SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Merchant Taylors"/1) | (@(roleclean,performerclean) "Company of Merchant Taylors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2056 matches on Event Comments, 852 matches on Performance Title, 568 matches on Performance Comments, 10 matches on Author, and 2 matches on Roles/Actors.
Event Comment: Paid Buxton & Enderby (oyl merchants) #128. Paid Mr Darley for 2 Books of Col[oure]d Prints #4 6s. 6d. (Account Book). Receipts: #203 6d

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Harlequin Sorcerer

Event Comment: Afterpiece: By Particular Desire. The Masque of Comus oblig'd to be deferr'd. Paid Leverton & Co. (bricklayers) #182 19s. Paid Holme & Co. (timber merchants) #72 1s. Paid Evans (sawyer) #7 12s. (Account Book). Receipts: #168 16s. 6d

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Citizen

Event Comment: Paid Younger a Bill for Writing Parts #5 16s. 9d.; Paid Buxton and Enderby (oyl merchants) #101 3s., and Pattinson (tallow chandler) #28 7s. (Account Book). Receipts: #172 2s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Event Comment: Paid Buxton & Enderby (oyl merchants) #180 11s. (Account Book). Receipts: #218 7s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Golden Pippin

Dance: End: The Dutch Milkmaid, as17720925

Event Comment: Benefit for Mrs Bulkley. Mainpiece: Not acted these 5 years. [See 19 April 1769.] Afterpiece: A Farce Never acted there [Wm Whitehead]. Tomorrow (for the only Time this Season) The Merchant of Venice with Love-a-la-Mode. Shylock and Sir Archy by Mr Macklin being the only time of his performing this season. For the Benefit of Miss Macklin (playbill). Charges #66. Profit to Mrs Bulkley #43 6s. 6d. plus #103 16s. from tickets (Box 194; Pit 298; Gallery 106). Paid one half year's paving &c. for the Theatre due Lady Day #26 5s. (Account Book). Receipts: #109 6s. 6d

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece: By Particular Desire. Paid Raban (coal merchant) #63 17s. Receipts: #153 1s. 6d. (Account Book)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Comus

Event Comment: Mainpiece: By Desire. Paid Mr Lawrence (paper hanger) #19 6s.; Messrs Barrow andCo. (oil merchants) 3 bills, #128 10s.; Mr Jones (worsted laseman) #18 17s. 6d.; Chorus 2 nights (this incl.) #3 16s. Receipts: #241 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Deserter

Event Comment: Paid tallow chandler's 4th Bill #44 14s.; half year's lighting &c. to Mich. last St Martin's #12 3s.; Mr Thomson (smith) #58 8s. 6d.; Mr Cole (turner) #10 6s.; Mr Scott (copper laceman) #46 4s. 6d.; Mr Palmer for Spermacetti Candles #275 4s.; Messrs Barrow & Co. for oil #50 15s.; Mr Chettell (timber merchant) #67 16s. 6d.; One year's Insurance of Wardrobe &c. to Xmas 1774 #15; 2 extra Guitars, 3 nights (6th Inst. incl.) #2 5s. Receipts: #220 11s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar

Event Comment: Paid Buxton & Enderby (oyl merchants) #126 16s. Receipts: #167 8s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Event Comment: The Fifteenth Night. For the Author. Charges #64 5s. Profit to Hull #51 9s., plus #68 15s. from tickets (Box 151; Pit 134; Gallery 109). Paid Holme & Cooper (timber merchants) #69 8s.; Paid Evans (sawyer) #3 1s. Receipts: #115 14s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Englishman in Paris

Dance: End: The Frolick, as17740416

Event Comment: Benefit for Mrs Baker. The Citizen oblig'd to be deferr'd, on account of the Indisposition of Woodward. Charges #66 6s. 6d. Profit to Mrs Baker #21 12s., plus #112 11s. from tickets (Box 172; Pit 359; Gallery 157). Paid Buxton & Enderby (oyl merchants) #238 1s.; Bellamy & Settree (mercers) #36 10s. Receipts: #87 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Monologue: Interlude.True Blue. As 12 April

Event Comment: Benefit for Sarjant (Box-book and House-keeper). Charges #83 16s. Deficit to Sarjant #24 19s., cover'd by income from tickets, #168 14s. (Box 467; Pit 293; Gallery 80). Paid Cooper (printer) #40 15s. and Huddy (rope merchant) #2 11s. Receipts: #58 17s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Mother Shipton

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv, Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: Paid Mrs Chitty (coal merchant) #90. Receipts: #242 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: Paid Waller & Co., Hosiers, #14 18s.; Gardner, Shoemaker, #22 18s. 6d.; Smith & Co., Coal Merchants, #82 8s.; Blakes, Hatter, #7 16s. Receipts: #263 6s. 6d. (251.11.0; 11.5.6; 0.10.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

Event Comment: Benefit for Reinhold. Morning Post, 6 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-Place. Tickets delivered for The Merchant of Venice will be taken. Receipts: #184 18s. (85.16; tickets: 99.2) (charge #69 15s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: True-Blue

Afterpiece Title: Poor Vulcan

Dance: End II: The Poney Races-Dagueville, Sga Tinte

Event Comment: Macklin being taken ill, The Merchant of Venice and Love a-la-Mode [both announced on playbill of 23 Feb.] are obliged to be postponed

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Liverpool Prize

Dance: End: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Event Comment: The Merchant Of Venice and Love a-la-Mode [both announced on playbill of 26 Nov.] are obliged to be deferred on account of Macklin's Indisposition. Receipts: #57 8s. (55.7; 2.1)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: William And Nanny

Dance: As17791123

Event Comment: Benefit for Mattocks. [Mrs Sage is identified in Morning Chronicle, 27 Apr.] On account of Miss Catley's Indisposition Comus [announced on playbill of 26 Apr.] is obliged to be deferred. Paid Atkins, coal merchant, #33 12s. 6d. Public Advertiser, 7 Apr.: Tickets to be had of Mattocks, Great Russel Street, Covent Garden. Receipts: #193 5s. 6d. (153.13.6; tickets: 39.12.0) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Macbeth

Afterpiece Title: The Siege Of Gibraltar

Song: As17791018Vocal Parts-Reinhold, Doyle, J. Wilson, Baker, Miss Valois, Mrs Morton, Mrs Willems