SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: . Edition of 1674: Prologue-Ghost of Labas, Morena; Muly Labas-Coysh; Muly Hamet-Kew [Cue?]; Grimalhaz-Watson; Hamet Alhaz-Powel; Abdrahaman-Bird; Abdelcador-Carlton; Messenger-Kempton; Eunch-Venner; Laula-Griffin; Mariamne-Goodman; Morena-Harris; Epilogue [being a new Fancy after the old, and most surprising way of Macbeth, perform'd with new and costly Machines...invented and managed by Henry Wright.-Hecate, Three Witches; Hecate-Powel; 1 Witch-Harris; 2 Witch-Adams; 3 Witch-Lyddal; Thunder-Goodman; Lightning-Kew; An Epilogue [an additional one]-.
Event Comment: With the Addition of a New Scene

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Performance Comment: A new Prologue-; Epilogue-.
Cast
Role: A new Prologue Actor:

Song: Whimsical Song-Pack

Event Comment: Benefit Powell. Note, That the Tickets given out for Tuesday in last Whitson-Week at the New Theatre in Lincoln's-Inn-Fields, for the Benefit of Mr Powell, will be taken for this Play at the Theatre Royal

Performances

Mainpiece Title: Volpone

Performance Comment: Volpone-Powell; Mosca-Wilks; With a New Prologue to the Town-.

Song:

Dance: To be expressed in the Bills

Event Comment: [By Colley Cibber.] Never Acted before. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscribers' Tickets. [In the preface to The Double Gallant Cibber states that in Marriage a la Mode he joined "the Comical Episodes of the Maiden Queen, and Marriage alamode...the Alteration cost me but six days trouble; and not calling it a new Play, we found the Town very favourable to it."

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers

Performance Comment: Palamede-Wilks; Celadon-Cibber; Rhodophil-Booth; Melantha-Mrs Bracegirdle; Florimel-Mrs Oldfield; Doralice-Mrs Porter; With a new Prologue-.
Cast
Role: With a new Prologue Actor: .
Event Comment: Afterpiece: [By John Vanbrugh.] Never Acted before. Mainpiece: With all the Original Scenes, Machines, and Decorations. To which will be added several new ones, particularly the intire front prospect of Blenheim Castlev. And another Piece alluding to the late glorious Successes of her Majesty's Arms, &c

Performances

Mainpiece Title: The British Enchanters

Afterpiece Title: The Cuckold in Conceit

Performance Comment: A new Prologue-; Epilogue-.
Cast
Role: A new Prologue Actor:
Event Comment: Receipts: #44 4s. 6d. The Season being so far advanc'd that the Cloaths, Scenes, and Decorations proper to the New Tragedy, call'd, The Fair Captive, cannot be got ready as soon as was intended, we are oblig'd for some time to defer it. N.B. The Tickets deliver'd out for the Benefit of the Author of the Tragedy, will be taken at this Play

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: See17150207, but Fair Quaker-Mrs Rogers' Daughter; With a New Prologue-.
Cast
Role: With a New Prologue Actor: .

Dance: As17150512

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: With a New Prologue-.
Cast
Role: With a New Prologue Actor: .
Event Comment: Not Acted these Seven Years. All the Habits being intirely New. [The Prologue was printed in Weekly Journal or British Gazetteer, 24 Nov.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Mills (Chetwood, General History of the Stage, p. 214); With a New Prologue by the Author of the Play-.
Event Comment: Not acted these Twenty Years. Written by Shakespear, and since revis'd with several Alterations. The whole Play being new dress'd. N.B. The Play will begin exactly at Six a-Clock. Weekly Journal or Saturday's Post, 5 Oct., reports a rumor that J. J. Heidegger has sent to France to recruit a set of comedians to act French plays at the king's

Performances

Mainpiece Title: Cimbeline; Or, The Fatal Wager

Performance Comment: A new Prologue-Keene.
Cast
Role: A new Prologue Actor: Keene.

Dance: Thurmond Jr, Cook, Mrs Bullock, Mrs Schoolding, Miss Smith

Event Comment: At Mr Pinkethman's New Theatre at Richmond. The First Time of Acting. At 6 p.m

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Parts-Pinkethman, Bullock Sr, Norris, Leigh, Miller, Spiller; A new Prologue-Pinkethman.
Cast
Role: A new Prologue Actor: Pinkethman.

Afterpiece Title: The Stage Coach

Song:

Dance:

Event Comment: Mainpiece: At the Desire of several Persons of Quality. Benefit the Author. With the Addition of some new Scenes (never acted before)

Performances

Mainpiece Title: Love In A Vail

Performance Comment: See17180617 but A new Character-Norris.

