SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Jones"/1) | (@(roleclean,performerclean) "Charles Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3486 matches on Author, 2006 matches on Performance Comments, 444 matches on Event Comments, 300 matches on Performance Title, and 8 matches on Roles/Actors.
Event Comment: Mainpiece: Not Acted these Thirty Years. All the Characters New Dress'd. Afterpiece: A New Dramatick Pantomime Entertainment. With New Cloaths, Scenes, Machines, and other Decorations. An Exact Representation of the Hermitage, as in the Royal Garden at Richmond. And Entire New Musick, compos'd by Mr Jones. [Author not known. Apparently not published.] Daily Advertiser, 2 Feb.: When one of the Changes [on 1 Feb.] by Chance miscarried, a second Attempt was generally desir'd, which, when executed, was so pleasing, a general Clap continu'd for more than the Space of a Minute

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymens Triumph or Trick Upon Trick

Related Works
Related Work: Hymen's Triumph; or, Trick Upon Trick Author(s): Richard Jones
Event Comment: Mainpiece: Never before acted. A tragedy written by Mr Henry? Jones, a Bricklayer of Ireland. This play has been delay'd for 3 Or 4 years. Went of with great Applause (Cross). All the Characters New Dress'd. None to be admitted behind the scenes

Performances

Mainpiece Title: The Earl Of Essex

Related Works
Related Work: The Earl of Essex Author(s): Henry Jones
Event Comment: Mainpiece: By Henry Jones never acted there. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Related Works
Related Work: The Earl of Essex Author(s): Henry Jones

Afterpiece Title: Lethe

Dance: IV: As17550930

Event Comment: Benefit for Mr Jones ye author of the play. A Gift Night. Mrs Pritchard ill, Mrs? Bennet read ye Queen . So ended the Season. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Related Works
Related Work: The Earl of Essex Author(s): Henry Jones

Afterpiece Title: Lethe

Dance: II: A New Dance Call'd The Prussian Sailors-Master Settree, Miss Twist, being their first time of appearing on that stage; IV: The Faggot Binders-Master Settree, Miss Twist

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Related Works
Related Work: The Earl of Essex Author(s): Henry Jones

Afterpiece Title: Harlequins Invasion

Event Comment: Benefit Reddish. Mainpiece was originally written by Mr Jones, Author of the Earl of Essex, but not quite finish'd it is now altered by Dr Hiffernan--very bad (Hopkins Diary). Paid Salary List 4 days #378 10s. 8d.; J. French on Acct #5 5s. Receipts: #219, 4s. 6d. Charges: #70 11s. 6d. Profit to Reddish: #148 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Related Works
Related Work: The Cave of Idra Author(s): Henry Jones

Afterpiece Title: The Guardian

Cast
Role: Sir Charles Actor: Parsons

Dance: The Grand Provencalle Dance, as17750202

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley

Performances

Mainpiece Title: King Charles The First An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Cast
Role: Carriers Actor: Jones, Messink

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggars Opera Last Act only

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Charles 8. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles the Merry Trumpeter, a Batchelor, who used to Sound with Mr Bullock. At Lee's Booth on the Bowling Green. The Doors will be open'd at Five, and begin pricisely at Six

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles, the Merry Trumpeter of Oxford. At Fielding's Great Booth. 6 P.M. And tis well if it takes@If not the Trumpeter breaks

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Fainwell-Huddy; Sackbut-Penkethman; Obadiah Prim-Penkethman; Sir Philip-Jenkins; Perriwinkle-Clarke; Tradelove-Mynns; Freeman-Machen; Mrs Lovely-Miss Tollett; Mrs Prim-Mrs Thomas; Betty-Mrs Tollett; Simon Pure-Jones; Prim's Boy-Young Woodward.
Cast
Role: Simon Pure Actor: Jones

Entertainment: Between the Acts: particularly the Black and White Joak, to be sounded-Charles, and also a Joak of his own

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Persons from the Theatres but the principal Part to be perform'd by Charles the Merry Trumpeter, that is to take the Money.

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette Or The Mistakes Of The Heart

Afterpiece Title: The True Born Irishman or The English Sailors and Soldiers in America

Performance Comment: Characters-Jackson, Dowson, Davis, Evans, Alfred, Russell, Williams, Jones, Miss Essex, Miss Walton, [Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]Text (J. Williams, 1767) lists the parts: Indian King, English Captain, Macfinan, Ben, Ned, White Lady, Black Woman.]

