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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6512 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

226
25 March 1762 @ Covent Garden

Event Comment: Benefit for Mrs Ward. Mainpiece: By Particular Desire. No Building on Stage. Tickets deliver'd out for Macbeth will be taken. Tickets to be had of Mrs Ward, at Mr Trouton's in Surry-Street in the strand; and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Contrivances

Dance: TThe Pleasures of Spring, as17620212

227
03 April 1762 @ Covent Garden

Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Shallow Actor: Costollo

Afterpiece Title: The Merry Counterfeit

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

228
11 May 1762 @ Drury Lane Theatre

Event Comment: Benefit for Lee. With the Original Act Tunes as adapted to the play by David Rizzio. No Building on Stage. Tickets deliver'd by Mathews and Miss Capitani will be taken. Tickets sold at the doors will not be admitted

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Minor

Dance: TTwo Comic Dances-Mas. Roger, Miss Capitani; End I Farce: Hornpipe-Miss Capitani

Song: I: The Lark's Shrill Note-Mrs Vincent

Entertainment: fter the play, By Particular Desire, the Scene of Lady Pentweazle from Foote's Taste. Lady Pentweazle-King, first time

229
25 May 1762 @ Drury Lane Theatre

Event Comment: Benefit for Robinson and Foley. No Building on Stage. Tickets deliver'd by Hodges will be taken. Tickets sold at Doors will not be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman in Paris

Dance: I: The Cow Keepers, as17611215

230
09 May 1763 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. No Building on Stage, &c. Tickets sold at doors will not be taken. Tickets deliver'd for This Night will be admitted. Benefit for Clough, Raftor, &c

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Musical Lady

Dance: II: Double Hornpipe, as17630504; IV: The Irish Lilt, as17621023

Song: End: A Mimic Comic Opera Song-Mrs Clive

231
17 May 1763 @ Drury Lane Theatre

Event Comment: Benefit for Foley, Roberts, Palmer (doorkeepers). Tickets deliver'd by Kaygill will be taken. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: The London Merchant; Or The History Of George Barnwell

Afterpiece Title: The Englishman in Paris

Song: End: Vernon

232
14 May 1764 @ Drury Lane Theatre

Event Comment: Benefit for Clough, Walker, Raftor. Tickets deliver'd for This Night will be taken. Tickets sold at doors not to be admitted

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Dance: II: By Desire, a Double Hornpipe-Walker, Miss Egan; IV: Dutch Dance, as17640511

233
17 May 1764 @ Drury Lane Theatre

Event Comment: Benefit for Watkins, Mortimer, Tomlinson, and West. Tickets deliver'd for This Night will be taken. Tickets sold at doors will not be admitted

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Fairy Tale

Cast
Role: Snout Actor: Ackman

Dance: II: By Desire, a Hornpipe-Miss Watkins; IV: The Provancalle, as17631014

Entertainment: End: A New Panegyri@Satiri@Serio@Comic Epilogue upon Epilogues-Tomlinson

234
18 December 1765 @ Drury Lane Theatre

Event Comment: Benefit for The General Lying-In Hospital. Tickets to be had at the Smyrna Coffee House, Pall Mall, and at the Stage Door. N.B. Tickets deliver'd for The Distress'd Mother will be admitted

Performances

Mainpiece Title: The Foundling

Afterpiece Title: A Fairy Tale

235
02 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Barry. House Charges #74 10s. [Profit to Mrs Barry #1 18s. 6d. Doubtless she had additional profit from tickets not listed in the Treasurer's Book.] The Indisposition of Mrs Yates obliges Mrs Barry to change her play. Tickets deliver'd for Jane Shore will be admitted. [Mainpiece advertised as for last time this season.] Paid salary list #435 19s. Chorus singers #2 10s. 6d.; Rec'd stopages #3 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Daphne and Amintor

Entertainment: End: The Cries of London, the Tombs of Westminster-Vernon

Dance: TThe Irish Lilt, as17670430

236
06 May 1767 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece: by Particular Desire. Tickets deliver'd for Anna Bullen will be taken. Charges #66 7s. [Profit to Hull #27 5s. 6d. plus #56 6s. from tickets (Box 106; Pit 132; Gallery 100).] (Account Book). Receipts: #93 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Double Falsehood

Afterpiece Title: Midas

Dance: I: By Desire, a Hornpipe-Master Harris; III: The Female Archer, as17661215

