SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Christopher Perry"/1) | (@(roleclean,performerclean) "Christopher Perry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 412 matches on Performance Comments, 338 matches on Author, 68 matches on Event Comments, 3 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: High Life Below Stairs

Dance: II: A Dance-Sg and Sga Giorgi; III: A Dance-the two Master Rogers, Miss Rogers; V: The Cow Keepers, as17600313

Performances

Mainpiece Title: Mrs Midnights Concert And Oratory

Related Works
Related Work: Mrs. Midnight's Concert and Oratory Author(s): Christopher Smart

Afterpiece Title: Britannias Triumph or The Contest of Love and Glory

Dance: HHornpipe-

Music: The Band all mask'd in the Venetian Taste

Performances

Mainpiece Title: Womans A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: Love a la Mode

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

Performances

Mainpiece Title: Womans A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Womans A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: The Citizen

Dance: I: New Comic Dance-; V: A new Dance-

Song: some well known Ssome well known Songs in Imitation of some Favorite Italian Performers-a Comic Genius

Performances

Mainpiece Title: A Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: Bon Ton

Dance: End: The Grand Garland Dance, as17760311

Event Comment: Benefit for Perry and Holtom. Charges #64 14s. [Perry paid 2@3 the charges and received against that #2 3s. of the ready money. His deficit was #5 11s. 4d. Holtom paid 1!3 the charges and was credited with 1!3 the ready money. His deficit was #2 15s. 8d. The deficits were covered by income from tickets: Perry #93 9s. (Box 24; Pit 333; Gallery 375); Holtom #33 14s. (Box 11; Pit 159; Gallery 71).] (Account Book). Receipts: #56 7s. (Account Book)

Performances

Mainpiece Title: King Lear

Performance Comment: As17670119, but Bastard-Perry; Gentleman Usher-Holtom; Cornwall-Gardner; Cordelia-Mrs Bellamy.
Cast
Role: Bastard Actor: Perry

Afterpiece Title: Catherine and Petruchio

Dance: I: A Hornpipe-by Desire, Mas. Harris; IV: The Female Archer, as17661215; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Benefit for Perry and Gardner. Tickets deliver'd for Venice Preserv'd for this night will be taken. Mainpiece: By Particular Desire. Charges #64 5s. Deficit to Perry and Gardner #7 10s. 6d. apiece, covered by income from tickets: Perry #58 1s. (Box 21; Pit 184; Gallery 252); Gardner #58 14s. (Box 102; Pit 130; Gallery 137) (Account Book). Receipts: #49 4s

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17690925, but George-Perry, first time; Truman-Lewes; Uncle-Gardner.
Cast
Role: George Actor: Perry, first time
Role: Trueman Actor: Perry

Afterpiece Title: Miss in Her Teens

Performance Comment: Flash-Perry, first time; Fribble (with Song)-Shuter; Loveit-Lewes; Puff-Dunstall; Tag-Mrs Green; Biddy-Mrs Gardner , first time.
Cast
Role: Flash Actor: Perry, first time

Entertainment: End: Hippisley's Drunken Man with additions and Alterations-Shuter

Dance: TThe Tambourine, as17700501

Event Comment: Benefit for Holtom, Perry, Buck, Weller. No Building on Stage. Receipts: #41 in cash. Charges #64 5s. Deficit to each #5 10s., covered by tickets: @Tickets Holtom Box 9@Pit 109@Gallery 92@Value #27 16s.@Tickets Buck Box 17@Pit 56@Gallery 97@Value #22 7s.@Tickets Perry Box 10@Pit 119@Gallery 191@Value #39 9s.@Tickets Weller Box 13@Pit 87@Gallery 131@Value #29 8s. Total income #160.

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: As17600412 but Merchant-Perry; Boor-Collins; Sanp-Buck; Sailor-Holtom.
Cast
Role: Merchant Actor: Perry

Afterpiece Title: The Siege of Quebec or Harlequin Engineer

Entertainment: M+Monologue. An Epilogue in Imitation of Shakespeare's Stage of Human Life=-Cresswickas17600508

Dance: II: The Drunken Peasant-Miles; Clown-Bennet; IV: The Fingalian Dance, as17591102

Event Comment: Benefit for Holtom, Davis, Buck, Perry. No Building on Stage. Receipts: #41 15s. 6d. plus income from tickets: Holtom #27 9s. (Box 10; Pit 89; Gallery 116); Davis #75 2s. (Box 70; Pit 300; Gallery 126); Buck #32 13s. (Box 28; Pit 115; Gallery 84); Perry #57 19s. (Box 17; Pit 202; Gallery 234). [The beneficiaries in this joint operation delivered 1,391 tickets (Account Book).] Charges: #64 6s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17610330 but Richmond-Davis; Tressel-Perry; Norfolk-Buck; Stanley-Anderson; Lieut-R. Smith; Ratcliff-Bennet; Lord@Mayor-Marten; Catesby-Holtom; Oxford-Weller.
Cast
Role: Tressel Actor: Perry

Afterpiece Title: Flora

Dance: A Comic Dance-Granier, Mrs Granier. *uôÖcg Lady Pentweazle Scene. Lady Pentweazle-Hartry, 1st appearance on the stage; Carmine-Davis

Entertainment: EEpilogue to the Minor-Davis

Event Comment: Benefit for Davis and Perry. Charges #64 5s. Deficit to actors #25 7s. 6d. covered by income from tickets: Davis #77 7s. (Box 80; Pit 291; Gallery 137); Perry #53 19s. (Box 27; Pit 158; Gallery 235) (Account Book). Receipts: #38 17s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17690405 but Gloster-Clarke; Shore-Perry; Catesby-Fox; Belmour-Davis; Ratcliffe-R. Smith; Derby-Wignell.
Cast
Role: Shore Actor: Perry

