N.B. By occasion or Mr Leigh's Indisposition we are obliged to change the Play; Tickets therefore deliverd out for Don Sebastian will be taken this Night. Receipts: money #46 8s.; tickets #63 1s

Performances

Mainpiece Title: Abra Mule

Afterpiece Title: Amadis

1167
01 November 1721 @ King's Theatre

Event Comment: Pit and Boxes together by Tickets (400 Tickets only) at half a guinea. Gallery 5s

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

1168
07 November 1722 @ King's Theatre

Event Comment: Pit and Boxes together at half a guinea each ticket [not to exceed 350 tickets). Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Mutius Scaevola

1169
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

1170
02 March 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. London Journal, 2 March: The new Opera Tickets are very high, and like to continue so as long as Mrs Cotzoni is so much admired. They are traded in at the other End of the Town, as much as Lottery Tickets are in Exchange-Alley

Performances

Mainpiece Title: Coriolanus

1171
21 March 1723 @ Lincoln's Inn Fields

Event Comment: Benefit Quin. Mainpiece: Written by Shakespear. By Reason of Mrs Seymour's Indisposition, the Tickets deliver'd out for Troilus and Cresida will be taken at this Play. Receipts: money #66 17s. 6d.; tickets #75

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Amadis

1172
23 March 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. The Royal Academy of Musick, to prevent the Crowd and Disorders at the Practices of the New Opera, have resolved that no Persons shall be admitted to such Practices, but by Tickets to be deliver'd at their Office the same Evening, at one Guinea each Ticket

Performances

Mainpiece Title: Coriolanus

1173
23 March 1723 @ Lincoln's Inn Fields

Event Comment: By Subscription. Afterpiece: A new Dramatic Entertainment of Dancing in Burlesque Characters. With new Scenes, Machines, Cloaths, and other Decorations. N.B. No Persons to be admitted into the Boxes but by Subscribers' Tickets, which will be deliver'd at the Theatre at 7s. each. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Receipts: subscription and money #111 18s.; tickets #33 19s. [For an essay on the afterpiece, see Weekly Journal or Saturday's Post. 6 April.

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Jupiter and Europa or The Intrigues of Harlequin

1174
09 April 1724 @ Lincoln's Inn Fields

Event Comment: Benefit Leveridge. Mainpiece: Written by Shakespear. Pit and Boxes together at 5s. Tickets may be had at Leveridge's House in Tavistock Street. Receipts: money #19 19s. 6d.; tickets #120 19s

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Beau Demolished

Dance: Nivelons

Song: Mrs Barbier

1175
02 April 1725 @ Lincoln's Inn Fields

Event Comment: Benefit Leveridge. At the particular Desire of several Persons of Quality. Tickets for The Provok'd Wife taken. Receipts: money #52 4s.; tickets #86 18s

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Venus and Adonis

Song: Mrs Chambers; The Play of Love-Leveridge