Ballet: IV: The Wapping Landlady. As17670427

237
09 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for Mr and Mrs Baddeley. House charges #67 9s. 6d. [Profits to Baddeley family 16s. plus tickets.] Tickets deliver'd for this night will be taken. Paid Palmer of Bath for Spermecetti candles #128 4s. Paid Mr Deeble (chorus singer) omitted 3 nights 15s.; Chorus singers 1 night #2 10s. 6d.; Salary list #435 19s. (Treasurer's Book). Receipts: #68 5s. 6d. (Treasurer's Book). I find ye corner of ye orchestra is ye best place to stand in...Holland played Iago very well, and Mrs Baddeley Desdemona pretty well, being her 1st appearance in that character...End of ye play Baddeley spoke a composition of his own, called "Search after Scrubs," to hear which Garrick came into ye orchestra. He looks healthy and strong, and should oftener entertain ye Public to which he owes so much. Entertainment Daphne and Amintor. Daphne (for ye first time) Mrs Baddeley, who does not shine in the singing part, as Mrs Arne does (Neville MS Diary)

Performances

Mainpiece Title: Othello

Afterpiece Title: Daphne and Amintor

Dance: IV: The Irish Lilt, as17670430

Entertainment: End: the Particulars of a Humorous Descriptive Search After Scrubs-Mr Baddeley

238
11 May 1767 @ Covent Garden

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Performances

Mainpiece Title: All For Love

Afterpiece Title: Midas

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

239
15 March 1768 @ Covent Garden

Event Comment: Benefit for Woodward. With two New Scenes in the Afterpiece painted by Richards and Dahl. Mr Woodward, at the particular request of several persons of Quality has changed from the Fair Quaker to The Busy Body. Tickets deliver'd for Fair Quaker will be admitted. House charges with candles and extras #65 15s. Balance to Woodward #102 7s. plus #58 5s. for 233 Box tickets (Account Book). [Public Advertiser, 12 Dec. 1767: "Speedily will be published the Battle of the Wigs, an additional canto to Dr Garth's poem The Dispensary. Occasioned by the Disputes between the Fellows and licentiates of the College of Physicians in London. By B. T. and M. B."] Receipts: #168 2s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

240
15 April 1768 @ Covent Garden

Event Comment: Benefit for Gibson. Tickets deliver'd for Othello will be taken. House charges #65 15s. Balance to Gibson #14 3s. 6d. plus #31 5s. in Tickets (Box 53; Pit 120) (Account Book). Receipts: #79 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A Hornpipe-Miss Ford

241
18 April 1768 @ Covent Garden

Event Comment: Benefit for Clarke. Mainpiece: By Particular Desire. Tickets deliver'd for a Tragedy and Jane Shore will be taken. Charges #66 6s. Balance to Clarke #35 plus #142 13s. in Tickets (Box 274; Pit 401; Gallery 140) (Account Book). Receipts: #101 6s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Englishman in Paris

Dance: III: The Merry Sailors, as17671009

242
03 June 1768 @ Covent Garden

Event Comment: Benefit for Quick, Furkins, Wilkinson, Abbott, Symonds, and others. Tickets deliver'd by Pullin, Claridge, Mrs Griffiths, Bagg, Bassan, Stephenson and Constable will be admitted. [Green and Ansell paid up their deficiencies for 2 June.] @Tickets Box Pit Gallery Value 1!2 Value@Quick 1 20 31 #8 18s. #3 9s.@Furkins 12 52 34 #13 6s. #6 13s.@Wilkinson 27 10 16 #10 3s. #5 1s. 6d.@Abbott 5 56 65 #16 12s. #8 6s.@Simmonds 5 36 24 #8 9s. #4 4s. 6d.@Pullen 2 71 46 #14 10s. #7 5s.@Claridge 8 24 1 #4 11s. #2 5s. 6d.@Griffiths 20 27 #6 1s. #3 6d.@Bagg 36 24 #7 4s. #3 12s.@Bassan 5 50 16 #8 13s. #4 6s. 6d.@Stephenson 23 78 45 #20 6d. #10 3s.@Asbury Gallery 22 8 #3 8s. #1 14s.@Total House value #120 1s. plus the receipts.@ Paid Master Harris for his performance this season #4 4s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Orpheus and Eurydice

Dance: II: Hornpipe-Miss Stede, 2nd time (scholar of Fishar)

243
16 February 1769 @ Covent Garden

Event Comment: Benefit for Powell. Part of Pit laid into Boxes. Ladies desired to send servants by 4 o'clock. Tickets deliver'd for Monday the 16th will be taken. [This was a "Clear Benefit" for which Powell receiv'd #178 8s. plus #105 from sale of 420 Box tickets, and was charged nothing for the House, Wardrobe, Drums or Candles.] Receipts: #178 8s. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Midas

244
28 March 1769 @ Covent Garden

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: End: The Irish Lilt, as17680930

