SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mr and Mrs Massey. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Massey, No. 17, Portugal-street, Lincoln's inn fields. Care has been taken to have the House well aired

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Smith; Dumont-O'Brien Machin (from the Theatre Royal, Crow Street in Dublin); Ratcliffe-Bailey; Catesby-Shepherd; Bellmour-Barnes; Earl of Derby-Thompson; Lord Hastings-West; Alicia-Mrs Lefevre (1st appearance in town); Jane Shore-Mrs Massey.

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Bailey; Whittle-Shepherd; Kecksy-Benson; Bates-Wallace; Thomas-Massey; Widow Brady (with the original Epilogue Song)-Mrs Massey.

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Event Comment: To begin at 6:30 precisely. Boxes 3s. Pit 2s. Gallery 1s. The Proprietors have spared no expence in enlarging and beautifying the Theatre; and as they are determined to preserve the exactest punctuality in the time of beginning, and to make regularity and decorum their chief study, hope they shall render themselves deserving of that favourable encouragement they have before experienced. The House is illuminated with Wax. Subscription tickets may be had by applying to Bailey, at Mr Oldfield's. [Author of Prologue unknown.

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Event Comment: Announced by the playbill, but "Not perform'd on Acct. of Mr Garrick's Death (at 8 o'Clo'Morng)" (MS annotation on Kemble playbill). See also Public Advertiser, 21 Jan.: Drury Lane Theatre was shut up last night on [this] melancholy Occasion

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Smith; Richmond-Brereton; Buckingham-Aickin; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Fawcett; Catesby-Packer; Lieutenant of the Tower-R. Palmer; Ratcliffe-Wright; Lord Mayor-Philimore; Prince Edward-Master Pulley; King Henry-Bensley; Lady Anne-Mrs Robinson; Dutchess of York-Mrs Davenett; Queen-Mrs Hopkins.

Afterpiece Title: Harlequin's Invasion

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Performance Comment: Upon dedicating a Building, and erecting a Statue to Shakespeare, as originally performed at the Jubilee, at Stratford upon Avon (on 7 Sept. 1769), recited-Henderson; Principal Vocal Parts-Reinhold, Mrs Morton, Mrs Kennedy.

Dance: As17790922

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Performance Comment: Pedro the Pilgrim-Lewis; Rodorigo-Aickin; Siberto-Wordsworth; Curio-Robson; Mad Scholar-Lee Lewes; Mad Englishman-Booth; Mad Parson-Egan; Mad Taylor-Wewitzer; Master of Mad@house-L'Estrange; Mad Welshman-Edwin; Lopez-J. Wilson; Sancho-Thompson; Alphonso-Wilson; Juletta-Mrs Wilson; Alinda-Mrs Bulkley.
Cast
Role: Pedro the Pilgrim Actor: Lewis

Afterpiece Title: The Elders

Related Works
Related Work: A Midsummer Night's Dream Author(s): George Colman, the elder
Related Work: The Musical Lady Author(s): George Colman, the elder
Related Work: Philaster Author(s): George Colman, the elder
Related Work: Occasional Prelude Author(s): George Colman, the elder
Related Work: Comus Author(s): George Colman, the elder
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder
Related Work: A Preludio Author(s): George Colman, the elder
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Related Work: The Jealous Wife Author(s): George Colman, the elder
Related Work: The Deuce is in Him Author(s): George Colman, the elder
Related Work: The Fairy Tale Author(s): George Colman, the elder
Related Work: The Portrait Author(s): George Colman, the elder
Related Work: Mother Shipton Author(s): George Colman, the elder
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Related Work: Elfrida Author(s): George Colman, the elder
Related Work: Achilles in Petticoats Author(s): George Colman, the elder
Related Work: The Man of Business Author(s): George Colman, the elder
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: IV: The Bedlamites-

Event Comment: The last Time of the Company's performing this Season. [This was Mrs Robinson's last appearance on the stage.] Receipts: #93 4s. (53.11; 37.11; 2.2)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miniature Picture

Dance: End II afterpiece: As17791122

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Robinson Crusoe

Dance: As17810203

Event Comment: By Particular Desire of their Excellencies the Persian Ambassadors. Benefit for Wild. Wild begs leave to inform his friends Mons. DeLoutherbourg has no concern whatever in the invention or painting any of the above scenes [in Phusimimesis]. Receipts: #288 9s. (210.14; tickets: 77.15) (charge: #105)

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Jupiter (in the character of Harlequin)-W. Bates; Doctor-Baker; Mercury-Robson; Clown-Stevens; Old Woman-Mr Wewitzer; Colombine-Miss Matthews.
Cast
Role: Colombine Actor: Miss Matthews.

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Event Comment: [2nd piece in place of The English Merchant; 3rd piece of The Agreeable Surprise, both announced on playbill of 31 Aug.

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe; MS: Larpent 577; not published. The following season this was altered, and acted successfully as The Castle of Andalusia]: With new Scenes, Dresses and Decorations. A new Overture, and the whole of the Music under the Direction of Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 29 Nov.: The admirable first scene, the subterraneous Receptacle of the Banditti, is the production of the ingenious Mr Richards. Receipts: #182 10s. (180/12/6; 1/17/6)

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performance Comment: Principal Characters by Wilson, Wood, Wewitzer, Blissett, Massey, Stevens, Usher, Kenny, Painter, Ledger, Pierce, Edwin; Mrs Webb, Mrs Wells, Mrs Bannister. [Cast adjusted from Songs (T. Cadell, 1781): Sir Walter Weathercock-Wilson; Edward-Wood; Degagee-Wewitzer; Plume-Blissett; Coachman-Massey; Sheers-Stevens; Dennis-Usher; Black-Kenny; Motley-Edwin; Miss Hebe Wintertop-Mrs Webb; Comfit-Mrs Wells; Caroline-Mrs Bannister. Painter, Ledger, Pierce are unassigned.] hathi. hathi.
Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-[J. P.] Kemble (from the Theatre Royal, Dublin; 1st appearance upon that stage); King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Gravediggers-Suett, Burton; Ghost-Bensley; Ophelia-Miss Field; Player Queen-Mrs Hedges; Queen-Mrs Hopkins .

Afterpiece Title: The Quaker

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Performance Comment: Scene I. A Chamber. As Scene III, 7 May. Scene II. As Scene III, 26 Apr. Scene III. A Garden. As Scene IV, 3 May. Scene IV. Inside of a Playhouse. Bucks have at ye all by Ward. To conclude with The Jovial Sailors, as17840320athi .
Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Afterpiece Title: Duke and No Duke

Cast
Role: Captain of the Guards Actor: Alfred

Dance: End of Act I of mainpiece, as17840311athi

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Performance Comment: Vocal and Rhetorical Characters by Connell, Henley, Mitchell; Miss Barnard, A Gentleman [sic], Mrs Henley, Mrs Bolton, Mrs Bradshaw, The Lady who is to perform Mrs Cadwallader .

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Mercutio-Lewis; Juliet-Miss Younge. No other parts listed, but see17841105 .

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .
Cast
Role: , the Genius Actor: Master Farley

Afterpiece Title: Barataria

Cast
Role: Mary the Buxom Actor: Mrs Wilson.

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

Event Comment: [This was Henderson's last appearance on the stage. He died on 25 Nov. 1785. "He was the only performer, since the death of Mr Garrick, who could with any degree support the various characters of Shakespeare. His person approached the middle size, his voice was naturally thick, his judgment was strong, his attention great, and his sudden transition from one passion to another fully evinced his abilities; his chief excellence lay in strong colouring, in broken and abrupt speeches, especially in parts of tragic horror; his scale was so extensive that it included the extremes of Tragedy and Comedy" (Oulton, 1796, 1, 150-51).] Receipts: #258 6s. (250/14; 7/12)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

Event Comment: Benefit for Mr and Mrs Waldron. The last Night of performing this Season. [The above is an advance notice on playbill of 5 Aug.]

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

Event Comment: The Public are most respectfully informed, that, in consequence of the sudden and violent Indisposition of Mr Parsons, the second Performance of the New Comedy, called A School for Grey-Beards, is unavoidably postponed. This Evening will be presented [as above] (printed slip attached to Kemble playbill). Receipts: #182 13s. 6d. (141.9.0; 38.7.0; 2.15.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Old Mathew Actor: Fawcett
Role: The Seneschal Actor: Phillimore

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Holman; Duke-Macready; Juan-Davies; Cacafogo-Booth; Sanchio-Thompson; Alonzo-Fearon; The Copper Captain-Lewis; Margaritta-Mrs Inchbald; Altea-Mrs Morton; Clara-Miss Platt; Old Woman-Mrs Pitt; Maid-Mr Painter; Estifania-Mrs Abington.
Cast
Role: The Copper Captain Actor: Lewis

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield