SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17750517, but new listing: Roles-Foote, Aickin, Wilson, Fearon, Whitefield, Eagan, Jacobs, Griffiths, Jones, Chaplin, Lloyd, Everard, Walker, Weston, Mrs Gardner, Miss Weller.

Afterpiece Title: The Author

Dance: End: A Dance-

Performances

Mainpiece Title: La Donna Di Spirito

Dance: I: Serious Ballet, Grand Chaconne-S. Vallouis, Mme Vallouis; II: New Ballet-; with Pas de Deux-M Vallouis, Mlle Sophie; and a Louvre-Mlle Baccelli; End Opera: Silvie-S. Vallouis, Mme Vallouis

Performance Comment: Vallouis, Mme Vallouis; II: New Ballet-; with Pas de Deux-M Vallouis, Mlle Sophie; and a Louvre-Mlle Baccelli; End Opera: Silvie-S. Vallouis, Mme Vallouis.
Cast
Role: New Ballet Actor:
Event Comment: A new Musical Entertainment of Two Acts never performed before by Thomas Brydges?. Music by Hook

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Dutchman

Dance: The Merry Lasses-

Event Comment: The Managers have given orders that no performer shall appear behind the scenes who is not concerned in the business of the night. The performers now come on and go off without interruption, and the audience in the Upper Boxes are no longer insulted with the monkey tricks of the unemployed actors who used to infest the wings (Folger news clipping from the Morning Post 28 Sept.)

Performances

Mainpiece Title: No Performance

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Performances

Mainpiece Title: None

Event Comment: [The Westminster Magazine for October commented in a paragraph in general on ten new performers at Covent Garden this month: Mrs Jewell (?), Mrs Jackson, Mahon, Mrs Hunter, Wilson, Leoni, Mrs Barthelemon, Sheridan, and the dance team of the Zuchellis.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: St Patrick's Day

Event Comment: St Patrick's Day oblig'd to be deferr'd on account of Indisposition of Mrs Pitt. The Slip now converted into Boxes at 5s. Was only 2s. (Folger News Clipping, and Winston MS 11 note from the Morning Post of 9 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cross Purposes

Event Comment: Mainpiece: Not acted there these 2 years. [See 29 April 1774.] The new Musical Entertainment call'd The Weathercock is deferr'd till Saturday

Performances

Mainpiece Title: Macbeth

Afterpiece Title: St Patrick's Day

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Parsons being taken last night suddenly ill, the New Musical Farce of May Day is oblig'd to be deferr'd till Wednesday. Receipts: #166 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Event Comment: Mr Garrick inexpressibly fine. Mrs Abington Beatrice, first time-very Great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Sparks and Co. Lace Bill #10 15s. Mr King (glassman) for lustres his bill #75 2s. (Treasurer's Book). [From the Gazeteer and New Daily Advertiser, 7 Nov.: "The desertion of the theatres in consequence of the disease with which so many are afflicted, has been productive of one agreeable effect, that of bringing Mr Garrick forward in Benedict much earlier than was expected. It cannot be a matter of surprise that Roscius should have escaped the infection and his spirits and constitution seems proof against the attacks of age itself; after above 30 campaigns, his ardour and execution appear rather to increase. Benedict owes all its consequence to his attachment; there is a peculiar turn of humour in this soldier that none but Mr Garrick has ever been able to enter into the true spirit of. Last night he supported the character with undiminished excellence, and in the speech where he meditates and then resolves on marriage, he soared beyond himself. Beatrice is Shakespeare's Benedict in petticoats, and very happily has got into the hands of Mrs Abington" (Quoted in Hampden, Eighteenth Century Journal).] Receipts: #264 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Event Comment: This Play is alter'd by Mr Lenox from Eastward hoe! it was well perform'd and had Applause--some hisses at the End it won't do much (Hopkins Diary). Characters new dress'd in Habits of the Time. (MacMillan's note from Kemble differs slightly.] Paid Mr Abrahams by Mr D. G. #40; Mr Caesar for Trimmings #6 16s. 6d. (Treasurer's Book). [Long review of the play and its merits and demerits as an adaptation appeared in the Westminster Magazine for Nov. It was approved of in general.] Receipts: #189 8s. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: May Day

Dance: The Merry Peasants, as17751018

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Jackson; Patie-M'Donald; Roger-Belingham (first appearance); Symon-Middlemist; Glaud-Boyack; Bauldy-Walker; Peggy-Young Lady , first appearance on any stage; Jenny-Mrs Walker; Madge, Elson-Wilson; Mause-Hamilton; a New Occasional Prologue-Walker; Epilogue-Lady who performs Peggy; in III will be introduced The Scots Measure-Fishar; to conclude with a Dance-the Characters of the Play.

Song: I: Favourite Song of Terry Woo-M'Donald

Dance: II: Hornpipe-Mas. Mills; IV: Hornpipe-Rawlins

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Mainpiece. By Particular Desire. Paid half years Land and Window tax, #3 3s. 6d. Licensing Little Gipsey, City Manners, New Epilogue to Maid of the Oaks and Sultan #7 7s. Receipts: #198 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Sultan

Event Comment: Benefit for Westminster New Lying In Hospital near the Bridge. Rec'd stopages #10 13s. Receipts: #82 9s.; Charges: #84; Deficit to Hospital: #1 11s. (Treasurer's Book)

Performances

Mainpiece Title: She Would And She Would Not

Afterpiece Title: A Trip to Scotland

Event Comment: Mainpiece: Not acted these 12 years. [See 26 April 1763.] This Comedy is reviv'd for the Queen to See Mr G. in Sir Anthony Bramble which he perfkrmed inimitably--he wrote and spoke a New Address to the Ladies in the Character of Sr. Anto. which was receiv'd with very great Applause. The Play is long and heavy (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #624 6s. 6d.; Westminster Charity Subscription #5 5s.; Griffith 3 weeks 15s.; Mrs Greville for cloaths in Irish Widow, #5 9s. Receipts: #273 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Event Comment: Street Ballad, The Duenna or the Double Elopement, a new song to an old Tune: @In the days of Gay, they sing and say,@The town was full of folly:@For all day long, its sole sing-song@Was pretty, pretty Polly.@So now-a-days, as it was in Gay's,@The world's run mad again-a@From morn to night its whole delight@To cry up the Duenna.@One half the town still talks of Brown@The other of Leoni,@While those sly curs, the managers,@Keep pocketing the money... [Brown was the original Clara in the opera. See 16 Dec. 1775 (Hampden, Journal).

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Prometheus

Event Comment: Rec'd stopages #11 18s.; Paid Daniel Maltoss [sic] Esq one year's rent due Xmas #31 10s. 10d. (Treasurer's Book). [Evidently Daniel Malthus. Although Victor was still Treasurer and Evans sub-treasurer this season, some new bookkeepers seem to be recording the financial transactions, for several different hands appear in the manuscript. The spelling by one of these bookkeepers is bad even by eighteenth-century standards. DeLoutherbourg's name is spelled a half-dozen different ways, including Lutenborgh, Lutterbourg, and Latherbourg.] Receipts: #266 2s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Rival Candidates

Dance: V: The Irish Fair, as17751003

Event Comment: Mainpiece: A New Comedy [by Hugh Kelly, not printed] never performed. [It was performed but once. The Biographia Dramatica suggests failure was partly due to Woodward's misconception of the main character. The Westminster Magazine for Feb. damns the play, for developing two confusing and parallel plots, for the acting, and for the language.

Performances

Mainpiece Title: The Man Of Reason

Afterpiece Title: Miss in Her Teens

Dance: End Comedy: Mirth and Jollity, as17760102

Event Comment: The New Comedy of The Runaway oblig'd to be deferr'd till Tuesday, on account of Mrs Hopkins' sudden illness. Paid Mr Machin, Chorus, 24 nights, #6; Tallow Chandler's Bill #49 6s. 8d.; additional flutes #1; Mr Landall for sashes #6 14s. Receipts: #195 18s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Jubilee

Dance: I: The Savage Hunters, as17760210

Event Comment: Mainpiece: Never performed before. New Scenes and Dresses. This Comedy is a first production of Mrs Cowley--It was receiv'd with very great Applause-Indeed the performers play'd very well and deserv'd it--the Prologue was written by the Author of the Play dull and Mr Gar. wrote a most Excellent Epilogue quite Local--which was received with uncommon Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Mainpiece reviewed in the Westminster Magazine for Feb.: "As we have lately been much afflicted with the melancholy fate of theatrical authors, we have a pleasure more than common in the great sucess of this piece."] Receipts: #256 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

Event Comment: An Operetta of Two Acts. Music entirely New by Dr Arne. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Being desired by many persons of quality

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

Event Comment: A new comic Opera. The Music by Sacchini

Performances

Mainpiece Title: L'isola D'amore

Dance: I: Diane et Endymion Endymion-Fierville, Diane Mlle Baccelli; Une Bergere-Mlle Sophie; II: La Fete du Village, as17760224

Ballet: End Opera: Astolphedans L'ile de Alcine. Astolphe-Fierville; Alcine-Mlle Baccelli; Helm; Mlle Sophie