SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

Performance Comment: End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon.
Event Comment: On account of the Indisposition of a principal performer the new Comedy of She's Eloped! [advertised on playbill of 16 May] is obliged to be deferred till Saturday next. Receipts: #266 (192.11; 68.5; 5.4)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Blue-Beard

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980409, but added; Mrs Powell [the only time her name is in the playbill of this play (and see17971214)]; Wentworth_; Gibbon_; Original Epilogue-Mrs Jordan; (for that night only) a new Additional Dialogue[, written by M. G. Lewis, Esq., Author of the Play,-Mrs Jordan, Mrs Powell.

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

Event Comment: Benefit for Dignum. Times, 5 June: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #635 16s. 6d. (46.14.0; 55.0.0; 1.14.0; tickets: 532.8.6) (charge: #220 9s. 4d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Critic

Afterpiece Title: The Shipwreck

Song: End II 1st piece: I never lov'd any dear Mary but you-Dignum (composed by Hook); End 1st piece: The Fight off Camperdown-Dignum; End I 2nd piece: The Town and Country-Dignum (composed [i.e. words] by Capt. Morris); End 2nd piece: an Answer to the above, Country and Town-Dignum

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece: Overture, Chorusses, and new Musick by Dr Arnold. Scenery by Rooker, Marinari, &c

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Village Lawyer

Event Comment: Afterpiece: Scenery re-painted, and the Dresses and Decorations entirely new. Musick composed and selected by Kelly. Scenes designed and executed by Greenwood, Chalmers, and others. Machinery and Decorations designes, and under the direction o, Johnston, and executed by him and Underwood. The Dresses by Johnston, Gay and Miss Rein. Receipts: #441 16s. 6d. (301.14.0; 139.11.6; 0.11.0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: [Miss Stephens is identified in MS list in Kemble playbill s of new performers for this season. Afterpiece in place of The Liar, advertised on playbill of 28 Nov.] Receipts: #102 17s. 7d. (27.8.1; 74.15.6; 0.14.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Humourist

Dance: III: Hornpipe-Garman

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Performance Comment: _Banks, Johnston; +New Hornpipe, as17981114.
Event Comment: [In mainpiece the playbill retains Miss Biggs, but "Biggs, of Drury-lane Theatre, died yesterday [actually not until 9 Dec.]. The grief of his sister on the occasion prevented her performing in Cumberland's new comedy last night; in consequence of which the part of Matilda was read by Miss Heard" (Morning Herald, 8 Dec.).] Receipts: #158 0s. 6d.(98.0.0; 56.11.6; 3.9.0)

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: The Spoil'd Child

Event Comment: A new Serious Opera; the music by Sarti. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 29 Dec.]. Pit 10s. 6d. Gallery 5s

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

Event Comment: [In mainpiece the playbill retains Mrs Pope, but she "was suddenly taken ill on Monday evening, in consequence of which the part of that interesting and favourite actress, in Reynolds's new comedy, was undertaken at a few minutes notice by Mrs Litchfield" (Morning Herald, 19 Dec.).] Receipts: #274 10s. 6d. (265.5.0; 9.5.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Event Comment: Mainpiece [1st time: MD 5, by James Boaden]: With new Musick [by Michael Kelly], Dresses, and Decorations. [Scenery by Capon (Theatre Notebook, XIX, 14).] Morning Chronicle, 16 Jan. 1799: This Day is published Aurelio and Miranda (2s.). Receipts: #271 16s. (218.15.0; 51.19.6; 1.1.6)

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Children in the Wood

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Rosina

Event Comment: The new Scotch Ballet of Moggy and Jemmy; or, The Union Feast [advertised on playbill of 12 Jan.] is obliged to be deferred. Receipts: #204 13s. 6d. (151.12.0; 50.11.6; 2.10.0)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Shipwreck

Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Event Comment: By Command of Their Majesties. Mainpiece: Mr Colman's Last New Comedy. [He was the author of the Epilogue, which was spoken by the Dramatis Personae. In afterpiece the playbill retains Mrs H. Johnston as Malvina, but she "being indisposed, her part was performed with great effect by Madame [sic] St.Amand" (London Chronicle, 15 Mar.).] Receipts: #379 16s. (378.3; 1.13)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Oscar and Malvina

Song: As17990309

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Emery, Simmons, Gray, Rees, Mrs Martyr, Mrs Mills; [Cast adjusted from playbill of 2 Oct. 1797: Capt. Frederick-Johnstone; Thicket-Incledon; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Gray; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills.] With Dialogue to introduce the following favorite Songs: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the ancients its speaking-Johnstone; [Song, I went to Sea-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; The moment Aurora-Incledon; Dear Mary adieu-Incledon; The Midnight Watch-Incledon; [To conclude with a Rural Masquerade-; [in which a new song, by Mazzinghi; Poor Orra come from distant shore-Miss Waters; [Sea Song, A sailor's life's a life of woe-Mrs Mills; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Event Comment: 2nd piece [1st time; CO 3, by Thomas Holcroft. Larpent MS 1242; not published]: With new Music, Scenes, and Dresse". The Music composed by Attwood; the Overture by W. Parke. Books of the Songs to be had at the Theatre. Receipts: #234 2s. (230.19; 3.3)

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: The Old Cloathsman

Afterpiece Title: The Tobacconist