Afterpiece Title: Miss in Her Teens

Performance Comment: Flash-Davis; Fribble-a Gentleman (who never appeared on this stage); Rhodophil-Perry; Jasper-Holtom; Puff-Dunstall; Tag-Mrs Green; Miss Biddy-Miss Ogilvie.
Cast
Role: Rhodophil Actor: Perry

Dance: End: The Merry Sailors, as17680920

Event Comment: Benefit for Perry and Morris. Charges #64 5s. Deficit to each beneficiary #7 6s. 6d., cover'd by income from tickets: Perry #68 4s. (Box 33; Pit 231; Gallery 253); Morris #61 5s. (Box 39; Pit 158; Gallery 278) (Account Book). Receipts: #49 12s

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17721214, but Catesby-Fox; Belmour-Owenson; Gloster-Hull; Shore-Perry.
Cast
Role: Shore Actor: Perry.
Role: Bellmour Actor: Perry

Afterpiece Title: Man and Wife

Cast
Role: Freeman Actor: Perry

Dance: End: The Irish Lilt, as17721028; End II of Comedy: A Double Hornpipe-Blurton, Miss Besford

Event Comment: At the desire of several persons of quality for the Benefit of Mr Perry. With restorations from Shakespear

Performances

Mainpiece Title: King Lear And His Three Daughters

Performance Comment: Lear (by particular Desire)-Perry; Edgar-Ryan; Gloster-Bridgwater; Bastard-Hale; Kent-Rosco; Albany-Gibson; Cornwall-Cashell; Gentleman Usher-Woodward; Burgundy-Bencraft; Goneril-Mrs James; Regan-Mrs Mullart; Cordelia-Mrs Vincent.
Cast
Role: Lear Actor: Perry

Dance: As17441117

Event Comment: Benefit Perry. A Concert, etc. [repeated in all notices of this theatre.] Prices 3s., 2s., 1s. 6 p.m

Performances

Mainpiece Title: Othello

Performance Comment: Epilogue in honor of the Duke of Cumberland-Master Perry.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit for Davis, Perry, and Mad Jansolin. No Building on stage

Performances

Mainpiece Title: Hamlet

Performance Comment: As17611222, but Hamlet-Ross; King-Anderson; Rosencraus-Bennet; Guildenstern-Wignel; Marcellus-Gardner; Bernardo-Weller; Ostrick-Perry; Lucianus-Weller; Francisco-Holtom; Pl. King-Redman; Pl. Queen-Mrs Ferguson.
Cast
Role: Ostrick Actor: Perry

Afterpiece Title: Damon and Phillida

Dance: II: A Serious Dance-Miss Capdeville (8 years of age, first time of performing on any stage); III: The Taylors, as17620107; End: Hornpipe-Mlle Capdeville; Likewise an Epilogue-a Young Gentlewoman who never appeared on any stage

Event Comment: Benefit for Perry, Dibdin. Mainpiece: Acted but once these two years. Afterpiece: Perform'd but twice. None admitted behind Scenes. Books of the Afterpiece to be sold at Theatre

Performances

Mainpiece Title: Othello

Performance Comment: As17650114, but Cassio-Perry.
Cast
Role: Cassio Actor: Perry.

Afterpiece Title: The Shepherds Artifice

Dance: II: A Medley Hornpipe, as17650430 End: Rural Love, as17641212

Event Comment: Benefit for Perry and Stoppelaer (playbill). Benefit for Moody, Hurst and Mrs Dorman (Public Advertiser)

Performances

Mainpiece Title: Virtue Betrayed

Performance Comment: As17660401 but Rochford-Perry; Lieut. of Tower-Holtom.
Cast
Role: Rochford Actor: Perry

Afterpiece Title: The Citizen

Cast
Role: Beaufort Actor: Perry.

Dance: II: A Hornpipe-Miss Daw; End: The Village Romps, as17651019

Event Comment: Benefit for Mrs Yates. Mainpiece: A Tragedy (Written by Voltaire) and translated by [Dr Thomas Francklin] the Author of The Earl of Warwick. Pit and Boxes will be laid together. Ladies are desired to send their servants by 4 o'clock. Mrs Yates will be particularly oblig'd to those Ladies, and Gentlemen, who have seats in the Pit, if they will be co kind as to come as early as possible to prevent confusion in getting their places. [Genest V, 242, conjectures the following assignment of parts: Orestes-Smith; Aegisthus-Bensley; Pammenes-Clarke; Pylades-Perry; Electra-Mrs Yates; Clytemnestra-Mrs Ward; Iphisa-Mrs Bulkley.] Charges #65 7s. 6d. Balance to Mrs Yates #39 1s. plus #180 10s. from 722 Box tickets (Account Book). Total House value #284 18s. 6d. Receipts: #104 8s. 6d. (Account Book)

Performances

Mainpiece Title: Orestes

Performance Comment: Characters-Smith, Bensley, Clarke, Perry, Mrs Ward, Mrs Bulkley, Mrs Yates; With a New Epilogue-Mrs Yates.

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Event Comment: Benefit for Morris and Perry

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17701231, but Norfolk-Wignell; Richard-Perry, first time; King Henry-Younger; Queen-Mrs DuBellamy.
Cast
Role: Richard Actor: Perry, first time

Afterpiece Title: Harlequin Dr Faustus

Entertainment: End: The Cries of London, last time this season-Shuter

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Performances

Mainpiece Title: Teraminta

Related Works
Related Work: Teraminta Author(s): John Christopher Smith

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: As17550203

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith