SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Kemble"/1) | (@(roleclean,performerclean) "Charles Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3600 matches on Author, 2052 matches on Performance Comments, 775 matches on Event Comments, 91 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Mainpiece: Not acted these 3 years. With a Procession and Sacrifice.[Vincent is identified by a MS annotation on Kemble playbill.] Receipts: #205 4s. (174.11.0; 28.0.6; 2.12.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: Harlequins Invasion

Event Comment: Mainpiece: Not acted these 9 years [acted 20 Oct. 1769. Wolfe is identified by MS annotation on Kemble playbill. For Mrs Cuyler see 4 Jan.]. Receipts: #143 15s. (103.19; 33.14; 6.2)

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Roman Bride's Revenge Author(s): Charles Gildon
Related Work: The Wives Revenged Author(s): Charles Dibdin

Afterpiece Title: All the Worlds a Stage

Cast
Role: Charles Stanley Actor: Farren

Dance: As17770215

Event Comment: Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalryv. [This was included in all subsequent performances.] With new Dresses, and the Scenery entirely new painted. [Miss Simson is identified by MS annotation on Kemble playbill.] Receipts: #226 6s. 6d. (204.10.0; 21.12.0; 0.4.6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Deuce is in Him

Dance: [the following new Dances composed] by Gallet:I: [a Dance of Cupids-; IV: [a Dance of Daemons-; to conclude: Grand Ballet-Henry, Miss Armstrong, Mlle Dupre. [These were danced, as here assigned, in all subsequent performances.

Music: Mainpiece: With a New Overture, and additional Airs, Chorusses-; the whole of the Music composed by Michael Arne

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Belphegor or The Wishes

Event Comment: [The playbill retains Henderson as Valentine, but on the Kemble playbill his name is deleted. On 21 Nov. the part was acted by Farren.] Receipts: #187 3s. 6d. (158.2.0; 27.6.6; 1.15.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Camp

Event Comment: [Rundell is identified by MS annotation on Kemble playbill. His 1st appearance on the stage was at dl, 19 Apr. 1776.

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Invasion

Cast
Role: Charles Evergreen Actor: Whitfield
Event Comment: Announced by the playbill, but "Not perform'd on Acct. of Mr Garrick's Death (at 8 o'Clo'Morng)" (MS annotation on Kemble playbill). See also Public Advertiser, 21 Jan.: Drury Lane Theatre was shut up last night on [this] melancholy Occasion

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Event Comment: [Miss Thornton is identified by MS annotation on Kemble playbill.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Reprisal

Dance: As17781201

Event Comment: [Daly is identified by MS annotation on Kemble playbill.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Liverpool Prize

Dance: As17790222

Event Comment: [Daly is identified by MS annotation on Kemble playbill.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Liverpool Prize

Cast
Role: Charles Actor: Whitfield
Event Comment: [Mainpiece in place of The Double Deception, announced on playbill of 26 Apr.] MS annotation on Kemble playbill: I believe this was the last time Miss Younge acted at Drury Lane. See C. G. T. November 10th, 1779. Receipts: #107 10s. 6d. (66.17.0; 32.16.0; 7.17.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Whos the Dupe

Dance: As17790417

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Sir Charles Racket Actor: Lewis

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Event Comment: [As afterpiece the playbill announces the 23rd night of The Critic, but on the Kemble playbill it is deleted. Its substitute is listed in the Account-Book.] "The earliest notice will be given of the 23rd performance of The Critic, which is obliged to be deferred on account of King's illness" [see 23 Dec.] (Public Advertiser, 13 Dec.). Receipts: #126 14s. 6d. (89.5.0; 34.6.0; 3.3.6)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Whos The Dupe

Dance: As17791126

Event Comment: [Elliot is identified by MS annotation on Kemble playbill.] Receipts: #130 15s. (128.7; 2.8)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Mirror

Related Works
Related Work: The Mirror; or, Harlequin Every-where Author(s): Charles Dibdin

Dance: End II: Dance of Slaves-

Event Comment: [Mrs Elliot is identified by MS anotation on Kemble playbill.] Receipts: #208 1s. (178.2 29.5: 0.14)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Fortunatus

Event Comment: [Burkett is identified by MS annotation on Kemble playbill; he was from the Crow Street Theatre, Dublin.] Receipts: #223 15s. 6d. (221.10.0; 2.5.6)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: Comus

Dance: As17791231

Event Comment: [Bludrick is identified by MS annotation on Kemble playbill.] Receipts: #230 13s. (228.4; 2.9)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: Comus

Event Comment: [Berry is identified by MS annotation on Kemble playbill.] Receipts: #185 16s. (184.6.6; 1.9.6)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Tom Thumb

Dance: End I: The Shepherd's Wedding, as17801003; End: The Villagers, as17801011

Event Comment: [In mainpiece the playbill assigns Hastings to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #225 15s. 6d. (187.5.0; 37.11.6; 0.19.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Critic

Event Comment: Mainpiece; Not acted these 6 years [acted 15 May 1775. Trew is identified by MS annotation on Kemble playbill.]. Receipts: #131 10s. (127.6.6; 4.3.6)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Upholsterer

Song: Principal Vocal Parts-Davies, Mrs Morton, Miss Morris. [The music by Purcell.

Event Comment: Mainpiece: Not acted these 6 years. [Mrs Mahon is identified by MS annotation on Kemble playbill.] Afterpiece: Not acted these 5 years. Receipts: #210 13s. (208.8.6; 2.4.6)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude with: a Dance of Sailors-

Event Comment: [Mrs Roope is identified by MS annotation on Kemble playbill.] Receipts: #164 6s. (162/5; 2/1)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)