Event Comment: [The playbill retains Baddeley as Moses , and Mrs Heard as the Maid , but "Mr Baddeley being suddenly taken ill at the Theatre this Evening Banks play'd the part of Moses, and Evans doubled Surface's Servant with his own, Mrs Heard Ill, Mrs Jones the Maid" (Powell). Baddeley was stricken with apoplexy while still in his dressing room before the play began; he died the following day.] Powell: New Ballet [Alexander the Great] rehearsed at 10; Chorus of 1st Act of Cherokee at 12. Receipts: #174 13s. (136.4.6; 36.5.0; 2.3.6)

Event Comment: [In mainpiece the playbill retains Kemble as Macbeth, Wroughton as Banquo, and Palmer as Macduff, but "The Publick are respectfully informed that Mr Kemble being confined by Indisposition...Macbeth will be performed by Palmer, Macduff by Wroughton, Banquo by Packer" (printed slip attached to Kemble playbill). No mention is made of the Physician, but Jones was Packer's usual substitute in this part. See 11 Apr. 1796.] Receipts: #218 11s. 6d. (153.14.6; 61.11.6; 3.5.6)

Event Comment: Benefit Miss Jones, the Mayor's Daughter, who has so furiously espoused the Court-Interest

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones, Miss Besford

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Event Comment: [In mainpiece the playbill retains Pope as Charles Stanley, but "The part of Charles Stanley this night devolved upon Claremont. It were to be wised that this gentleman would suffer the austerity of his features to relax, when he acts the lover. A continual frown ill accords with the soft workings of the tender passion" (Dramatic Censor, I, 78).] Receipts: #207 15s. (197.5; 10.10)

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Event Comment: [By Charles Shadwell.] Never Acted before. [Tickets given out for this day for Tamerlane as a benefit for Corey and Elrington will be taken on 7 March.

Event Comment: Afterpiece: [By Charles Johnson.] A New Farce of Two Acts only

Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Event Comment: Benefit Brothers and Sisters of Charles Williams, deceas'd. At the particular Desire of several Persons of Quality. 7 p.m

Event Comment: [In mainpiece the playbill retains Wroughton as Lord Morelove and Henderson as Sir Charles Easy, but "an apology was made for the Illness of [Henderson], and Wroughton became his substitute, Wroughton's Place in Lord Morelove being supplied by Williamson from the Haymarket" {Public Advertiser 13 Feb.). Afterpiece in place of Rosina, announced on playbill of 10 Feb.] Receipts: #277 6s. (269/9; 7/17)

Event Comment: [In mainpiece the playbill retains Barrymore as Careless, but "Barrymore came too late to play Careless, in consequence of which Dignum did the part and sang Sedgwick's song, who came in time to the theatre [Powell's italics, see 7 Feb.], but begged to be excused going on from the violent pain he was in, occasioned by a swelling upon his finger. Dignum not in time to be discovered at Lady Sneerwell's rout, but came on after the Scene opened. Fisher, one of the waiters in the above Scene, was absent. Caulfield absent from the scene with Charles, and Kelly Jr. not being in time to be discovered With the rest, walked on after the Scene opened." [In afterpiece] the playbill retains Aumer as Hephestion, "Hephestion C. Kemble, Aumer at the Opera House" (Powell).] Receipts: #349 7s. (264.16; 81.10; 3.1)

Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.