Afterpiece Title: The Stage Coach

Song:

Dance:

Event Comment: Benefit Ryan. Afterpiece: A new Dramatick Entertainment of Grotesque Characters

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Ryan being the first Time of his performing it; With a new Prologue-.
Cast
Role: With a new Prologue Actor: .

Afterpiece Title: Harlequin Turned House Breaker

Song: Mrs Fletcher

Dance: As17200120

Event Comment: By the Company of French Comedians. Pit and Boxes together by Tickets only at 5s. Gallery 2s. At 6 p.m. [This is the opening night of the New Theatre in the Haymarket.

Performances

Mainpiece Title: La Fille A La Mode; Ou, Le Badeaut De Paris

Performance Comment: With a new Prologue-.
Cast
Role: With a new Prologue Actor: .

Dance:

Event Comment: Benefit a Gentleman in Misfortunes. Written by Aaron Hill, Esq. All the Characters being entirely new Dress'd. N.B. The putting off the Play so long was occasion'd by the Indisposition of one of the principal Performers, and the Tickets deliver'd out for 4th, the 11th, and the 17th Instant will be taken this Day

Performances

Mainpiece Title: Elfrid; Or, The Fair Inconstant

Performance Comment: A new Epilogue-.
Cast
Role: A new Epilogue Actor: .
Event Comment: At the particular Desire of several Persons of Quality. First Piece: Intermix'd with several new Songs in the Character of Rovewell and Arethusa

Performances

Mainpiece Title: The Contrivances

Performance Comment: See17290805, but With a new Prologue-.
Cast
Role: With a new Prologue Actor: .

Afterpiece Title: Phebe

Afterpiece Title: The Country Wedding and Skimmington

Dance: VVenetian Dance between a Gondolier and Courtezan-Master Lally, Miss Brett; Sultana-Miss Robinson Jr; Country Dance-the Characters in the Opera

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Giffard; from the Theatre Royal in Dublin: Balance-W. Giffard; Worthy-Smith; Brazen-Collet; Kite-W. Williams; Bullock-R. Williams; Melinda-Mrs Purden; Sylvia-Mrs Thomas; Rose-Mrs Mountfort; Lucy-Mrs Haughton; With a New Prologue-; Epilogue address'd to the Town-.
Cast
Role: With a New Prologue Actor:

Dance:

Event Comment: Benefit Chetwood.Afterpiece: [Author unknown. Apparently unpublished.] With new Songs to old Ballad Tunes and Country Dances

Performances

Mainpiece Title: Timoleon

Performance Comment: See17300126 With the last new Prologue, address'd to the Ancient and Honourable Society of Free Masons.

Afterpiece Title: The Stage Coach Opera

Performance Comment: Jolt-James Excel, his first appearance on any stage; Nicodemus-Miller; Basil-Roberts; Macahone-Williams; Micher-Norris; Fetch-Oates; Landlord-Harper; Isabella-Miss Raftor; Dolly-Mrs Heron; Also a new Epilogue-Girl five Years old.

Dance: End II: Dutch Man and Woman-Roger, Rainton; III: Sultana-Miss Robinson; IV: Grand Dance of Moors-

Music: End Act V: (by Desire) Handel's Water Music-; with a preamble on the Kettle Drums-Benjamin Baker

Event Comment: Benefit Hippisley. Afterpiece: A New Farce of Two Acts. Written by Mr Hippisley. Receipts: money #71 17s.; tickets #140 7s

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: A Journey to Bristol; or, The Faithful Welshman

Performance Comment: Faithful Welshman-Hippisley, but edition of 1731 adds; Doubtful-Hulet; Sanguin-Milward; Tipple-Salway; Innkeeper-Wilcox; Constable-Hall; Mrs Doubtful-Mrs Buchanan; Jane-Mrs Egleton; Country Maid-Mrs Martin; Wit a new Epilogue-Hippisley, Mrs Egleton.

Dance: TTwo Pierrots-Poitier, Nivelon

Event Comment: [Written by Shakespear. With new Scenes and Cloaths. At the Desire of several Persons of Distinction the Pit and Boxes will be put together at 3s. Boxes on the Stage 4s. Gallery 1s. [The Prologue is in The Comedian, No. VII, October 1732, with a long essay on the major theatres of the present season.] Daily Advertiser, 4 Oct.: A very splendid and crowded Audience...testify'd their Approbation both of the Decorations and Performance. The principal Embellishments are as follows: On a large Oval over the Pit is represented the Figure of His Majesty, attended by Peace, Liberty, and Justice, trampling Tyranny and Oppression under his Feet; round it are the Heads of Shakespear, Dryden, Congreve, and Betterton. On the Coving on the Left Hand is painted the Scene of Cato pointing at the dead Body of his Son Marcus; in the Middle, that of Julius Caesar stabb'd in the Senate-House; and on the Right, that of Marc Anthony and Octavia, where the Children are introduc'd in All for Love. On the Sounding-Board over the Stage is an handsome Piece of Painting of Apollo and the Nine Muses. [See also Daily Post, 4 Oct. and Gentleman's Magazine, II (October 1732), 1028.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Hulett, from lif, the first Time of his appearing on this Stage; Hotspur-Delane; King Henry-Huddy; Prince-Giffard; Worcester-W. Giffard; Mortimer-Havard; Westmoreland-Smith; Vernon-Bardin; Douglass-Winston; Blunt-Rosco; Bardolph-Collet; Carriers-Morgan, Bullock; Francis-Norris; Lady Piercy-Miss Vaughan; Hostess-Mrs Morgan; A new Prologue-; Epilogue to the Town-.
Cast
Role: A new Prologue Actor:
Event Comment: Mainpiece: A New Ballad Opera. [By Robert Drury.

Performances

Mainpiece Title: The Fancy'd Queen

Performance Comment: Parts-Aston, Muloart, Lyon, Cole, Clarke, Morris, Mrs Cantrell, Miss Norsa, Mrs Vallois, Miss Horsington; but edition of 1733 lists: Bellamy-Aston; Poltroon-Lyon; Harry-Cole; Honestus-Stevens; Grimbald-Mullart; Fudge-Clarke; Budgett-Giles; Flirtilla-Mrs Cantrell; Aureola-Miss Norsa; Betty-Mrs Vallois; Rose-Mrs Horsington; With a New Prologue-.
Cast
Role: With a New Prologue Actor: .

Afterpiece Title: The Stage-Mutineers

Dance: SScotch Dance-Davenport, Miss Baston; Swedish Dal Karle-Delagarde, Mrs Ogden; Irish Trot-Bethen

Event Comment: At the particular Desire of several eminent Merchants and Persons of Distinction. Afterpiece: a new Pastoral Epithalamium. [Edition of 1733 lists no cast, states that it was written by a Gentleman, and prints the Prologue, which was written by Havard. A song, The Wedding Day, written by Henry Carcy, was sung in it by Master Osborne.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Happy Nuptials: With The Amorous Sportsman

Performance Comment: Sportsman-Thurmond; Nymph-Mrs Bullock; Four Followers-Vallois, Delagarde, Sandham, Evans; 2d Nymph-Mrs Haughton; 3rd-Miss Wherrit; 4th-Miss Sandham; 5th-Mrs Vallois, but Daily Post lists Miss Wherrit, Miss Sandham, Mrs Haughton 2d, 3rd, 4th Nymphs, no 5th Nymph. With a new Prologue to be spoke by Giffard on the Royal Marriage .
Event Comment: Benefit the Author. Mainpiece: Taken from Moliere. Afterpiece: a New Satiric Farcical Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: Squire Basinghall

Afterpiece Title: Politicks on Both Sides

Performance Comment: Sir Libel Hothead-Mullart; Truelove-Aston; Fanny Wellplot-Mrs Mullart; Constantia-Mrs Talbot; Squire Caleb-Lowder; Sir Politick Staunch-Turner; Mrs Nightrail-Smith; Camillus-Lacy; Gazetteer-Mrs Charke. A New Epilogue, spoken by Mrs Charke in the Character of Gazetteer .
Event Comment: Not Acted these Forty Years. Written by Mr Dryden. And new Scenes, Machines, and other Decorations, particularly An Exact Representation of Merlin's Cave, as in the Royal Gardens at Richmond. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. No After-Money will be taken. [According to edition of 1736, the Prologue and Epilogue were written by Mr Sterling.]

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: King Arthur-Johnson; Merlin-Rosco; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Philadel-Mrs Hamilton; Matilda-Miss Tollett; Emmeline-Mrs Giffard. In it music by Purcell, sung by Kelly, Touchbury, Nichols, Kellner, Mrs Chambers, Miss Jones, Miss Gerrard; Venus sung by Miss Wilson, her first on any stage; Cupid-Miss Thornowets, her first on any stage. Dances by Haughton, Mrs Bullock, Le Sac, Vallois, Delagarde, Topham, Mrs Woodward, Mrs Vallois, Miss Gerrard, Mrs Dove. With a New Prologue and Epilogue, spoken by Giffard and Mrs Giffard .