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Benefit for Tindal and Charles Sarjant (book and housekeeper). Not acted this season

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Ross; Macduff-Tindall; King-Gibson; Malcolm-Davis; Donalbaine-Murden; Seyton-Gardner; Banquo-Sparks; Lenox-Hull; Hecate-Wignell; 1st Murderer-Buck; 2nd Murderer-Holtom; Witches-Dunstall, Costollo, Lewis; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Ward; With Original Music. Vocal parts-Mattocks, Legg, Baker, Waylin, Dibdin, Mrs Lampe, Mrs Jones; Dances-and Decorations incident to the play.

Afterpiece Title: The Apprentice

Dance: IV: A Tambourine, as17641015; End: (by Particular Desire) A New Hornpipe, as17650510

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.

Afterpiece Title: Thomasand Sally

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift or A ChristmasGambol

Performance Comment: Principal Characters-Quick, Whitfield, Dunstall, Wewitzer, Brunsdon, Booth, Robson, Fearon, Jones, Cushing, Mrs Willems, Mrs White, Mrs Morton; Larpent MS 463 lists the parts: Sir Clement Courtly, Young Courtly, Save Charges, Plunder, Hazard, Bumper, Bondage, Bobbin, Trusty, Bottlerack, Marrowbone, Trip, Servants, Miss Worthy, Dorothy, Margery. New Prologue-Lee Lewes.
Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Performance Comment: Jupiter (in the character of Harlequin)-[W.] Bates; Chasseur Royal (with The Early Horn)-Brett; Mercury-Darley; Doctor-Thompson; Punch-Jackson; Hercules-Dumay; Apollo-Byrne; Scaramouch-Ratchford; Mars-Cranfield; Anatomist-Jones; Pierrot-Stevens; Highland Lad and Lassie (with a new Character Duet)-Mahon and Miss Satchell; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .
Cast
Role: Anatomist Actor: Jones

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Event Comment: Tickets deliver'd by Mrs Lampe, Mrs Jones, Mrs Morris, Miss Cranfield and Mr Hollingsworth will be admitted. Doors opened at half past 5. To begin at half past 6

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Lewis, first time; Aimwell-Whitefield, first time; Scrub-Quick; Gibbet-Booth; Bonniface-Dunstall; Sir Charles Freeman-DuBellamy; Sullen-Thompson; Foigard-Fox; Dorinda-Mrs Mattocks; Cherry-Miss Brown; Lady Bountiful-Mrs Pitt; Mrs Sullen-Mrs Lessingham.

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Cranfield; II: The Pilgrim, as17750503

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention Or The Soldiers Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Performance Comment: Marplot-Mills; Sir George Airy-Davis; Sir Francis Gripe-Blanchard; Sir Jealous Traffic-Bates; Whisper-Dugdale; Servant-Master Woodward; Charles-Miller (1st appearance); Isabinda-Miss Dudley; Patch-Mrs Barnard; Scentwell-Miss Mitchell; Miranda-Miss Brangin (1st appearance); Prologue-Haynes; Epilogue-.
Cast
Role: Charles Actor: Miller

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

Event Comment: Tickets delivered for this Evening [Account-Book: by Alfred, Appleby, Benson, Banks, Cooke, Jones, Maddocks, Stokes, Whitmell, Gregson, Pilsbury, Mrs Edwin, Mrs Bramwell, Miss Redhead, Miss Menage] will be admitted. Receipts: #466 18s. (82.15.6; 16.18.0; 4.11.6; tickets: 362.13.0)

Performances

Mainpiece Title: At Kings The Haunted Tower

Performance Comment: As17920918, but Charles-Cooke.
Cast
Role: Charles Actor: Cooke.

Afterpiece Title: The Deaf Lover

Performance Comment: As17921204, but Capt. Meadows (1st time)-Benson; Canteen-Maddocks; Sternhold-Jones; William-Banks; Bob-Webb; Betsey Blossom 's song-_.
Cast
Role: Sternhold Actor: Jones

Dance: End: Le Pas Russe-Master and Miss Menage; End I afterpiece: Dance-Whitmell