SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Colman Jun"/1) | (@(roleclean,performerclean) "Colman Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2155 matches on Author, 1524 matches on Performance Comments, 408 matches on Event Comments, 97 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Inchbald. Mainpiece: By Permission of Colman [proprietor of the HAY, owner of the copyright of the play, and author of Epilogue]. Morning Chronicle, 22 Apr.: Tickets to be had of Mrs Inchbald, No. 10, Great Russel-street, Covent Garden. Receipts: #107 8s. (71/17/6; 5/1/6; tickets: 30/9/0) (charge: #105)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Tom Thumb

Dance: As17851112

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

Performance Comment: Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot.
Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: Harvest Home

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

Event Comment: [Afterpiece: Prologue by George Colman, elder.] Paid Danby for Chorus #10 10s. Receipts: #174 5s. 6d. (146.12.0; 27.8.6; 0.5.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: a New Dance, as17871026

Song: V: song-Mrs Forster

Event Comment: By Permission of the Lord Chamberlain. [Afterpiece: Prologue by George Colman elder.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: Bon Ton; or, High Life above Stairs

Song: End: The Noon Tide Airfrom Comus-Mrs Farrer; The Soldier tired of War's Alarms-Mrs Nathan

Entertainment: Monologue. After Singing: A Monody on the Death of the late Mr Henderson (2nd time)-Baker

Event Comment: Benefit for Edwin. Tickets delivered for Wednesday last, the 15th inst., will be admitted. Public Advertiser, 4 Apr.: Tickets [for 15 Apr.] to be had of Edwin, No. 19, Piazza, Covent-Garden. Mainpiece: Written by Dr Goldsmith. Afterpiece: By Permission of [George Colman elder, owner of the copyright]. Receipts: #326 1s. 6d. (228.6.6; 9.13.0; tickets: 88.2.0)

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Peeping Tom

Song: End: a new comic song, Four@and@Twenty Periwigs all on a Row-Edwin

Event Comment: Afterpiece: 1st Time at this Theatre. [Prologue by George Colman, elder.] Receipts: #241 19s. 6d. (237.5.0; 4.14.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton

Dance: End I: Divertissement-[See17891002]; End: Tamborine Dance, as17891021

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 25 Apr. 1791]. Afterpiece: Not acted these 3 years. [Prologue by George Colman, elder.] Receipts: #195 8s. (156.4.0; 32.17.6; 6.6.6.)

Performances

Mainpiece Title: The Haunted Tower

Cast
Role: Edward Actor: Bannister Jun.

Afterpiece Title: Bon Ton; or, High Life above Stairs

Event Comment: Benefit for Lewis. Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor. Epilogue by George Colman, ynger (see text)]. "No piece in the remembrance of this writer was ever better acted. No piece was ever better cast...The palm of acting, however, must be given to Blanchard. One short scene of rustic generoisity, in which he gives his purse to Farmer Banks, displayed finer efforts than we ever saw before" (Oracle, 18 Apr.). Public Advertiser, 15 Apr.: Tickets to be had of Lewis, Bow-street. Receipts: #315 (225.6.6; 3.15.6; tickets: 85.18.0)

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: The Highland Reel

Dance: As17901204

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Cast
Role: Robin Actor: Bannister Jun.
Event Comment: [3rd piece: Prologue by George Colman, elder.] Paid Printer's bill [for playbills] to 1st Inclusive #21 10s. 6d. Receipts: #242 7s(209.5; 31.8; 1.14)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: A Trip to Scarborough

Afterpiece Title: Bon Ton; or, High Life above Stairs

Event Comment: Mainpiece [1st time; C 5, ascribed variously to Elizabeth Inchbald and to Miss Griffiths, based on L'Amour Use, by Philippe Nericault, dit Destouches. Prologue and Epilogue by George Colman, ynger (see text)]. Morning Herald, 4 Sept. 1792: This Day is published Cross Partners (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Cast
Role: Project Actor: Bannister Jun.

Afterpiece Title: Cross Partners

Event Comment: Benefit for Mrs Bannister, being her Last Appearance on the Stage. [Address by George Colman, ynger (Thespian Magazine, Oct. 1792, p. 102.

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Cast
Role: Lingo Actor: Bannister Jun.

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

Event Comment: [Afterpiece: Prologue by George Colman, elder.] Receipts: #200 14s. (156.9; 44.2; 0.3)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Cast
Role: Leopold Actor: Bannister Jun.

Afterpiece Title: Bon Ton

Event Comment: Kemble Mem., 18 May: On account of Whitsun Eve the Opera was yesterday [at king's]; we acted therefore at Mr Colman's Theatre. Receipts: #73 (64.3; 8.17)

Performances

Mainpiece Title: At Hay The Jealous Wife

Afterpiece Title: The Mariners

Cast
Role: Mizin Actor: Bannister Jun.
Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The }ew

Cast
Role: Sheva Actor: Bannister Jun.

Afterpiece Title: BON TON

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: CYRUS

Performance Comment: Cyrus-Holman; Astyages-Richardson; Mithranes-Hull; Harpagus-Harley; Cambyses-Farren//Aspasia-Miss Hopkins; Mandanc-Mrs Yates (Who performed the Grecian Daughter, at Mr Colman's Theatre [31 Mar.], with distinguished Applause; 2nd appearance on any stage) .31 Mar.], with distinguished Applause; 2nd appearance on any stage) .

Afterpiece Title: THE SPRIGS OF LAUREL

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

Cast
Role: Lenitive Actor: Bannister Jun.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Miller. [Afterpiece: Prologue by the elder George Colman]. The Doors to be opened at 5:00. To begin at 6:15

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Bon Ton

Song: End: The Soldier Tired-Miss Crow

Entertainment: Monologue Previous: an Occasional Address-Miller

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Event Comment: [Afterpiece: Prologue by the elder George Colman.] Receipts: #226 7s. (161.8.6; 62.8.0; 2.10.6)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Bon Ton

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 15 Oct. Afterpiece: Prologue by George Colman, elder.] Receipts: #291 19s. (229.12.0; 56.18.6; 5.8.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Bon Ton

Event Comment: Benefit for Fawcett. 1st piece: Not acted some years [acted 30 Oct. 1790]. 2nd piece [1st time: ENT 1]. 3rd piece: By Permission of George Colman, Esq., and for that Night only. Tickets and Places to be had of Fawcett at his house, No. 10, Golden Square, and of Brandon, at the Theatre. "To the Public, May 16, 1797. In consequence of repeated Forgeries of Tickets on Benefit Nights, particularly those of Miss Wallis, Mr Incledon, Mr Holman, and Mrs Mattocks, it has been found necessary to offer a large Reward for the Discovery of the Person or Persons concerned in this unjust and cruel Practice. Mr Fawcett, therefore, thinks it his Duty to warn his Friends and the Public from purchasing Tickets for his Night of Strangers, especially those Persons who sell them in the Avenues of the Theatre, as all such will be stopt at the Doors, and if forged the Persons offering them for Admittance will be drawn into a disagreeable dilemma" (printed slip attached to Kemble playbill). Receipts: #462 5s. (189.12; 8.13; tickets: 264.0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Event Comment: [This was Mrs Abington's 1st appearance on the stage since 12 Feb. 1790, except for 14 June 1797, when she spoke an epilogue at a charity benefit.] "Her former Beatrice was a chaste, animated, unaffected and captivating performance; but her Beatrice of this night was, for the greater part, languid and unattractive. Her deportment, however, is easy and graceful; but her person is too big and heavy to give any effect to the more gay and sprightly scenes. We conceive it to be the height of folly and imprudence in her to come forward in the present advanced period of her existence; and that too, with a person so ill calculated for the department, and attempt characters which demand all the vigour and activity of youth" (Monthly Visitor, Oct. 1797, p. 352). [Address by George Colman, ynger (London Chronicle, 7 Oct.).] Receipts: #348 2s. (336.18; 11.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Diamond Cut Diamond

Dance: II: Masquerade Dance- incident to the Play

Entertainment: Monologue.Preceding: a new Occasional Address-Murray

Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Bon Ton