SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Taste; or, Frolicks of Fancy

Performance Comment: Prologue [to Barbarossa] (as a Country Boy, from D. Garrick, Esq.)-Bannister Jun.; The Lark at Heaven's Gate-Dignum, Williames, Danby, Miss Romanzini; A Dance-the young D'Egvilles, Miss Blanchet, Miss DeCamp.

Afterpiece Title: Arthur and Emmeline

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

Performance Comment: Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby.
Event Comment: 2nd piece: Not acted these 2 years. [3rd piece in place of The Agreeable Surprise, advertised on playbill of 17 June.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Ways and Means; or, A Trip to Dover

Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue. End 1st piece: As17900614

Performances

Mainpiece Title: The Suicide

Related Works
Related Work: The Suicide Author(s): George Colman, the elder

Afterpiece Title: The Minor

Cast
Role: The Minor Actor: Iliff

Dance: End I: Minuet de la Cour and Gavot-Byrn, Mrs Goodwin

Entertainment: Monologue. As17900615

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Inkle and Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Thimble's Flight from the Shopboard

Event Comment: Mainpiece: Not acted these 2 years

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Citizen

Entertainment: Monologue. End: Liberty, as17900813

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: I'll Tell You What

Performance Comment: As17900816, but Mr Euston-Parsons (1st appearance in that character these 3 years).

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Performance Comment: End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun.
Event Comment: Afterpiece: To conclude with the Representation of an Engagement between the English and Spaniards, and the Storming of Fort Omoa, on the Spanish Main. Account-Book: Paid Chorus to 11th Inclusive #7 10s.; Poor Rate 1@2 Year #45 17s. 10d.; Thompson on Acct. Supernumeraries #10. Receipts: #212 3s. 6d. (179.13.0; 30.13.6; 1.17.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Dramatist

Related Works
Related Work: The Female Dramatist Author(s): George Colman, the younger

Afterpiece Title: The Provocation

Performances

Mainpiece Title: The Siege Of Belgrade

Cast
Role: The Seraskier Actor: Kelly
Role: Catherine Actor: Mrs Crouch

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Rock

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Robin Hood

Dance: As17910507

Event Comment: Benefit for R. Palmer. The Public is respecfully inform'd that the Prelude of The Hop formerly advertised for Mr Palmer's Benefit is on a very particular account withdrawn from the Theatre. Oracle, 7 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #292 5s. 6d. (77.13.0; 30.15.6; 2.6.0; tickets: 181.11.0) (charge: #117 0s. 7d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Cast
Role: Grandmother Actor: Mrs Booth.

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Performance Comment: End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer.
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: No Song No Supper

Cast
Role: Grandmother Actor: Mrs Booth.
Event Comment: "The farce waited some time for Bannister, who performed at Covent-Garden Theatre in The Woodman. An apology was made for his absence, and, in a few minutes after, he came" (Gazetteer, 14 June)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performance Comment: Sir Felix Friendly-Wilson (1st appearance on this stage these 6 years); Compton-Bannister; Eugene (1st time)-Bland; Chicane-Usher; Lingo-Cornellys (from the Theatre Royal, Dublin [1st appearance on this stage]); Thomas-Burton; John-Phillimore; Laura-Mrs Bannister; Mrs Cheshire-Mrs Webb; Fringe-Mrs Edwards; Cowslip-Mrs Wells.

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Minor

Cast
Role: The Minor Actor: Iliff
Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Packer; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Bois-Benson; Orlando-Barrymore; Adam-Moody; Touchstone-King; Corin-Waldron; Silvius-Bland; William-Burton; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Edwards.

Afterpiece Title: The Critic

Performance Comment: Dangle-R. Palmer; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Hamoir; Interpreter-Baddeley; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Hagley, Miss DeCamp, Miss Daniels; Characters of the Tragedy: Lord Burleigh-Hollingsworth; Governor-Wrighten; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of the Horse-Alfred; Beef@eater-Phillimore; Justice-Packer; Son-Suett; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Cast
Role: Master of the Horse Actor: Alfred

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wronghead-Parsons; Squire Richard-Burton; John Moody-Moody [sic]; Count Basset-Dodd; James-Benson; Poundage-Fawcett; Constable-Maddocks; Servant-Lyons; Lady Townly-Miss Farren; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Collins; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard [Kemble playbill erroneously lists Miss Hagley].Kemble playbill erroneously lists Miss Hagley].
Cast
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Mathew Actor: Fawcett
Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Waterman

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts [i.e. abridged from the original 5]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #347 5s. 6d. (234.1.0; 4.14.6; tickets: 108.10.0) (charge: #105). Pencilled in the Account-Book. 234.1.0-money [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-charge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0] [The amount of his tickets, 108.10.0, he retained; hence his profit on this night was #242 4s.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Glib (the Author)-Lewis; Sir Toby Fuz-Wilson; Sir Macaroni Virtu-Fawcett; Wilson-Macready; Patent-Powel; Mervin-Evatt; Prompter-Farley; Carpenter-Rock; Lady Fuz-Mrs Webb; Sweepers-Mrs Powell, Mrs Davenett; Miss Fuz-Mrs Davis; Characters in the Burletta: Orpheus-Davies; Shepherds-Powel, Follett, Linton, Cross, Rees, Noble, Letteney, Rowson, Blurton, Milburne, Simmons, Coombes; Old Shepherd-Munden; Rhodope-Mrs Martyr.

Afterpiece Title: Robin Hood

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. In mainpiece the playbill retains King, but "Mr King being ill I acted his Part to-night" (Kemble Mem.).]. Account-Book, 12 May: Author's Charge 3rd night of Fugitive enter'd short by error #12 16s. Receipts: #408 5s. (365.1; 41.0; 2.4; tickets: none listed) (charge: #147)

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: As17920125

Event Comment: Benefit for Mrs Mountain. 1st piece: Not acted these 4 years [acted 22 May 1789]. 3rd piece: Not acted these 18 years [acted 3 June 1783]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent Garden. Receipts: #119 10s. (117.12.6; 1.17.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)