SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles Kemble"/1) | (@(roleclean,performerclean) "Charles Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3600 matches on Author, 2052 matches on Performance Comments, 775 matches on Event Comments, 91 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Pannel

Performance Comment: Don Guzman-Hollingsworth; Don Ferdinand-Barrymore; Don Carlos-C. Kemble; Don Pedro-Caulfield; Octavio-Trueman; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Marcella-Mrs Goodall; Aurora-Miss Heard; Beatrice-Mrs Jordan.
Cast
Role: Don Carlos Actor: C. Kemble
Related Works
Related Work: The Pannel Author(s): John Philip Kemble

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Lodoiska

Performance Comment: As18000101, but C. Kemble's name listed in playbill.
Cast
Role: Tartars Kera Khan Actor: C. Kemble
Related Works
Related Work: Lodoiska Author(s): John Philip Kemble

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Lodoiska

Performance Comment: As18000414, but Kera Khan-C. Kemble; Camazin-Clarke.
Cast
Role: Kera Khan Actor: C. Kemble
Role: Tartars Kera Khan Actor: C. Kemble
Related Works
Related Work: Lodoiska Author(s): John Philip Kemble
Event Comment: She Wou'd and She Wou'd Not [advertised on playbill of 17 Apr.] is obliged to be deferred on account of the indisposition of C. Kemble. [Afterpiece in place of Of Age To-morrow, also advertised as above.] Receipts: #243 12s. (168.2.6; 71.18.6; 3.11.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Lodoiska

Cast
Role: Tartars Kera Khan Actor: C. Kemble
Related Works
Related Work: Lodoiska Author(s): John Philip Kemble
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley
Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant Or The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandalizd

Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: The Flitch of Bacon

Event Comment: Benefit for the Authors [who are named in Kemble Mem., but not on the playbill]. Receipts: #197 4s. (155.16; 37.10; 3.18; tickets: none listed) (charge: #115)

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: The Pannel

Related Works
Related Work: The Pannel Author(s): John Philip Kemble
Event Comment: Benefit for R. Palmer and Russell. [Miss Dorell is identified in MS list in Kemble playbill of new performers for this season.] True Briton, 31 May: Tickets to be had of R. Palmer, No. 28, Lower Eaton-street, Pimlico; of Russell, No. 46, Great Russell-street, Bloomsbury. Receipts: #290 13s. (65.13.0; 52.7.6; 4.3.0; tickets: 168.9.6, of which R. Palmer sold 107.9.6, and Russell 61.0.0) (charge: #225 9s. 3d.)

Performances

Mainpiece Title: First Love

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Lodoiska

Related Works
Related Work: Lodoiska Author(s): John Philip Kemble
Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: Benefit for Mrs Kemble. "Kemble? Sen. performed the Miller...Here and there we could perceive the liberty of the country performer, by saying more than was set down by the author" (Public Advertiser, 27 Aug.). [Address by John Taylor (European Magazine, Sept. 1788, p. 217).] Public Advertiser, 21 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-buildings, Strand

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Sir Christopher Curry Actor: Kemble
Role: Yarico Actor: Mrs Kemble.

Afterpiece Title: The Election

Afterpiece Title: The Miller of Mansfield

Performance Comment: The Miller-Kemble Sen. (1st and only time that he ever will appear in London); Richard-R. Palmer; Joe (with a song)-Chapman; Lord Lurewell-Phillimore; King-Kemble; Margery-Mrs Love; Peggy-Miss Palmer; Kate-Miss Brangin.
Cast
Role: The Miller Actor: Kemble Sen.
Role: King Actor: Kemble

Entertainment: Monologue End 3rd piece: Address (written on the Occasion)-Mrs Kemble

Event Comment: Benefit for Mrs Kemble. Public Advertiser, 14 May: Tickets to be had of Mrs Kemble, No. 22, Great Queen-street, Lincoln's-inn-fields. Tickets delivered for Friday the 14th Inst, will be admitted. Receipts: #142 13s. (63/14; tickets: 78/19) (charge: #105)

Performances

Mainpiece Title: More Ways Than One

Cast
Role: Arabella Actor: Mrs Kemble

Afterpiece Title: Midas

Performance Comment: As17840426, but Pan-J. Wilson (of DL); Daphne-Mrs Kemble (1st appearance in that character) .
Cast
Role: Daphne Actor: Mrs Kemble

Dance: End of Act I of mainpiece, as17831001

Song: End of Act II of mainpiece The Huntsman's sweet Hollo by Mrs Martyr

Monologue: 1784 05 18 End of mainpiece an Address (written on the Occasion [author unknown]) by Mrs Kemble

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First An Historical Play charles I

Event Comment: Benefit Mr Charles. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Ryan; Aimwell-Hale; Scrub-Hippisley; Bonniface-Mullart; Foigard-Rosco; Sullen-Bridgwater; Gibbet-Neale; Sir Charles-Salway; Mrs Sullen-Mrs Horton; Dorinda-Mrs Hale; Cherry-Mrs Vincent; Lady Bountiful-Mrs James; Gipsy-Miss Horsington.
Cast
Role: Sir Charles Actor: Salway

Afterpiece Title: The Mock Doctor

Dance: I: Grand Ballet-Mlle Roland the Elder; II: Serious Dance-Master Charles Poitier; a Child of Five Years Old, the first time of his appearing on the Stage. III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier

Performance Comment: III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier.

Song: II: Duet-Mrs Lampe, Miss Young

Music: V: By Desire, a Preamble on the Kettle Drums-Poitier

Performances

Mainpiece Title: King Charles The First An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggars Opera Last Act only

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Charles 8. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles the Merry Trumpeter, a Batchelor, who used to Sound with Mr Bullock. At Lee's Booth on the Bowling Green. The Doors will be open'd at Five, and begin pricisely at Six

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles, the Merry Trumpeter of Oxford. At Fielding's Great Booth. 6 P.M. And tis well if it takes@If not the Trumpeter breaks

Performances

Mainpiece Title: A Bold Stroke For A Wife

Entertainment: Between the Acts: particularly the Black and White Joak, to be sounded-Charles, and also a Joak of his own

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Persons from the Theatres but the principal Part to be perform'd by Charles the Merry Trumpeter, that is to take the Money.

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Performances

Mainpiece Title: The Fair Quaker Of Deal

Cast
Role: Sir Charles Actor: Husband
Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Deserter Author(s): Charles Dibdin

Performances

Mainpiece Title: The Fair Quaker Of Deal

Cast
Role: Sir Charles Actor: Husband
Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Deserter Author(s): Charles Dibdin

Dance: Original Sailor's Dance-Commodore Flip, Commodore Flip's/Boadly/Crew