245
18 April 1769 @ Covent Garden

Event Comment: Benefit for Mrs Baker. The Indisposition of a principal Performer making it impossible to do the play of Hamlet as advertised for Mrs Baker's Benefit, she is oblig d to change to the above Comedy, on account of which disappointment, the Managers have kindly granted her this pantomime, and she humbly hopes her illness will plead her excuse for not appearing on her own night. Tickets deliver'd for Hamlet will be taken. Charges #66 13s. Balance to Mrs Baker #33 8s. 6d. plus #29 14s. from Tickets (Box 35; Pit 101; Gallery 58). Receipts: #100 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Dr Faustus

246
09 May 1769 @ Covent Garden

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Tickets deliver'd for The Maid of the Mill will be taken. The vocal performers continuing too ill to appear in the Maid of the Mill, the Managers have kindly indulged Mr Legg, Mrs Lampe and Mrs Jones with the above tragedy. Charges #70. Deficit to Legg #7 8s. 6d.; to Mrs Lampe and Mrs Jones #7 6d., covered by income from tickets: Legg #58 (Box 73; Pit 161; Gallery 156); Mrs Lampe and Mrs Jones #47 15s. (Box 72; Pit 117; GAllery 122) (Account Book). Receipts: #55 3s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Englishman in Paris

Dance: End: The Merry Sailors, as17680920

247
17 May 1769 @ Covent Garden

Event Comment: Benefit for Bates, Dumay, Curtat, Redman, Mrs Naylor. Tickets deliver'd for The Albion Queens will be taken. Charges #64 5s. Deficit #31 11s., covered by income from tickets: Bates #21 14s. (Box 8; Pit 66; Gallery 98); Dumay #49 13s. (Box 90; Pit 125; Gallery 84); Curtat #42 13s. (Box 61; Pit 90; Gallery 139); Redman #57 17s. (Box 35; Pit 180; Gallery 221); Mrs Naylor #33 9s. (Box 36; Pit 103; Gallery 90) (Account Book). Receipts: #32 14s. (Account Book). Stoppelaer and Sarjant paid up their deficiencies for 11th and 15th Inst

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Dance: II: A Minuet-Dumay, Miss Madden; End: A Pantomime Dance-Fishar, Miss Capon

248
30 April 1770 @ Covent Garden

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme and Mr Branson will be taken. Charges #70 3s. 6d. Balance to Younger #36 10s., plus #116 3s. from tickets (Box 151; Pit 340; Gallery 274) (Account Book). Receipts: #106 13s. 6d

Performances

Mainpiece Title: Cato

Afterpiece Title: The Rape of Proserpine

249
10 May 1770 @ Covent Garden

Event Comment: Benefit for Perry and Gardner. Tickets deliver'd for Venice Preserv'd for this night will be taken. Mainpiece: By Particular Desire. Charges #64 5s. Deficit to Perry and Gardner #7 10s. 6d. apiece, covered by income from tickets: Perry #58 1s. (Box 21; Pit 184; Gallery 252); Gardner #58 14s. (Box 102; Pit 130; Gallery 137) (Account Book). Receipts: #49 4s

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Entertainment: End: Hippisley's Drunken Man with additions and Alterations-Shuter

Dance: TThe Tambourine, as17700501

250
19 May 1770 @ Covent Garden

Event Comment: Benefit for Thompson, Wilkinson &c. Tickets deliver'd for the Inconstant, by Whatley, and others will be taken. @ Thompson .. 7 45 #5 11s. #2 15s. 6d.@ Wilkinson 37 18 22 #14 3s. #7 1s. 6d.@ Whatley .. 6 25 #3 8s. #1 14s.@ Mrs Griffith .. 23 25 #5 19s. #2 19s. 6d.@ Flight .. 9 45 #5 17s. #2 18s. 6d.@ Ellis .. 2 38 #4 2s. #2 1s.@ Reed .. 4 16 33 #6 15s. #3 7s.@ Roberts .. 3 104 49 #21 15s. #10 12s. 6d.@ Dixon .. 5 51 22 #11 2s. #5 11s.@ Robson .. 5 117 78 #26 12s. #13 6s.@ Norbury 8 43 54 #13 17s. #6 18s. 6d.@ Bassan 14 36 41 #13 #6 18s. 6d.@ Bushell .. 6 16 #2 10s. #1 5s.@ Fransdorf 4 39 33 #10 3s. #5 1s. 6d.@ Stephenson 20 106 106 #31 10s. #15 15s.@ Miller 5 44 59 #13 15s. #6 17s. 6d.@ Walker .. 14 47 #6 16s. #3 8s.@ Shuter .. 14 4 #2 10s. #1 5s.@ Total 105 655 742 #198 14s. #99 7s.@ [No charges. The House took half value of tickets.] Receipts: #32 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Thomasand Sally

Dance: III: The Dutch Dance, as17691111